Sport for Peace
Dehradun May 2025 Vol. XVIII Issue No. 209
Readers are requested to send reports of philatelic activities in their
area for publication. Short write ups by the readers about, societies,
publications and philatelic requirements can be sent for inclusion in this
bulletin to the editor: j.jyoti9@gmail.com
Note- This bulletin is
only for circulation among a limited group of philatelists without any
commercial purpose. The bulletin will be sent to the readers only on request.
Those who wish to receive it regularly please reply giving the name of your
city / country with the subject SUBSCRIBE RAINBOW
Summer
Date of Issue: 8 May 2025
Editorial……
Special Cancellations: A Missed Opportunity
Dear Reader,
I am pleased to present may 2025 issue of Rainbow DStamp News. It is a good step that some postal circles of
India Post regularly issue special cancellations to commemorate the special
occasions. These cancellations mark important international days and events,
but they're often underutilized. Instead of being used on outgoing mail on the
special day, they're sometimes confined to philatelic bureaus or inaugural
functions.
This limited use diminishes the significance of
these special cancellations. They're primarily collected by enthusiastic
philatelists, missing the chance to reach the common man. To maximize their
impact, special cancellations should be used on all outgoing and receiving mail
on the designated day. This way, recipients would be aware of the significance
and commemoration.
An official order from the Postmaster General's
office and further its follow up could ensure widespread use of special cancellations. By doing so, India
Post could share the importance of these events with the people living in
different parts of the country, making special cancellations more meaningful
and engaging.
By utilizing special cancellations more
effectively, India Post can enhance the philatelic experience, making it more
than just collecting stamps. It's about sharing history, culture, and
significance with people, fostering a deeper connection with the community.
Let's hope for more effective use of special
cancellations in the future, bringing philately to a wider audience and
enriching the experience for all.
This is all for this month. More in the next
issue.
Happy Collecting!
Contents
·Editorial
· From the Desk of
Naresh Agrawal
· Recent Indian Issues
· In the News
. Article by Shakil Ahmed
. New Book on Indian Philately
· Specialized Section
· Beginners’ Section
. Stories Behind
Stamps
.Thematics
. New Issues from
Other Countries
· Philatelic Clubs and
Society
· Blogs and Websites
on Philately
· Current Philatelic Magazines and Newsletters
A Compendium of Articles on The Half Anna Lithograph
Stamps
It was surprising yet extremely pleasing to receive a book titled “A Compendium Of Articles On The Half Anna Lithograph Stamps” at my door steps written by Mr. Dinesh Kanabar FCA, FRPSL . Having the same in hands was a feeling of honour for me as someone has given me so much of honour, delight and consider me worth of possessing this book. My heartiest thanks to Mr. Dinesh Kanabar for gifting me this prestigious book. He in fact is a true philatelist and a genuine stamp and philatelist lover.
Well, on turning the pages
of this book I could see the hard work the author has done to compile articles
related to Half Anna Lithograph Stamps issued by India in 1854. Undoubtedly
this book is one of the best books ever written in form of compilation of
articles on any philatelic / postal aspect of Indian history. It may not
be authors own intensive research-oriented book on this subject but a marvellous
work done on compilation of articles pertaining to Half Anna Lithograph Stamps
1854 with his comments and inputs showing his own rich study.
Ten chapters along with the Prologue throws light on the Lithograph stone, brief history and varied facets of half Anna Lithograph, its usages, color variations, errors, different plates and dies used in its production and their flaws through rich study and compilation and induction of various pre published articles mainly before 1970 in different books, magazines and journals especially the ones published in Philatelic Journal of India, Calcutta Philatelist, India Stamp Journal, India Post, Ind Dak London Philatelist and some more prestigious Bulletins. The articles discuss about multiple varieties of various dies some of which are not even catalogued. Its 8th chapter the author has given information about various sources from where the data on Half Anna Lithograph has been gathered and the article Index as chapter nine is index of various articles that have been reproduced along with information like when it appeared in a Philatelic Journal and its author.
