Search This Blog

Translate

Rainbow Stamp News

Monthly e-Stamp Bulletin edited and published by Jeevan Jyoti from Dehradun.

Sunday, May 4, 2025

Rainbow May 2025

 

Sport for Peace



 Date of Issue: 6 April 2025



Dehradun May 2025 Vol. XVIII Issue No. 209

Readers are requested to send reports of philatelic activities in their area for publication. Short write ups by the readers about, societies, publications and philatelic requirements can be sent for inclusion in this bulletin to the editor: j.jyoti9@gmail.com

Note- This bulletin is only for circulation among a limited group of philatelists without any commercial purpose. The bulletin will be sent to the readers only on request. Those who wish to receive it regularly please reply giving the name of your city / country with the subject SUBSCRIBE RAINBOW

Summer



 Date of Issue: 8 May 2025



Editorial……

 Special Cancellations: A Missed Opportunity


Dear Reader,

I am pleased to present may 2025 issue of Rainbow DStamp News. It is a good step that some postal circles of India Post regularly issue special cancellations to commemorate the special occasions. These cancellations mark important international days and events, but they're often underutilized. Instead of being used on outgoing mail on the special day, they're sometimes confined to philatelic bureaus or inaugural functions.

This limited use diminishes the significance of these special cancellations. They're primarily collected by enthusiastic philatelists, missing the chance to reach the common man. To maximize their impact, special cancellations should be used on all outgoing and receiving mail on the designated day. This way, recipients would be aware of the significance and commemoration.

An official order from the Postmaster General's office and further its follow up could ensure widespread use of special cancellations. By doing so, India Post could share the importance of these events with the people living in different parts of the country, making special cancellations more meaningful and engaging.

By utilizing special cancellations more effectively, India Post can enhance the philatelic experience, making it more than just collecting stamps. It's about sharing history, culture, and significance with people, fostering a deeper connection with the community.

Let's hope for more effective use of special cancellations in the future, bringing philately to a wider audience and enriching the experience for all.

This is all for this month. More in the next issue. 

Happy Collecting! 


 

Contents    

                                    

 ·Editorial                                                                                                                                    

· From the Desk of Naresh Agrawal                                                      

· Recent Indian Issues                                                                                     

· In the News         

. Article by Shakil Ahmed   

. New Book on Indian Philately                                                  

· Specialized Section                                                                                        

· Beginners’ Section                                                                

. Stories Behind Stamps                                                                                  

.Thematics                                                                                   

. New Issues from Other Countries                                              

· Philatelic Clubs and Society                                              

· Blogs and Websites on Philately                                          

· Current Philatelic Magazines and Newsletters    

 

 

A Compendium of Articles on The Half Anna Lithograph Stamps



A WONDERFUL AND MOST APPERCIABLE WORK

It was surprising yet extremely pleasing to receive a book titled “A Compendium Of Articles On The Half Anna Lithograph Stamps” at my door steps written by Mr. Dinesh Kanabar FCA, FRPSL . Having the same in hands was a feeling of honour for me as someone has given me so much of honour, delight and consider me worth of possessing this book. My heartiest thanks to Mr. Dinesh Kanabar for gifting me this prestigious book. He in fact is a true philatelist and a genuine stamp and philatelist lover.  

Well, on turning the pages of this book I could see the hard work the author has done to compile articles related to Half Anna Lithograph Stamps issued by India in 1854. Undoubtedly this book is one of the best books ever written in form of compilation of articles   on any philatelic / postal aspect of Indian history. It may not be authors own intensive research-oriented book on this subject but a marvellous work done on compilation of articles pertaining to Half Anna Lithograph Stamps 1854 with his comments and inputs showing his own rich study.  

Ten chapters along with the Prologue throws light on the Lithograph stone, brief history and varied facets of half Anna Lithograph, its usages, color variations, errors, different plates and dies used in its production and their flaws   through rich study and compilation and induction of various pre published articles mainly before 1970 in different books, magazines and journals especially the ones published in Philatelic  Journal of India, Calcutta Philatelist, India Stamp Journal, India Post, Ind Dak London Philatelist and some more prestigious  Bulletins. The articles discuss about multiple varieties of various dies some of which are not even catalogued. Its 8th chapter the author has given information about various sources from where the data on Half Anna Lithograph has been gathered and the article Index as chapter nine is index of various articles that have been reproduced along with information like when it appeared in a Philatelic Journal and its author. 

Printed on thick glossy papers forming 280nos. of pages this book has some beautiful presentations of articles in line with the Index. As the articles have been reproduced from the sources, despite best printing technology used on good quality paper; discoloration and poor visibility and spotting of some of the images has been observed. However, this book boasts as most indispensable work for anyone collecting the Half Anna Lithographs and an important book for the Indian philatelic literature library. And a must reference book for enthusiast of 1854 Half Anna Lithograph Stamps as it gives opinions and study of different writers and authors through their well-researched, well written and explained articles.
 

Finally, as there is no finality in philately, this book can be recommended as a reference book to the future philatelists as it will stimulate and motivate them carry on research and to explore Half Anna Lithographs Stamps 1854 in batter way.  

 -Naresh Agrawal , Bilaspur (C.G.) email nareshkumar1992@yahoo.co.in    Mob/Whatsapp : 09425530514


Recent Indian Issues

7 April 2025 : 50 Years of reestablishment of Diplomatic Relations between India and Portugal

1 May 2025 :  Birth Centenary of Legends – MS +  5 x Rs 5


  


New Special Cancellations

18 April 20254 : World Heritage Day

21 April National Civil Service Day

22 April 2025 : World Earth Day : Balasore

24 April 2025 : National Panchayat Raj Day

25 April International Delegate Day

1 May 2025 : International Labour Day 







In The News


Recent Stamp Exhibitions



THAILAND 2025 Asian International Stamp Exhibition.

From 8 -12 August 2025

It will be organized under the Patronage of the Federation of Inter-Asian Philately (FIAP)

  National Commissioner

 


VIRENDRA SHARMA

185, Bhupalpura Main Road,

Udaipur, Rajasthan - 313001, INDIA

 

Email virsharma@yahoo.com   WhatsApp +91-9928570097


Apprentice National Commissioner


Aditya Asthana

N3-502 Vatika Lifestyle Homes,

Sector 83, Vatika India Next,Gurugram, Haryana 122012

Email adityaasthana@live.com  WhatsApp +91-9582212130


AUSVIPEX -2025



Deadlines

Entries close: 28 September 2025

Title Pages to Judges: Mon 5 October 2025

Scans by: 20 Oct 2025 (but can be sent anytime up until then)

Exhibition available on line for Judges: from Friday 13 November 2025.

Exhibition available on line for public viewing: from Friday 27 November 2025.

Results available: Friday 4 December 2025.

Feedback to Exhibitors: Week commencing Mon 7 December 2025.

On Line until 28 Feb 2026

Frames Available: 500

Exhibition Website https://ausvipex2025.com


Organisation

The Australian Virtual Philatelic Exhibition 2025 (AUSVIPEX 2025) is an online National Philatelic Exhibition organised by the Australian Philatelic Federation (APF). These regulations are based on the APF Regulations for Australian Philatelic Exhibitions.

For all enquiries email: Ausvipex2025@gmail.com

Conditions of Participation

Participation in the Exhibition is open to all exhibitors worldwide.  They do not need to be a member of an affiliated organisation. The exhibitor must be the bona-fide owner of the exhibit.

Exhibits must be of 2-8 frames based on 16 sheets (approximately 28-29 cm x 23 cm each) per frame. Page size is not critical but entries must be in the format of frames each comprising 16 single sheets or the equivalent in double pages or square pages, or a combination of single, double or square pages corresponding to a ‘frame’ in a physical exhibition.

Exhibits may come from any of the FIP or APF competitive classes, except for the One-Frame Class. Only electronic (or digital) Literature Class entries will be accepted. Exhibits will be classified and judged in their respective FIP class or Australian National Class. Judging is based on the regulations of their respective classes and these Guidelines. Each entry must be entered in the correct class.  Non-competitive entries will be by invitation of the Committee only.