Printed
on thick glossy papers forming 280nos. of pages this book has some beautiful
presentations of articles in line with the Index. As the articles have been
reproduced from the sources, despite best printing technology used on good
quality paper; discoloration and poor visibility and spotting of some of the
images has been observed. However, this book boasts as most indispensable work
for anyone collecting the Half Anna Lithographs and an important book for the
Indian philatelic literature library. And a must reference book for enthusiast
of 1854 Half Anna Lithograph Stamps as it gives opinions and study of different
writers and authors through their well-researched, well written and explained
articles.
Finally, as there is no
finality in philately, this book can be recommended as a reference book to the
future philatelists as it will stimulate and motivate them carry on research
and to explore Half Anna Lithographs Stamps 1854 in batter way.
-Naresh Agrawal , Bilaspur (C.G.) email nareshkumar1992@yahoo.co.in Mob/Whatsapp : 09425530514
Recent Indian Issues
7 April 2025 : 50 Years of reestablishment of Diplomatic
Relations between India and Portugal
1 May 2025 : Birth Centenary of
Legends – MS + 5 x Rs 5
New Special Cancellations
18 April 20254 : World Heritage Day
21 April National Civil Service Day
22 April 2025 : World Earth Day : Balasore
24 April 2025 : National Panchayat Raj Day
25 April International Delegate Day
1 May 2025 : International Labour Day
In The News
Recent Stamp Exhibitions
THAILAND 2025 Asian
International Stamp Exhibition.
From 8 -12 August 2025
It will be organized under the
Patronage of the Federation of Inter-Asian Philately (FIAP)
National Commissioner
VIRENDRA SHARMA
185, Bhupalpura Main Road,
Udaipur, Rajasthan - 313001, INDIA
Email virsharma@yahoo.com WhatsApp +91-9928570097
Apprentice National Commissioner
Aditya Asthana
N3-502 Vatika Lifestyle Homes,
Sector 83, Vatika India Next,Gurugram,
Haryana 122012
Email adityaasthana@live.com WhatsApp +91-9582212130
AUSVIPEX -2025
Deadlines
Entries close: 28 September 2025
Title
Pages to Judges: Mon 5 October 2025
Scans
by: 20 Oct 2025 (but can be sent anytime up until then)
Exhibition
available on line for Judges: from Friday 13 November 2025.
Exhibition
available on line for public viewing: from Friday 27 November 2025.
Results
available: Friday 4 December 2025.
Feedback
to Exhibitors: Week commencing Mon 7 December 2025.
On
Line until 28 Feb 2026
Frames
Available: 500
Exhibition
Website https://ausvipex2025.com
Organisation
The Australian Virtual Philatelic
Exhibition 2025 (AUSVIPEX 2025) is an online National Philatelic Exhibition
organised by the Australian Philatelic Federation (APF). These regulations are
based on the APF Regulations for Australian Philatelic Exhibitions.
For all enquiries email: Ausvipex2025@gmail.com
Conditions of
Participation
Participation in the Exhibition is
open to all exhibitors worldwide. They
do not need to be a member of an affiliated organisation. The exhibitor must be
the bona-fide owner of the exhibit.
Exhibits must be of 2-8 frames based
on 16 sheets (approximately 28-29 cm x 23 cm each) per frame. Page size is not
critical but entries must be in the format of frames each comprising 16 single
sheets or the equivalent in double pages or square pages, or a combination of
single, double or square pages corresponding to a ‘frame’ in a physical
exhibition.
Exhibits may come from any of the FIP
or APF competitive classes, except for the One-Frame Class. Only electronic (or
digital) Literature Class entries will be accepted. Exhibits will be classified
and judged in their respective FIP class or Australian National Class. Judging
is based on the regulations of their respective classes and these Guidelines.
Each entry must be entered in the correct class. Non-competitive entries will be by invitation
of the Committee only.