Entries can be either scans of exhibits prepared and mounted on paper or exhibits prepared using scans of philatelic items with the pages prepared on a computer.  If the latter, the nature of preparation must be declared. The items scanned must be owned by the exhibitor and the scans must not be embellished in any way.

All entries will be displayed on the Exhibition website and available for public viewing.

Entry fees

The frame fee of $20 per frame (multi-frame exhibits) or $25 (Electronic Literature entries) must accompany the entry form.

EuroPhilex Birmingham 2025



European Philatelic Exhibition 7-11 May 2025

 

Visit : https://europhilex2025.co.uk/

SAVPEX-2025


10th South African Virtual Philatelic Exhibition SAVPEX 2025 will be held in June

2025. Visit : https://stampssa.africa/


PHILAKOREA 2025 Specialised World Stamp Championship Exhibition

From 17 - 21 September, 2025

At COEX Le West Convention Center in Seoul, Rep. of Korea.

https://philakorea2025.kr

 National Commissioner for India,


KAPIL GOGRI

Email : kapilg25@hotmail.com   WhatsApp +91.98211.11140

OR CC. to the Apprentice National Commissioner for India,

Meena Mutha :Email meenu55@gmail.com

 

Dubai 2026



DUBAI 2026 , Specialized FIP & FIAP patronage World Stamp Exhibition ,

4-8 February 2026

 

Participation open in following class 

Class 1: Traditional Philately

Class 2: Postal History

Class 3: Postal Stationery

Class 4: Thematic Philately

Class 5: Picture Postcards 3

Class 6: Experimental class

A: One Frame Exhibit. (1 frame from above class only)

B: Non-standard Frames Exhibit.( 2-4 frames from above class only)

Class 7: Youth Philately

Group A 10-15 years old as on Jan.1, 2026(1-3 frame)

Group B 16-18 years old as on Jan.1, 2026(2-4 frame)

Group C 19-21 years old as on Jan.1, 2026(3-5 Frame)

Class 8: Philatelic Literature

A) Philatelic books and research papers published after January 01, 2021

B) Philatelic magazines and periodicals , whole annual volume issued after January 2024

C) Catalogues published after January 01, 2024

Application Forms shall be submitted to Commissioners not later than 20 July 2025 along with copy of the introductory page. When the title of the exhibit differs from the past (irrespective of minor or major changes), the previous title of the exhibit must be stated in the Exhibit Application Form. FIP Exhibitor’s Identity Number must be stated which can also be obtained from PCI.

The participation fee for Competitive Classes (except 6, 7 and 8) will be US$ 100 per frame , Experimental class (Class 6) A: One frame Exhibit is US$ 110 per exhibit B: Non-standard frame exhibit is US$ 100 per frame , Youth Philately (Class 7) is US$ 20 per exhibit and  Philatelic Literature (Class 8) is US$ 90 per exhibit. All additional expenses will be informed once applications are received and calculated accordingly.  

 

For more details & Form download click,

https://dubai2026wse.com/

 MACAO 2026

FIP Patronage Specialized WSC

Dates: 26 Jun to 1 Jul, 2026

PHILATAIPEI 2026

FIP Patronage General World

Dates: 19 - 24 Nov 2026

BuddhaPEX- 25



1st SPECIALIZED EXHIBITION ON LORD BUDDHA'S LIFE & TEACHINGS (50+ frames)

Date: 17th, 18th & 19th May, 2025.

Venue: Government Bauddha Museum, Gorakhpur.

For participation,  contact: philatelicsociety.uttarpradesh@gmail.com  or  Call / WhatsApp 9044435490


News from Philatelists and Philatelic Societies


 Air Mail Society India Foundation 


AMSI’s First Monthly Zoom Display Meeting

 

First Monthly Zoom Display Meeting, a new initiative by AMSI to promote the exchange of knowledge and enthusiasm in the fields of Aerophilately and Astrophilately.

  Friday, 23rd May 2025 – Approx duration: 1.5 hrs

 Start Time
•  IST – 7:00 PM :•  CET – 3:30 PM : •  GMT – 1:30 PM : •  ET – 9:30 AM

  Zoom Meeting Link:

Meeting ID: 954 5217 0103
Passcode: 889501

 Highlights:

  • Max Smith will speak on the 1920 Bombay-Karachi Air Mail service.
  • The second speaker details will be announced later on our website.


Baroda Philatelic Society





Baroda Philatelic Society celebrated Golden Jubilee Closing Ceremony on 27.04.25, Sunday at Grand Mercure Hotel, Vadodara. Society distributed Silver Coins of 10 gm & 5 gm to Members.



Chief PMG of Gujarat Circle Shri Ganesh Sawleshwarkar , PMG Vadodara Region Sh. Dinesh Kumar Sharma & Director Postal Training Centre, Vadodara Director PTC Dr. S. Shivaram  were present & distributed  Coins to members. 4 Golden Jubilee Members were also present. ( Members from 1975) & Chief PMG has honoured GJ Members with Special Gifts  to them.  More than 60 members were present on the occasion.

: Timir Shah – Vadodara


New book on Hobbies




Philately in Crisis: Systemic Irregularities Threaten India’s Stamp Exhibitions

 




Philately, the study and collection of postage stamps, represents a unique intersection of art, history, and culture. In India, philatelic exhibitions have long served as prestigious platforms for collectors to display their carefully curated collections and engage with fellow enthusiasts. However, recent events at prominent exhibitions have cast a shadow over the integrity of these events, exposing concerning irregularities that demand immediate attention. The controversies surrounding BIPEX-2024 in Patna and Mahapex-2025 in Mumbai have revealed fundamental flaws in the judging processes, raising serious questions about the governance of philatelic activities in the country.  

At BIPEX-2024, a state-level exhibition held in Patna, a particularly troubling irregularity emerged regarding the composition of the jury panel. Reports indicate that an individual without proper accreditation was permitted to serve as a fully-fledged juror, despite lacking the required apprenticeship experience mandated by Philatelic Congress of India (PCI) regulations. This breach of protocol becomes even more concerning when examining the accreditation process itself. The PCI Secretary General had issued communications asserting that certain individuals had completed their apprenticeships and were approved as State Accredited Jurors. However, available records suggest these claims may have been misleading, as no state-level exhibition had been conducted prior to BIPEX-2024 where these individuals could have legitimately served as apprentice jurors. Furthermore, the PCI Governing Council, which holds the ultimate authority in such matters, had not formally approved these accreditations as required by established procedures.  

The situation at Mahapex-2025 in Mumbai presented its own set of irregularities that further eroded confidence in the exhibition system. Designated as a state-level exhibition, the event curiously featured a jury panel composed exclusively of national-level jurors, in direct contravention of the Department of Posts’ own guidelines. This unusual arrangement was compounded by the presence of several state-level jurors who, despite being available, were not officially assigned to the judging panel. Such discrepancies in jury selection processes not only violate established protocols but also create an environment where the fairness and impartiality of evaluations can reasonably be called into question.  

These incidents point to broader systemic issues within India’s philatelic community. The Department of Posts, as the governing body overseeing philatelic exhibitions, and the Philatelic Congress of India, responsible for jury accreditation, appear to have failed in maintaining proper oversight and adherence to established norms. The apparent ease with which fundamental rules were bypassed suggests either significant gaps in operational protocols or, more troublingly, deliberate attempts to manipulate the system.  

The implications of these irregularities extend far beyond the specific exhibitions in question. Philatelic exhibitions rely fundamentally on their credibility and the trust of participants. Collectors invest considerable time, resources, and passion into building their exhibits, often over many years. When the judging process becomes suspect, it undermines the very foundation of these competitive exhibitions. The potential consequences are severe – diminished participation from serious collectors, a loss of international standing for Indian philately, and most damaging of all, the disillusionment of new and young collectors who represent the future of the hobby.  

Looking at international practices reveals how other nations maintain rigorous standards in their philatelic exhibitions. Countries with robust philatelic traditions employ clearly defined jury selection processes, mandatory apprenticeship requirements, and rotation systems to prevent conflicts of interest. These measures ensure transparency and maintain confidence in exhibition results. The current situation in India stands in stark contrast to these established best practices.  

The need for corrective action is urgent and undeniable. The recurring nature of these irregularities suggests deep-rooted issues that require comprehensive reform. Without immediate and decisive intervention, India risks permanent damage to its philatelic reputation, both domestically and internationally. The preservation of philately as a respected and vibrant hobby in India depends on restoring integrity to its exhibition system. This demands a concerted effort from all stakeholders to implement transparent processes, enforce existing regulations without exception, and rebuild the trust that has been compromised. The future of Indian philately hangs in the balance, and the time for action is now.

: Shakil Ahmed : email: ahmedshakil99@gmail.com


New Book on Indian Philately



A Compendium of Articles on The Half Anna Lithograph Stamps

-Dinesh  Kanabar FCA, FRPSL




 

Note: This book was sent by author of the book Mr Dinesh Kanabar as a gift which we acknowledge with thanks. - Editor




A Compendium of Articles on The Half Anna Lithograph Stamps Author and Publisher -  Dinesh Kanabar : Type - Hardbound: Pages - 280 : email : philately@dhskadvisors.com

The recent book on ‘Half Anna Lithograph Stamps’ by Mr Dinesh Kanabar is a very comprehensive book on Indian Philately. It is an excellent compilation of specialized articles published on famous Half Anna Lithograph Stamps in several philatelic journals of India and abroad.

 


The article “A Brief Postal History of India leading to Half Anna issue of 1854” by Dinesh Kanabar is a detailed and very informative article with many illustrations. Collectors of Postal History and British India  would love to read it.

 


Many articles on ‘Half Anna Lithographs of India’ by renowned philatelists like Jal Cooper, PM Medhora,, CF Larmour. E. Hoston, ND Cooper, Lt Col. WW Lean, DE Wadia, Col AE Stewart , DC Gray and many more were published before 1970 in prestigious philatelic journals   have been reproduced in the book with illustrations. It gives an easy approach to the keen researchers of Indian Postal History. It is a reference book for all philatelists interested in the study of Indian Philately. It is an excellent book giving detailed description of varieties of Half Anna Lithographs of India. The book gives an index of the reproduced articles with respective page numbers and name of the journals for the easy reference of the Readers.



It is the best reference for Postal History and Traditional philatelists. The book is  great help to explore the rich history of Indian philately and understand the  various available varieties and  technicalities of Half Anna Stamp. The layout and printing quality of the book is excellent. It is an asset for all philatelic libraries. The book is recommended for all those interested in Postal Histoiry of India and  Traditional Indian Philately,


Specialized Section


Agatha Christie’s popularity IS SLIGHTLY LESS than god (pt III)




Year 2016 was marked as 125th anniversary of her birth, the centenary of Christie writing her first detective story as well as the 40th anniversary of her death (which was in January 1976). Postal administrations all over the world honoured this all-time great Mystery novelist issuing commemorative stamps and other philatelic products.  


PHILATELIC TRIBUTES IN CHRISTIE STYLE



Royal Mail chosen six of the sixty-six detective novels that Christie penned including her first published detective novel “The Mysterious Affair at Styles” for its 2016 commemorative issues. Other novels depicted on the stamps include: “Murder on the Orient Express”, “And Then There Were None”,” A Murder is Announced”,” The Murder of Roger Ackroyd” and “The Body in the Library”. All in true Christie style   designed by London-based Studio Sutherland in collaboration with British illustrator Neil Webb Jim, containing hidden elements relating to key scenes and principal characters from Christie’s mystery novels. Printed mostly in moody black and white, they make extensive use of micro printing  to include references to book titles, plots and characters, as well as the six letters which comprise her first name, as if they were hidden clues. To unfold these secrets one will need a mix of body heat, UV light and a magnifying glass.



FDC, GB 2016

 

“MURDER ON THE ORIENT EXPRESS”: SUSPECTS ARE ALL PRINTED IN MICRO TEXT

“Murder on the Orient Express” published in 1934, was inspired by an actual incident when the Orient Express was blocked by snow. Agatha journeyed frequently on the Orient Express to and from Baghdad with her second husband Max Mallowan, the well-known archaeologist who excavated several important sites in the Middle East.

In Murder on the Orient Express, just after midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious train was surprisingly full for the time of year. But by the morning there was one passenger fewer. An American lay dead in his compartment, stabbed a dozen times, his door locked from the inside. With tension mounting, detective Hercule Poirot finds that everyone travelling in his coach has a motive. He comes up with not one, but two solutions to the crime.

When the Albert Finney film adaptation of ‘Murder on the Orient Express’ opened, more than 3,000,000 copies of its, were sold in 1974 alone.


“The red kimono character is a red herring, distracting the viewer from the killer hidden behind a heat sensitive ink curtain (you simply put your finger on it and curtain disappears),” Sutherland said. “The suspects are all printed in micro text along the train rail. I loved the idea that you need magnifying glass to read some of the clues—as stamp collectors use them as well as sleuths.” 


This famous novel is also commemorated on an early issue of GB 1991 as a pane of a Booklet depicting only a knife.



“THEN THERE WERE NONE”: KEY TO THE PLOT IN MICRO TEXT IS THE MOON’S REFLECTION

 “Then There Were None” is the Christie’s best-selling novel and one of the biggest sellers of all time – with 100 million copies sold. This book has had more adaptations than any other of Christie’s work, as well as eight film versions. Published in 1939, this novel sees a group of people lured into staying on a remote island under various pretexts, and then being murdered one after another, apparently in retribution for earlier sins.


“The island is the profile of the unknown killer and host,” Sutherland said. “The poem, key to the plot, is the moon’s reflection. The mysterious U.N. Owen appears at the lit window.”



“THE BODY IN THE LIBRARY”: MISS MARPLE BOOKS IN SHELVES NAME IN MICRO TEXT

In “The Body in the Library”, published in 1942, the case follows Miss Marple investigating a complex mystery in which the identity of the victim is far from clear, never mind that of the murderer. 


“Miss Marple investigates a body found in the library,” Sutherland said. “Her previous books appear on the shelves behind.”


“A MURDER IS ANNOUNCED”: UV INK REVEALS THE CLOCK FACE 

 “A Murder is announced”, published in 1950, is the 50th Christie mystery imaginative tale concerns a killing which is advertised in advance in a local newspaper, and is followed by more. Solving the case requires all of Miss Marple’s intuition. Its first edition sold record breaking 50,000 copies.

Killer bursts in at a preannounced time (6:30) to shoot at the hostess,” Sutherland said. “She holds the newspaper where he announced his plans. UV ink reveals the clock face. Miss Marple appears on the scene.”

BOOKS ADOPTED FOR TV AND FILMS

Television adoption of Miss Marple and Poirot books achieved critical acclaim as well as popular success. Most of her books and short stories have been adapted for   radio, video games, comics and more than thirty feature films.




Series of 13 British crime drama comprising 70 episodes, based on Agatha Christie's Poirot aired on ITV during 1989-2013


 

Peter Ustinov as Inspector Hercule Poirot in movies: Death on the Nile (1978); Evil Under the Sun (1982); Thirteen at Dinner (1985) (TV); Dead Man's Folly (1986) (TV); Murder in Three Acts (1986) (TV); Appointment with Death (1988)

 


She was named ‘Mystery Writer of the Century’ and in 1972 she was immortalised in Madame Tussaud’s Wax Museum...



SHE HAS A ROSE NAMED AFTER HER




Beautiful rich, pink Hybrid Tea shaped blooms that are lightly fragrant. A strong growing, disease-resistant climber with outstanding dark-green glossy foliage and Repeat Bloom

EVEN HER TYPEWRITER ON WHICH SHE WROTE MANY OF HER NOVELS IS ON VIEW IN TORRE ABBEY IN TORQUAY


Her Typewriter


The Mysterious Affair at STYLES her first mystery plot

Reverse side of the Booklet pane, GB 1991

 



She is the only crime writer to have created two equally famous and much loved characters - Hercule Poirot and Miss Marple


Beginners’ Section


The World Wildlife Fund


This semi postal stamp has raised over $7.5 million for wildlife conservation.