Entries can be either scans of
exhibits prepared and mounted on paper or exhibits prepared using scans of
philatelic items with the pages prepared on a computer. If the latter, the nature of preparation must
be declared. The items scanned must be owned by the exhibitor and the scans
must not be embellished in any way.
All entries will be displayed on the
Exhibition website and available for public viewing.
Entry fees
The frame fee of $20 per frame (multi-frame
exhibits) or $25 (Electronic Literature entries) must accompany the entry form.
EuroPhilex Birmingham 2025
European Philatelic Exhibition
7-11 May 2025
Visit : https://europhilex2025.co.uk/
SAVPEX-2025
10th South African Virtual Philatelic Exhibition SAVPEX 2025 will be held in June
2025. Visit : https://stampssa.africa/
PHILAKOREA 2025 Specialised World Stamp Championship
Exhibition
From 17 - 21 September, 2025
At COEX Le West Convention Center in Seoul, Rep. of Korea.
National Commissioner for India,
KAPIL GOGRI
Email : kapilg25@hotmail.com WhatsApp +91.98211.11140
OR CC. to the Apprentice National Commissioner for India,
Meena Mutha :Email meenu55@gmail.com
Dubai 2026
DUBAI 2026
, Specialized FIP & FIAP patronage World Stamp Exhibition ,
4-8
February 2026
Participation open in following class
Class 1: Traditional Philately
Class 2: Postal History
Class 3: Postal Stationery
Class 4: Thematic Philately
Class 5: Picture Postcards 3
Class 6: Experimental class
A: One Frame Exhibit. (1 frame from above class only)
B: Non-standard Frames Exhibit.( 2-4 frames from above
class only)
Class 7: Youth Philately
Group A 10-15 years old as on Jan.1, 2026(1-3 frame)
Group B 16-18 years old as on Jan.1, 2026(2-4 frame)
Group C 19-21 years old as on Jan.1, 2026(3-5 Frame)
Class 8: Philatelic Literature
A) Philatelic books and research papers published after
January 01, 2021
B) Philatelic magazines and periodicals , whole annual
volume issued after January 2024
C) Catalogues published after January 01, 2024
Application Forms shall be submitted
to Commissioners not later than 20 July 2025 along with copy of the
introductory page. When the title of the exhibit differs from the past
(irrespective of minor or major changes), the previous title of the exhibit must
be stated in the Exhibit Application Form. FIP Exhibitor’s Identity Number must
be stated which can also be obtained from PCI.
The participation fee for Competitive
Classes (except 6, 7 and 8) will be US$ 100 per frame , Experimental class
(Class 6) A: One frame Exhibit is US$ 110 per exhibit B: Non-standard frame
exhibit is US$ 100 per frame , Youth Philately (Class 7) is US$ 20 per exhibit
and Philatelic Literature (Class 8) is
US$ 90 per exhibit. All additional expenses will be informed once applications
are received and calculated accordingly.
For more details & Form download click,
MACAO 2026
FIP Patronage Specialized WSC
Dates: 26 Jun to 1 Jul, 2026
PHILATAIPEI
2026
FIP Patronage General World
Dates: 19 - 24 Nov 2026
BuddhaPEX- 25
1st SPECIALIZED EXHIBITION ON LORD
BUDDHA'S LIFE & TEACHINGS (50+ frames)
Date: 17th, 18th &
19th May, 2025.
Venue: Government
Bauddha Museum, Gorakhpur.
For participation, contact: philatelicsociety.uttarpradesh@gmail.com or Call / WhatsApp 9044435490
News from Philatelists and Philatelic Societies
Air Mail
Society India Foundation
AMSI’s First Monthly Zoom Display Meeting
First Monthly Zoom
Display Meeting, a new initiative by AMSI to promote the exchange of
knowledge and enthusiasm in the fields of Aerophilately and Astrophilately.
Friday, 23rd May 2025 – Approx duration: 1.5 hrs
Zoom Meeting Link:
Highlights:
- Max Smith will speak on the 1920
Bombay-Karachi Air Mail service.