On April 29, 1961, the World Wildlife Fund (WWF) was founded. Prior to the WWF, the Conservation Foundation was founded in 1948 as an affiliate of the New York Zoological Society. Their goal was to protect the world’s natural resources.

The WWF’s creation is credited to Victor Stolan, who suggested to Sir Julian Huxley that they establish a fund to help protect endangered animals. Huxley introduced Stolan to Max Nicholson, who had 30 years of experience helping people like him get their ideas off the ground through the Political and Economic Planning think tank.

WWF Stamps honoring the Hawksbill Turtle

Together, Huxley, Nicholson, Peter Scott, Guy Mountfort and a few other scientists, naturalists, and business and political leaders joined together to form the World Wildlife Fund on April 29, 1961. On that date, they issued their Morges Manifesto, a declaration of their concern for the “thoughtless and needless destruction” of nature and the animals that inhabited them. They opened their first office later that year on September 11, in Morges, Switzerland.

At a time, there were few wildlife organizations around the world, and even fewer with sufficient funding. The goal of the WWF was to serve as a funding institution for other conservation groups such as the International Union for the Conservation of Nature and Natural Resources and The Conservation Foundation.




As stated in the Morges Manifesto, “They need above all money, to carry out mercy missions and to meet conservation emergencies by buying land where wildlife treasures are threatened, and in many other ways. Money, for example, to pay guardians of wildlife refuges… Money for education and propaganda among those who would care and help if only they understood. Money to send out experts to danger spots and to train more local wardens and helpers in Africa and elsewhere. Money to maintain a sort of ‘war room’ at the international headquarters of conservation, showing where the danger spots are and making it possible to ensure that their needs are met before it is too late.”


The WWF’s first president was His Royal Highness Prince Bernhard of the Netherlands, who had also helped found the organization. Their original stated mission was for the “conservation of world fauna, flora, forests, landscape, water, soils and other natural resources by the management of land, research and investigation, and publicity coordination of efforts, cooperation with other interested parties and all other appropriate means.”



Chi Chi, a panda that had been transferred from Beijing Zoo to London Zoo in 1958, inspired the WWF’s famed giant panda logo. They chose Chi Chi as their symbol because she was the only panda in the Western world at the time and was an endangered species, which represented an important part of their work.



In 1986, the WWF changed its name to the World Wide Fund for Nature to more accurately represent their activities. Despite the name change, the organization has kept the same WWF initials. Currently, the WWF has more than five million supporters around the world in more than 100 countries, working on 3,000 conservation and environmental projects. Co-founder Sir Peter Scott once said of the WWF: “We shan’t save all we should like to, but we shall save a great deal more than if we had never tried.”

Source :  Mystic Stamp Co.

 

Stories Behind Stamps




 

 


Japan - 500m 1871 Dragons Invert Rarity

 


The Japan 1871 500-mon blue green type I Dragons stamp with the vignette showing the Japanese characters of value inverted now ranks third on the list of highest prices paid for a single philatelic item.

The Japan 1871 500-mon blue green Type I Dragon stamp with the value characters inverted, a major philatelic rarity, was sold on June 3, 2023, by David Feldman SA in Geneva, Switzerland. The stamp, known as the "Center Inverted" and considered one of the most valuable in Asia, achieved a sale price of €5.4 million or $5.8 million. The eye-popping price includes the 23 percent buyer’s premium. This price made it the highest world price ever paid for a single stamp after the British Guiana One-Cent Black on Magenta, reports David Feldman SA. 

According to Feldman, this is the first time the error of 500m 1871 Dragons Invert Rarity has been auctioned since it was made public in 1973.

“The stamp is acknowledged as Asia’s most valuable stamp and the auction result should see it placed among the recognized most valuable stamps in the world, joining the British Guiana One-Cent Magenta, the Sweden Treskilling Yellow, and the Mauritius ‘Post Office’ One and Two Pence,” Feldman said. 

The stamp is the 1871 500-mon blue green type I Dragon stamp with the vignette showing the Japanese characters of value inverted (Scott 4h). Type I Dragon stamps have solid dots in the inner border surrounding the two dragons and the characters. 

Scott 4h is valued at $175,000 in the Scott Classic Specialized Catalogue of Stamps and Covers 1840-1940. The value is in italics to indicate an item that can be difficult to value accurately because it appears in the marketplace infrequently. 

The 500m type I Dragon was printed in sheets of 40 arranged in five rows of eight stamps. The invert error, which is unique and only known used, is from position 33 in the original error sheet (if the sheet was turned upside down before the vignette was printed), which corresponds to position 8 in a normal pane. 

This famous error previously resided in the Meiji Property of Japan, which Feldman calls “one of the most significant and comprehensive properties of Japanese stamps and covers ever formed.”In a June 3 press release, Feldman said that an “Asian gentleman” submitted the winning bid via telephone. 

According to Feldman's explanation of the stamp's history, Linsley "was never sure of its status, and it fell on Mark E. Weber, his adopted son, to send it in 1973 to Dr. Varro E. Tyler, Expert Committee Chairman of the International Society for Japanese Philately (I.S.J.P.) for expertization."

"Believing it to be authentic but requiring a more credible certification, Tyler sent the stamp to the Expert Committee of the All Japan Philatelic Federation," according to Feldman.

"Fearing that registered mail would attract theft, he unexpectedly despatched the enormous rarity via regular mail. It landed safely in the hands of Dr. Tani Takashi, who couldn't believe his eyes when he discovered the core was inverted. He quickly rushed to present it to Dr. Ichida Soichi, the most known expert at the time, who, after rigorous investigation, proclaimed its absolute authenticity, which has never been challenged since."

Reference : 
https://www.linns.com/news/auctions/japan-1871-dragons-invert-rarity-sells-for-almost-$5.8-million-in-june-3-feldman-auction

 -Nisarg Sutaria : email : nisargsutaria78@gmail.com


Thematics

Birth of a Coin

(From the Series- “Pennywise- World Coins on stamps”)

 



 FROM OBJECTS OF DESIRE TO COINS



 

The evolution of money from objects like shells, beads, and feathers to metal coins is a fascinating journey that reflects the growing complexity of human societies and their economic needs. This transition marked a significant leap in how value was represented, stored, and exchanged, laying the groundwork for modern monetary systems. The use of objects as money gave way to the development of coins when metal representations of these objects replaced the real items themselves, a process that began in ancient Asia and gradually spread across the world.

Early Forms of Money: Objects as Currency

Objects as Primitive Currency

Before the invention of coins, various objects served as money in different cultures. These objects were often items that were scarce, durable, and widely accepted within a community. Their value was typically based on their utility, rarity, or the labor required to produce them. Some examples include:

· Shell Discs: Cowry shells were used as currency in Africa, Asia, and the Pacific Islands for centuries. Their widespread availability in some regions and scarcity in others made them a valuable trade item.

· Wampum: Native American tribes in the Northeastern United States used wampum, which were strings of beads made from shells, as a form of currency and a means of recording agreements and treaties.

· Glass Beads: In parts of Africa and the Americas, glass beads, often introduced by European traders, became a form of currency. Their value was linked to their color, size, and the difficulty of obtaining them.

 Stone Cartwheels: The Yapese people of Micronesia used large stone discs, known as Rai stones, as a form of currency. These stones, some of which were several meters in diameter, were valued based on their size, craftsmanship, and history of ownership.

   

Mangyol Stone Money Bank in Yap, Micronesia.

Photo courtesy : Yap State Historic Preservation Office

The Fe, also known as "Rai stones," are a form of stone money that originated from the island of Yap in the Federated States of Micronesia, not the Marshall Islands. However, these stones are indeed a fascinating example of primitive currency.

 Description and Characteristics

Material: Rai stones are typically made from limestone, which is not naturally found on Yap. The limestone was historically quarried from the neighboring island of Palau, which added to the value and significance of the stones.

Size: The size of Rai stones varies greatly. They can range from small, manageable discs to enormous stones up to 12 feet in diameter and weighing several tons. The size often correlated with the stone's value, but other factors were also important.

Shape: Rai stones are circular with a large hole in the center. The hole allowed the stone to be transported using poles, as it could be carried by several people or, in the case of larger stones, rolled.

 Cultural and Economic Significance

Value Determination: The value of a Rai stone was not only based on its size but also on its history, including the effort required to transport it, and the risk involved in its journey to Yap. Stones that had a known, storied past were often more valuable than larger, newer stones.

Non-Physical Exchange: The Rai stones were not typically moved when ownership was transferred. Instead, the change in ownership was recorded verbally among the community. For example, a stone might remain in the same location for generations, while ownership could change multiple times, often as a result of marriage, inheritance, or political alliances.

Social Role: Rai stones played a significant role in Yapese society. They were used in major social transactions, such as marriages, alliances, and even in compensation for mistakes or injuries. The stones symbolized wealth, status, and social connection.

Historical Context

Quarrying and Transport: The Rai stones were quarried on Palau and transported to Yap via canoes and rafts, a journey fraught with danger due to the distance and the open sea. The difficulty in acquiring and transporting the stones contributed greatly to their value.

Colonial Impact: The Rai stone economy continued even after European contact. German colonists attempted to tax the stones in the late 19th and early 20th centuries, which led to some disruption in the traditional economy. However, the stones remained a significant part of Yapese culture.

Legacy and Modern Use

Symbolic Currency: While the Rai stones are no longer used as everyday currency, they remain a potent symbol of cultural identity on Yap. The stones are still used in traditional ceremonies and as markers of historical events or family heritage.

Tourism and Education: Today, the Rai stones are a point of interest for visitors to Yap, and they serve as a tool for educating people about Micronesian history and the unique economic systems that have existed in the Pacific Islands. The Fe or Rai stones represent a unique form of currency that goes beyond mere economic value, embodying social relationships, history, and cultural identity.

  

 In some Pacific Island cultures, particularly in the Solomon Islands,

red feathers from certain birds were highly prized and used as a form of currency.

 


Sperm Whale Tooth

Shark and Walrus Teeth

In Polynesia and the Arctic, respectively, shark teeth and walrus tusks were used as money due to their rarity and the skill required to obtain them. In Polynesia, shark teeth were highly valued and sometimes used as a form of currency. The rarity and danger involved in acquiring shark teeth made them symbols of power and status. Shark teeth were often incorporated into tools, weapons, and ornaments, but their use as a form of currency also reflected the skills and bravery required to hunt sharks. This made shark teeth not only valuable but also a representation of social prestige within the community.

In the Arctic, particularly among the Inuit, walrus tusks served a similar role. The tusks, which are made of ivory, were prized for their durability and utility in crafting tools, as well as for their beauty. Harvesting walrus tusks required significant skill and effort, adding to their value as a form of currency. The Exchange of walrus tusks often took place in trade networks that spanned vast distances, connecting different Arctic communities. Both shark teeth and walrus tusks illustrate how the natural environment and the skills required to thrive in it shaped the economic systems of these regions.

Limitations of Object Money

While these objects served as functional currency, they had several limitations. The most significant was their lack of standardization. Each object could vary in size, weight, and quality, making it difficult to determine their exact value in trade. Additionally, the physical characteristics of these items often made them cumbersome to transport or store, particularly when dealing with larger transactions.

The Transition to Metal Currency

Metal Representations of Objects

As societies grew more complex and trade networks expanded, the need for a more practical and standardized form of money became evident. The transition from using real objects as currency to using metal representations of these objects marked a critical turning point. This change is believed to have started in ancient Asia, particularly in China, where silver ingots and bronze utensils, which had been used in trade for centuries, were gradually replaced by miniature bronze versions of the same items.

Bronze was chosen for its durability, malleability, and relative abundance. These miniature bronze objects, which included representations of tools, weapons, and utensils, served as symbolic currency. They retained the shape of the original objects but were significantly smaller and easier to carry. This innovation allowed for the preservation of the symbolic value of the original objects while making transactions more practical.



The Islamic World: Innovation in Coinage

Following the rise of Islam in the 7th century CE, the Islamic Caliphates developed their own distinctive coinage systems. The first Islamic coins, known as dinars (gold) and dirhams (silver), were minted during the reign of the Umayyad Caliphate. These coins were characterized by their simple, calligraphic designs, often featuring Quranic inscriptions and the names of the ruling caliphs. Islamic coinage played a crucial role in the spread of Islamic culture and commerce across a vast area, from Spain in the west to India in the east. The stability and consistency of Islamic coins made them a preferred medium of exchange long the Silk Road and other major trade routes.




The Cultural and Economic Impact of Coins- Coins as Symbols of Power and Identity

Coins were more than just a medium of exchange; they were also powerful symbols of the authority and identity of the issuing state. The images and inscriptions on coins conveyed messages about the ruler’s legitimacy, religious beliefs, and achievements. For example, Roman coins often featured the emperor’s portrait, reinforcing his divine status and control over the empire. In many cultures, coins were used to commemorate significant events, such as military victories, royal successions, or religious festivals. These commemorative coins served as a form of propaganda, spreading the ruler’s message far and wide.

Economic Stability and Standardization

The introduction of coins brought greater economic stability and standardization to the societies that adopted them. Coins provided a consistent measure of value, which facilitated trade and commerce, both within and between regions. The use of coins also enabled the development of more complex economic systems, including banking, credit, and taxation. Coins made it possible to conduct transactions on a larger scale, paving the way for the growth of markets, cities, and empires. The ability to mint and control the supply of coins became a crucial aspect of statecraft, with rulers using their coinage policies to influence the economy and assert their power.

The Legacy of Coins in Modern Currency - Transition to Modern Currency

The principles established by the early development of coins—standardization, durability, portability and symbolism continue to influence modern currency systems. While the use of metal coins has declined in favor of paper money and digital currency, coins remain an important part of many national currencies, particularly for smaller denominations.

Coins in the Digital Age

In the digital age, the concept of money has evolved far beyond physical coins. However, the legacy of coins can still be seen in digital currencies like Bitcoin, which are often referred to as "coins" in their own right. Crypto currencies, though entirely digital, share some characteristics with traditional coins, such as being divisible, portable, and standardized. The use of symbolic imagery, a key feature of ancient coins, has also persisted in modern currency. National symbols, historical figures, and other cultural icons continue to be featured on coins and banknotes, reinforcing their role as both a medium of exchange and a marker of national identity.

The progression from objects to coins marked a pivotal moment in the history of money, transforming the way value was represented and exchanged. The development of coins from metal representations of objects was driven by the need for a more practical, standardized, and durable form of currency. This innovation laid the foundation for the complex monetary systems we use today, influencing the economic, cultural, and political landscapes of societies around the world. The evolution of money reflects humanity’s ongoing quest for efficiency, security, and trust in economic transactions. The legacy of coins continues to shape modern currency, even as we move towards a digital economy.

ANATOMY OF A COIN


The anatomy of a coin refers to the various elements and features that make up its design and structure. Understanding these components is essential for numismatists, collectors, and anyone interested in the study of coins. Below is an overview of the key parts that constitute the anatomy of a coin:

 1. Obverse (Front)

 · Definition: The obverse is the "front" or "heads" side of a coin, usually featuring a prominent design, such as a portrait, emblem, or symbol.

· Common Elements:

Portrait: Often, the obverse side of a coin displays the image of a prominent figure, such as a monarch, political leader, or national hero. For example, modern U.S. coins feature portraits of historical figures like Abraham Lincoln (penny) and George Washington (quarter).

Date: The year the coin was minted is typically found on the obverse, although it can also appear on the reverse in some cases.

Inscription: This may include the name of the issuing country, a national motto, or other relevant text. For instance, U.S. coins often feature the phrase "In God We Trust."

 2. Reverse (Back)

· Definition: The reverse is the "back" or "tails" side of a coin, typically featuring a design that complements or contrasts with the obverse.