- The second speaker details will be
announced later on our website.
Baroda Philatelic Society
Baroda Philatelic Society celebrated Golden Jubilee
Closing Ceremony on 27.04.25, Sunday at Grand Mercure Hotel, Vadodara. Society
distributed Silver Coins of 10 gm & 5 gm to Members.
Chief PMG of Gujarat Circle Shri Ganesh Sawleshwarkar ,
PMG Vadodara Region Sh. Dinesh Kumar Sharma & Director Postal Training
Centre, Vadodara Director PTC Dr. S. Shivaram were present & distributed Coins to members. 4 Golden Jubilee Members
were also present. ( Members from 1975) & Chief PMG has honoured GJ Members
with Special Gifts to them. More than 60 members were present on the
occasion.
: Timir Shah – Vadodara
New book on Hobbies
Philately
in Crisis: Systemic Irregularities Threaten India’s Stamp Exhibitions
Philately, the study and
collection of postage stamps, represents a unique intersection of art, history,
and culture. In India, philatelic exhibitions have long served as prestigious
platforms for collectors to display their carefully curated collections and
engage with fellow enthusiasts. However, recent events at prominent exhibitions
have cast a shadow over the integrity of these events, exposing concerning
irregularities that demand immediate attention. The controversies surrounding
BIPEX-2024 in Patna and Mahapex-2025 in Mumbai have revealed fundamental flaws
in the judging processes, raising serious questions about the governance of
philatelic activities in the country.
At BIPEX-2024, a
state-level exhibition held in Patna, a particularly troubling irregularity
emerged regarding the composition of the jury panel. Reports indicate that an
individual without proper accreditation was permitted to serve as a
fully-fledged juror, despite lacking the required apprenticeship experience
mandated by Philatelic Congress of India (PCI) regulations. This breach of
protocol becomes even more concerning when examining the accreditation process
itself. The PCI Secretary General had issued communications asserting that
certain individuals had completed their apprenticeships and were approved as
State Accredited Jurors. However, available records suggest these claims may
have been misleading, as no state-level exhibition had been conducted prior to
BIPEX-2024 where these individuals could have legitimately served as apprentice
jurors. Furthermore, the PCI Governing Council, which holds the ultimate
authority in such matters, had not formally approved these accreditations as
required by established procedures.
The situation at
Mahapex-2025 in Mumbai presented its own set of irregularities that further
eroded confidence in the exhibition system. Designated as a state-level
exhibition, the event curiously featured a jury panel composed exclusively of
national-level jurors, in direct contravention of the Department of Posts’ own
guidelines. This unusual arrangement was compounded by the presence of several
state-level jurors who, despite being available, were not officially assigned
to the judging panel. Such discrepancies in jury selection processes not only
violate established protocols but also create an environment where the fairness
and impartiality of evaluations can reasonably be called into
question.
These incidents point to
broader systemic issues within India’s philatelic community. The Department of
Posts, as the governing body overseeing philatelic exhibitions, and the
Philatelic Congress of India, responsible for jury accreditation, appear to have
failed in maintaining proper oversight and adherence to established norms. The
apparent ease with which fundamental rules were bypassed suggests either
significant gaps in operational protocols or, more troublingly, deliberate
attempts to manipulate the system.
The implications of these
irregularities extend far beyond the specific exhibitions in question.
Philatelic exhibitions rely fundamentally on their credibility and the trust of
participants. Collectors invest considerable time, resources, and passion into
building their exhibits, often over many years. When the judging process
becomes suspect, it undermines the very foundation of these competitive
exhibitions. The potential consequences are severe – diminished participation
from serious collectors, a loss of international standing for Indian philately,
and most damaging of all, the disillusionment of new and young collectors who
represent the future of the hobby.
Looking at international
practices reveals how other nations maintain rigorous standards in their
philatelic exhibitions. Countries with robust philatelic traditions employ
clearly defined jury selection processes, mandatory apprenticeship
requirements, and rotation systems to prevent conflicts of interest. These
measures ensure transparency and maintain confidence in exhibition results. The
current situation in India stands in stark contrast to these established best
practices.