· Common Elements:

Design or Symbol: The reverse might display a national symbol, coat of arms, emblem, or other significant imagery. For example, the reverse of the U.S. quarter features different designs representing the 50 states.

Denomination: The coin's value is often inscribed on the reverse, indicating its monetary worth (e.g., "1 Dollar," "50 Cents").

Mint Mark: A small letter or symbol indicating the mint where the coin was produced. For 

example, U.S. coins may have mint marks like "P" for Philadelphia or "D" for Denver.

 3. Edge (Rim)

· Definition: The edge is the outer boundary of the coin, which can have various treatments and inscriptions.

· Types of Edges:

Plain Edge: A smooth edge with no markings, found on some coins.

Reeded Edge: An edge with a series of small grooves or ridges, commonly found on coins like dimes and quarters. This design was originally used to prevent coin clipping (the shaving off of small amounts of precious metal).

Lettered Edge: An edge with inscriptions or symbols stamped into it. For example, the U.S. 

Presidential $1 Coins have inscriptions like "E Pluribus Unum" and the minting year on the edge.

Decorative Edge: Some coins feature patterns or designs on the edge for aesthetic purposes or as a security feature.

 4. Field

· Definition: The field is the flat, background area of a coin's surface that surrounds the central design elements, such as portraits, symbols, and inscriptions.

Importance: The field is typically polished or treated to enhance the contrast between the design elements and the background. It plays a crucial role in the coin's overall appearance and clarity.

 5. Legend

· Definition: The legend is the principal inscription or series of words on a coin, usually found along the outer perimeter on both the obverse and reverse sides.

Purpose: The legend often includes the name of the issuing authority, a national motto, or a phrase that holds cultural or historical significance. For example, the legend on British coins often reads "Elizabeth II D.G. Reg F.D." (Elizabeth II, by the Grace of God, Queen, Defender of the Faith).

 6. Device

· Definition: The device is the main image or motif on a coin, such as a portrait, emblem, or national symbol.

Examples: On the U.S. penny, the device on the obverse is the portrait of Abraham Lincoln, while on the reverse, it might be the Lincoln Memorial (in older designs) or the Union Shield (in newer designs).

7. Relief

· Definition: Relief refers to the raised design elements on a coin that stand out from the background field.

· Types:

High Relief: Coins with more pronounced and raised design elements. These are often more 

detailed but can wear down faster in circulation.

Low Relief: Coins with less pronounced raised elements. These are generally more durable and resistant to wear.

 8. Exergue

· Definition: The exergue is a specific area on the reverse side of a coin, usually below the main design, often set apart by a line. This area often contains the date, mint mark, or other inscriptions.

Purpose: It provides a clear and separate space for important information without cluttering the main design.

 9. Bust

· Definition: The bust refers to a portrait on a coin, usually showing the head, neck, and upper shoulders of an individual.

Common Use: Busts are commonly used on the obverse side of coins to depict rulers, historical figures, or allegorical representations of nations.

 10. Cartouche

· Definition: A cartouche is an oval or decorative frame on a coin that encloses inscriptions or symbols.

Purpose: It highlights important text or imagery, such as a denomination or mint mark, giving it prominence on the coin.

 11. Planchet

· Definition: A planchet is the blank piece of metal that is stamped to create a coin. Before the design is struck, the planchet is simply a metal disk.

Role in Minting: The quality and preparation of the planchet are crucial for producing a clear and durable coin. Any defects in the planchet can lead to errors or flaws in the finished coin.

 12. Mint Mark

· Definition: A mint mark is a small letter or symbol on a coin that identifies the mint where the coin was produced.

 12. Mint Mark

· Definition: A mint mark is a small letter or symbol on a coin that identifies the mint where the coin was produced.

Examples: Common U.S. mint marks include "P" for Philadelphia, "D" for Denver, "S" for San Francisco, and "W" for West Point. Mint marks can be found on either the obverse or reverse, depending on the coin.

 13. Die

· Definition: A die is the engraved stamp used to strike the design onto the planchet during the minting process. There are typically two dies: one for the obverse and one for the reverse.

Importance: The quality and condition of the dies directly affect the sharpness and detail of the coin's design. Worn or damaged dies can lead to coins with less defined features.

 14. Rim

· Definition: The rim is the raised edge around the circumference of a coin, which helps 

protect the coin’s design from wear and damage.

Function: The rim also adds structural integrity to the coin, making it more durable for handling and circulation.

 15. Flan

· Definition: The flan is another term for the planchet, particularly used when referring to the blank metal disk before it is struck to become a coin.

Historical Context: The term "flan" is often used in numismatics, especially when discussing ancient or medieval coins.

 16. Type

· Definition: The type refers to the general design or style of a coin that remains consistent across a series of coins.

Example: The "Walking Liberty" design used on U.S. half dollars from 1916 to 1947 is an example of a coin type.

The anatomy of a coin is a complex and fascinating subject, encompassing various elements that together create a functional and artistic piece of currency. From the obverse and reverse designs to the details like the legend, relief, and mint mark, each aspect of a coin is carefully crafted to serve both practical and symbolic purposes. Understanding the anatomy of a coin enhances appreciation for its design and history, making numismatics a rich and rewarding field of study.

 GROWING MONEY

The evolution of money from tangible forms like coins to intangible digital assets like credit cards and crypto currencies reflects humanity's continuous search for more efficient, secure, and convenient means of exchange. This progression has been shaped by technological advancements, economic needs, and cultural changes, each step representing a significant leap in how we understand and use money. The journey from physical to digital currency is a fascinating story of innovation, trust, and the reshaping of economic landscapes.

Early Forms of Currency: The Beginnings with Coins



The Birth of Coins

Coins represent one of the earliest forms of standardized currency, emerging around the 7th century BCE in the ancient kingdom of Lydia (modern-day Turkey). Before coins, trade was conducted through barter systems, where goods and services were exchanged directly. However, barter had limitations, especially when there was no mutual need or equal value between trading parties. The introduction of coins, made from precious metals like gold, silver, and bronze, provided a solution by offering a universally recognized medium of exchange.

The Role of Coins in Ancient Economies

Coins quickly spread across civilizations, including the Greek, Roman, and Persian empires, becoming the backbone of ancient economies. Their standardized weight and metal content ensured consistent value, making trade across vast regions more efficient. The intrinsic value of the metals used in coins also provided a sense of security and trust in their worth. Coins often featured images of deities, rulers, or symbols of power, reinforcing their role as tools of both economic exchange and political propaganda.


The Cultural Significance of Coins

Coins were not just economic instruments; they were cultural artifacts. The imagery and inscriptions on coins reflected the values, beliefs, and achievements of the issuing society. For example, Roman coins often depicted the emperor's image, symbolizing the central authority and the empire's reach. Coins also served as a means of spreading cultural and political messages across different regions, especially as empires expanded and conquered new territories.

The Transition to Paper Money

The Advent of Paper Money in China

While coins dominated for centuries, the need for more practical and lighter forms of currency led to the development of paper money. The earliest known use of paper money dates back to the Tang Dynasty in China (7th century CE), with widespread use occurring during the Song Dynasty (11th century CE). Paper money, or "jiaozi," was initially issued by merchants as promissory notes, which later evolved into government-backed currency.

 Advantages of Paper Money

Paper money offered several advantages over coins. It was easier to produce, lighter to carry, and could represent larger sums of money. This facilitated trade over long distances, especially as global trade networks expanded. Additionally, governments could control the money supply more effectively by printing paper money, allowing for better economic management.

 Spread to the West

The concept of paper money eventually spread to the Middle East and Europe, with the first European banknotes issued in the 17th century by the Bank of Sweden. Paper money soon became the standard, replacing coins in many transactions due to its convenience and efficiency. However, it also introduced new challenges, such as the risk of counterfeiting and inflation, which required governments to develop more sophisticated systems of regulation and control.

 




 

 Emergence of Banking Systems

As economies grew more complex, the need for more sophisticated financial systems became apparent. The rise of modern banking in the 17th and 18th centuries marked a significant shift in how money was managed and used. Banks began offering services such as loans, deposits, and the issuance of paper money, which was backed by reserves of gold and silver.

 


The Introduction of Credit

The concept of credit, where money could be borrowed with the promise of future repayment, revolutionized commerce. Credit allowed individuals and businesses to make purchases or investments even when they did not have the immediate funds. This system laid the foundation for the development of credit cards, which would become a dominant form of payment in the 20th century.

The Evolution of Cheques and Promissory Notes

Before credit cards, checks and promissory notes were common ways to make payments without using physical cash. These instruments represented a promise to pay the bearer a certain amount of money, often backed by a bank account. While they provided convenience, they were also prone to fraud and required a more sophisticated financial infrastructure to process and verify transactions.

 The Rise of Credit Cards

The Invention of Credit Cards

The modern credit card was first introduced in the mid-20th century, with the launch of the Diners Club card in 1950. Initially, it was a simple charge card that allowed members to pay for meals at participating restaurants without carrying cash. The concept quickly caught on, and other companies, including American Express and Bank of America, began issuing their own credit cards.

 Credit Cards as a Payment Revolution

Credit cards transformed the way people paid for goods and services. They offered convenience, allowing consumers to make purchases now and pay later. The ability to borrow money instantly and the widespread acceptance of credit cards across merchants made them an integral part of everyday life. The credit card industry also introduced rewards programs, such as cash back and travel points, further incentivizing their use.

 The Role of Technology in Credit Card Growth

Advancements in technology, particularly in telecommunications and computing, enabled the rapid expansion of credit card networks. The introduction of magnetic stripe technology in the 1970s, followed by chip-and-PIN systems in the 1990s, improved the security and efficiency of credit card transactions. Online shopping and e-commerce further propelled the use of credit cards, making them the preferred payment method for digital transactions.

 The Emergence of Digital Payments and Crypto currencies

The Shift to Digital Payments

As the internet and mobile technologies developed, new forms of digital payments emerged. Services like PayPal, launched in 1998, and allowed users to send and receive money electronically, further reducing the need for physical cash or checks. Mobile payment platforms like Apple Pay, Google Wallet, and others followed, enabling consumers to pay for goods and services with their smart phones.

 Introduction of Crypto currencies

The launch of Bitcoin in 2009 marked the beginning of a new era in digital currencies. Unlike traditional money, Bitcoin and other crypto currencies operate on decentralized networks, using blockchain technology to secure transactions and manage the supply of currency. Crypto currencies offer advantages such as low transaction fees, fast international transfers, and increased privacy.

 Crypto currencies as an Alternative to 

Traditional Currency

While still in the early stages of adoption, crypto currencies have the potential to challenge traditional banking and financial systems. They provide an alternative to fiat currencies, especially in regions with unstable economies or limited access to banking services. Crypto currencies also appeal to those who prioritize privacy and decentralization, as they are not controlled by any central authority.

The Role of Blockchain Technology

Blockchain, the underlying technology behind crypto currencies, has broader applications beyond digital money. It offers a transparent and secure way to record transactions, contracts, and other data, making it a valuable tool for industries ranging from finance to supply chain management. The development of smart contracts, decentralized finance (DeFi), and non-fungible tokens (NFTs) are examples of how blockchain technology is reshaping the financial landscape.

 The Future of Money: Integration and Innovation

The Convergence of Digital and Traditional Currencies

As digital currencies and payment systems continue to evolve, we are likely to see greater integration between traditional financial systems and new technologies. Central banks are exploring the creation of Central Bank Digital Currencies (CBDCs), which would combine the stability of fiat currency with the advantages of digital payments. These CBDCs could coexist with crypto currencies and traditional money, offering consumers a wider range of payment options.

 Challenges and Opportunities

The transition from coins and paper money to digital currencies presents both challenges and opportunities. Security concerns, regulatory issues, and the digital divide are significant obstacles that need to be addressed. However, the potential benefits, such as greater financial inclusion, reduced transaction costs, and increased economic efficiency, make the continued evolution of money an exciting prospect.

Conclusion

The progression from coins to credit cards and crypto currencies reflects the dynamic nature of money and its role in society. Each stage in this evolution has been driven by the need for more efficient, secure, and convenient ways to facilitate trade and manage wealth. As technology continues to advance, the future of money will likely involve further innovations that build on the foundation of trust, security, and accessibility. Whether through the continued rise of crypto currencies, the development of digital central bank currencies, or new forms of payment, the story of money is far from over, and its next chapters will likely be as transformative as those that came before.

-Capt. Vijay Wadhwa: email:  vicks552000@gmail.com

 

 New Issues from other countries

Croatia

22 April 2025 : Campaign Against Climate Change 2025 - Global Drought





 Campaign Against Climate Change 2025 - Global Drought

Motif: A drop of water on the palm as a symbol of global drought caused by climate change This issue was realized as part of the course “Design – Visual Communications 3” in the second year of the undergraduate study program of design at the School of Design, Faculty of Architecture, University of Zagreb.

According to meteorological measurements, the Earth is undergoing significant climate changes. They are largely caused by human activities, primarily due to increasing greenhouse gas emissions, and are occurring much faster than anticipated. The effects of these changes are devastating, and one of the significant consequences is global drought.

Gibraltar

8 May 2025: National Archaeological Discoveries



Iraq

5 May 2025 Iraqi Natural Landmarks



Isle of Man

24 April 2025 : Island harbours  






The vibrant six-stamp collection, featuring artwork by Manx-born artist Janine Skelly. Each stamp captures the charm of the Island’s historic harbours, where fishing boats and leisure craft rest beneath Janine’s signature swirling skies.

From the medieval port of Castletown to the bustling gateway of Douglas, each location tells a story of maritime heritage, community, and breathtaking scenery. Inspired by her love for the Island, Janine’s bold use of colour and movement brings these picturesque harbours to life. A must-have for collectors and admirers of Manx culture, this unique issue celebrates the harbours that have shaped the Isle of Man’s past and continue to inspire today.

Stamp 1: Castletown: Balley Chashtal 90p

Stamp 2: Douglas: Doolish £1.00

Stamp 3: Laxey: Laksaa (Salmon River) £1.90

Stamp 4: Peel: Purt Ny Hinshey (Port of the Island) £2.15

Stamp 5: Port St Mary: Purt-Le-Moirrey £2.75

Stamp 6: Ramsey: Rhumsaa (Wild Garlic River) £3.00

Latvia

7 March 2025: Synchronization of the Baltic Energy System with Europe




Synchronization of the Baltic Energy System with Europe

The Baltic states—Estonia, Latvia, and Lithuania—are working to disconnect their electricity grids from the old Soviet-era system (BRELL), which links them to Russia and Belarus. They plan to synchronize with the European grid (ENTSO-E) by 2025. This will improve energy security, reduce dependence on Russia, and allow better integration of renewable energy. The project involves building new infrastructure, upgrading power lines, and installing synchronous condensers to stabilize the grid.

Spain

50 Years ICEX Scholarships




Since 1975, ICEX Scholarships have accompanied Spain in its international transformation, becoming a key pillar of Spanish foreign trade.

In 2025, the Program celebrates 50 years of fostering the prosperity of Spanish companies through talent. It is one of ICEX's longest-running, most recognized, and appreciated programs and, above all, has the greatest impact on the internationalization of the Spanish economy.

Switzerland

8 May 2025 National Arheological Discoveries




8 May 2025 : Women’s European Football Championship




8 May 2025 : 100 Years Goldau Nature Reserve and Wildlife Park




New Zealand

7 May 2025 : Richard O'Brien's Rocky Horror Show




UNO

6 April 2025 : International Day of Sport For Development And Peace



International Day of Sport For Development And Peace

On 6 April 2025, UNPA  issued six new stamps and three souvenir sheets to commemorate the International Day of Sport for Development and Peace.

Recognized by the General Assembly and celebrated annually on 6 April, the International Day of Sport for Development and Peace recognizes the positive role sport and physical activity play in communities and in people’s lives across the globe.

The United Nations has long recognized the power and universality of sport, using it to unite individuals and groups through supporting sport for development efforts, participating in events globally, and developing its own sports-related campaigns and initiatives.