The need for corrective
action is urgent and undeniable. The recurring nature of these irregularities
suggests deep-rooted issues that require comprehensive reform. Without
immediate and decisive intervention, India risks permanent damage to its
philatelic reputation, both domestically and internationally. The preservation
of philately as a respected and vibrant hobby in India depends on restoring
integrity to its exhibition system. This demands a concerted effort from all
stakeholders to implement transparent processes, enforce existing regulations
without exception, and rebuild the trust that has been compromised. The future
of Indian philately hangs in the balance, and the time for action is now.
: Shakil Ahmed
: email: ahmedshakil99@gmail.com
New Book on Indian Philately
A Compendium of Articles on The Half Anna
Lithograph Stamps
-Dinesh Kanabar FCA, FRPSL
Note: This book
was sent by author of the book Mr Dinesh Kanabar as a gift which we acknowledge
with thanks. - Editor
A
Compendium of Articles on The Half Anna Lithograph Stamps Author and Publisher -
Dinesh Kanabar : Type - Hardbound: Pages
- 280 : email : philately@dhskadvisors.com
The recent book on ‘Half Anna Lithograph Stamps’ by Mr Dinesh Kanabar is a very comprehensive book on Indian Philately. It is an excellent compilation of specialized articles published on famous Half Anna Lithograph Stamps in several philatelic journals of India and abroad.
The article “A
Brief Postal History of India leading to Half Anna issue of 1854” by Dinesh
Kanabar is a detailed and very informative article with many illustrations. Collectors
of Postal History and British India would
love to read it.
 |
Many articles on ‘Half Anna Lithographs of India’ by renowned philatelists like Jal Cooper, PM Medhora,, CF Larmour. E. Hoston, ND Cooper, Lt Col. WW Lean, DE Wadia, Col AE Stewart , DC Gray and many more were published before 1970 in prestigious philatelic journals have been reproduced in the book with illustrations. It gives an easy approach to the keen researchers of Indian Postal History. It is a reference book for all philatelists interested in the study of Indian Philately. It is an excellent book giving detailed description of varieties of Half Anna Lithographs of India. The book gives an index of the reproduced articles with respective page numbers and name of the journals for the easy reference of the Readers.
It is the best reference for Postal History and Traditional philatelists. The book is great help to explore the rich history of Indian philately and understand the various available varieties and technicalities of Half Anna Stamp. The layout and printing quality of the book is excellent. It is an asset for all philatelic libraries. The book is recommended for all those interested in Postal Histoiry of India and Traditional Indian Philately,
Specialized Section
Agatha Christie’s popularity IS SLIGHTLY LESS than god (pt III)
Year 2016 was marked as 125th anniversary of her birth, the centenary of Christie writing her first detective story as well as the 40th anniversary of her death (which was in January 1976). Postal administrations all over the world honoured this all-time great Mystery novelist issuing commemorative stamps and other philatelic products.
PHILATELIC TRIBUTES IN CHRISTIE STYLE
Royal Mail chosen six of the sixty-six
detective novels that Christie penned including her first published detective
novel “The Mysterious Affair at Styles” for its 2016 commemorative issues.
Other novels depicted on the stamps include: “Murder on the Orient Express”,
“And Then There Were None”,” A Murder is Announced”,” The Murder of Roger
Ackroyd” and “The Body in the Library”. All in true Christie style designed by London-based Studio Sutherland
in collaboration with British illustrator Neil Webb Jim, containing hidden
elements relating to key scenes and principal characters from Christie’s
mystery novels. Printed mostly in moody black and white, they make extensive use
of micro printing to include references
to book titles, plots and characters, as well as the six letters which comprise
her first name, as if they were hidden clues. To unfold these secrets one will
need a mix of body heat, UV light and a magnifying glass.