The theme for 2025 is “Leveling the Playing Field: Sport for Social Inclusion”.

“Sport has a unique and transformative power. It transcends borders and unites people, fosters teamwork and resilience, and promotes a spirit of inclusion. Each of these values is essential to the work of the United Nations, and for shaping a more healthy, sustainable and peaceful world for all”

 

Philatelic Clubs and Societies

Karnataka Philatelic Society - https://www.karphil.in/index.html

Prayag Philatelic Society - https://prayagphilatelicsociety.org/

Ananthapuri Philatelic Association, Thiruvanthapuram

Baroda Philatelic Society -  http://www.vadophil.org/

Chandigarh Philatelic Club

Deccan Philatelic Society – Pune, Maharashtra

Eastern India Philatelists’ Association -  https://eipa.in/home

The Hyderabad  Philatelic and Hobbies Society

India Study Circle -  http://www.indiastudycircle.org/

Indian Thematic Society, Ludhiana -http://indianthematicstamps.webs.com/

Ludhiana Philatelic Club

Numismatic & Philatelic Association of Vellore Fort 

http://numismaticphilavellore.site40.net/index.htm

Philatelic Congress of India - http://www.philateliccongressofindia.com/

Philatelic Society of Rajasthan, Jaipur

Philatelic Society of India , Mumbai : http://www.psi1897.com/

Orissa Philatelic Association, Mail id-: orissaphilatelic@gmail.com

Rainbow Stamp Club -http://rainbowstampclub.blogspot.com/

Rajkot Philatelic Society – Rajkot, Gujarat

Gujarat Philatelic Association - Ahmedabad

South India Philatelists Association -  http://www.sipa.net.in/

The Army Philatelic Society, Pune

Stamps of India – http://www.stampsofindia.com

Durgapur Philatelic & Numismatic Society –  https://www.facebook.com/share/1B3TasUbyR/


Blogs & Websites


Philatelic Congress of India

Indian Philately Digest

Stamps of India

Rainbow Stamp News

Se-tenant Stamps of India

Flags & Stamps

Europa stamps

Welcome to Indian Philately

Blogs by Kumar Biswas

The Philatelist

Ship Theme Gallery

Echo’s Phila House

Prayag Philatelic Society


RAINBOW STAMP CLUB

This is a blog of e-Stamp Club www.rainbowstampclub.blogspot.com  The idea of this blog is to extend the philatelic fraternity to all corners of the world. Readers may write about themselves with their collecting interests and share new ideas with other philatelists.  New Posts on recent issues, news on stamp activities, and Contributions by members are published every day on this blog. Readers may also express their views on any philatelic matter which will be published under Club News at Rainbow Stamp Cub Blog. Philatelic Clubs and Societies may also send brief write ups. Readers may send reports on new issues, special covers, cancellations & philatelic activities in their area for inclusion in this Blog. - Editor

Current Philatelic Magazines – Newsletters

-VADOPHIL, Editor - Prashant Pandya &TimirShah and published by Baroda Philatelic Society, Vadodara. Website -http://www.vadophil.org/ 

-Ananthpuri Stamp Bulletin - Monthly e -stamp bulletin of Anathapuri Philatelic Association,
 Thiruvananthapuram. Eduitor – Mohanachandran Nair

-Journal of the Army Philatelic Society

-India Post – Quarterly Journal of the India Study Circle publishes original articles submitted by members of ISC. 

-Deccan Philatelist edited by Dr Anjali Dutta email :
dranjalidutta0303@gmail.com from Deccan Philatelic Society, Pune.

-The Hyderabad Philatelist from Hyderabad Philatelic and Hobbies Society Editor – Shri Prakash Agrawal 

-SIPA Bulletin issued by South India Philatelists’ Association
 

-The Fila Capsule issued by Eastern India Philatelists' Association, Bhubaneswar, Odisha. Editor - Dr Bibhudutta Mishra

Acknowledgment

- A Compendium of Articles on The Half Anna Lithograph Stamps by Dinesh Kanabar

- Ananthapuri Stamp Bulletin May 2025 issue edited by Mohanachandran Nair:  email : apa.tvpm@gmail.com

- Judaica Thematic Society, UK .  Society Newsletter May 2025 edited by Gary Goodman email :  judaicathematicsociety@talktalk.net 

Courtesy - News and Image Resource to this issue :  SIPA, Philately Promoters,  EIPA , Indian Philately, Prayag Philatelic Society Group, Philatelic Exhibitions, Deccan Philatelic Society Whatsapp WOPA  Mystic Stamp Co.; Pan India Pictorial Place Cancellations ;  Pradip Jain – Patna ; Piyush Khaitan -Mumbai;   Md. Zahidul Islam Echo – Dhaka, Bangladesh; Praveen Shastry - Bangalore; Mohammed Dhia - Baghdad, Iraq

Jeevan Jyoti, 509, Design Arcade, Chandrabani, Wildlife Institute Road, Dehradun-248001. India . e-mail –    j.jyoti9@gmail.com

A Request to Readers & Contributors

·       Please do not send the text in scan form or PDF. Send your write ups in MS Word only.

 

  • Last date for receiving articles/ News /write ups – 25th of every month. 

 

  •  For articles:  Kindly send images in jpg compressed form and  text in MS Word only  Please do not use  any formatting and  text wrapping in the article.  Simply put the images under text where required.  

 

  • If you like this issue please forward it to your friends and help in promoting philately.

·       Please do not send forwarded messages for promotional section if you want to give any information for promotion, please write personally with brief write up. As this newsletter is not used for any commercial purpose in any manner.

 

Attention – Please do not send text or image for publication in PDF. 

Any material from this newsletter may be reproduced only with the written permission from the editor. 

Happy Collecting ……….                                                                                                                                                                                                                                  Rainbow Stamp News is edited and published monthly by Jeevan Jyoti from Dehradun    (Uttarakhand ) India for free circulation among philatelists.

 


Recent Awards

AMRITPEX 2023 - Silver

CAPE TOWN 2022 - Silver

LONDON 2022 - Silver


INPEX 2019, Mumbai - Silver

CHINA-2019, World Stamp Exhibition, Wuhan - Bronze

INPEX 2017, Mumbai - Large Silver

CHINA 2016 - Bronze

TAIPEI 2015 - Bronze

CG International Philatelic Promotion Award 2014, Germany - ( 4th Position)

INPEX 2013, Mumbai - Vermeil

SHARJAH 2012, Sharjah ( UAE ) - Silver Bronze

IPHLA 2012, Mainz - Germany : Bronze

I
NDIPEX 2011 - World Stamp Exhibition, New Delhi - Bronze

JOBURG 2010 - 26th Asian International Stamp Exhibition, Johannesburg - Silver Bronze

PORTUGAL 2010 - World Stamp Exhibition, Lisbon - Bronze

Hong Kong 2009 -23rd Asian International Stamp Exhibition, Hong Kong - Silver Bronze

About Me

My photo
Participated in different philatelic exhibitions Wrote for philately column in The Pioneer and worked as sub-editor for U-Phil Times published from United Philatelists, Kanpur.Did Schooling from Kanpur Vidya Mandir and Post Graduation in Botany from A.N.D. College Kanpur.

Disclaimer

The views expressed in the articles published on Rainbow Stamp News Blog are solely those of the authors and contributors, and do not necessarily reflect the views of the Blog Owner. The Readers are requested to contact author or the contributor of the particular article if they have any objection or do not agree with the views expressed in the article . Please do not ask the Blog Owner to delete or change any Post published on this blog.The Post will be removed only after strong recommendation of the original author / contributor after proper verification .

All contents provided on this blog is for information only. The owner of this blog makes no representations as to the accuracy or completeness of any information on this blog or found by following any link on this blog. The owner will not be liable for any errors or omissions in this information nor for the availability of this information. The owner will not be liable for any losses, injuries, or damages from the display or use of this information.

Get PDF or Print

Print Friendly and PDFPrint Friendly and PDF

Blog Archive

Rainbow Stamp Club

Followers