FDC, GB 2016
“MURDER ON THE ORIENT EXPRESS”: SUSPECTS ARE ALL
PRINTED IN MICRO TEXT
“Murder on the Orient Express” published in
1934, was
inspired by an actual incident when the Orient Express was blocked by snow. Agatha journeyed
frequently on the Orient Express to and from Baghdad with her second husband
Max Mallowan, the well-known archaeologist who excavated several important
sites in the Middle East.
In Murder on the Orient Express, just after
midnight, a snowdrift stopped the Orient Express in its tracks. The luxurious
train was surprisingly full for the time of year. But by the morning there was
one passenger fewer. An American lay dead in his compartment, stabbed a dozen
times, his door locked from the inside. With tension mounting, detective Hercule Poirot finds that everyone
travelling in his coach has a motive. He comes up with not one, but two solutions to the crime.
When the Albert Finney film adaptation of
‘Murder on the Orient Express’ opened, more than 3,000,000 copies of its, were
sold in 1974 alone.
“The
red kimono character is a red herring, distracting the viewer from the killer
hidden behind a heat sensitive ink curtain (you simply put your finger on it
and curtain disappears),” Sutherland said. “The suspects are all printed in
micro text along the train rail. I loved the idea that you need magnifying
glass to read some of the clues—as stamp collectors use them as well as
sleuths.”
This famous novel is also commemorated on an
early issue of GB 1991 as a pane of a Booklet depicting only a knife.
 |
“THEN THERE WERE NONE”: KEY TO THE PLOT IN MICRO TEXT IS THE MOON’S
REFLECTION
“Then
There Were None” is the Christie’s best-selling novel and one of the biggest
sellers of all time – with 100 million copies sold. This book has had more
adaptations than any other of Christie’s work, as well as eight film versions. Published in 1939, this
novel sees a group of people lured into staying on a remote island under
various pretexts, and then being murdered one after another, apparently in
retribution for earlier sins.
“The island is the profile of the unknown killer and host,” Sutherland said. “The poem, key to the plot, is the moon’s reflection. The mysterious U.N. Owen appears at the lit window.”
“THE BODY IN THE LIBRARY”: MISS MARPLE BOOKS IN SHELVES NAME IN MICRO
TEXT
In “The Body in the Library”, published in 1942, the case follows Miss Marple investigating a complex mystery in which the identity of the victim is far from clear, never mind that of the murderer.
“Miss Marple investigates a body found in the library,” Sutherland said. “Her previous books appear on the shelves behind.”
“A MURDER IS ANNOUNCED”: UV INK REVEALS THE CLOCK FACE
“A Murder is announced”, published in 1950, is the 50th Christie mystery imaginative tale concerns a killing which is advertised in advance in a local newspaper, and is followed by more. Solving the case requires all of Miss Marple’s intuition. Its first edition sold record breaking 50,000 copies.
Killer bursts in at a preannounced time (6:30) to shoot at the hostess,” Sutherland said. “She holds the newspaper where he announced his plans. UV ink reveals the clock face. Miss Marple appears on the scene.”
BOOKS ADOPTED FOR TV AND FILMS
Television adoption of Miss Marple and
Poirot books achieved critical acclaim as well as popular success. Most of her
books and short stories have been adapted for
radio, video games, comics and more than thirty feature films.
Series
of 13 British crime drama comprising 70 episodes, based on Agatha Christie's
Poirot aired on ITV during 1989-2013
Peter
Ustinov as Inspector Hercule Poirot in movies: Death on the Nile (1978); Evil
Under the Sun (1982); Thirteen at Dinner (1985) (TV); Dead Man's Folly (1986)
(TV); Murder in Three Acts (1986) (TV); Appointment with Death (1988)
She was named ‘Mystery
Writer of the Century’ and in 1972 she was immortalised in Madame Tussaud’s Wax
Museum...
SHE HAS A ROSE NAMED AFTER HER
Beautiful
rich, pink Hybrid Tea shaped blooms that are lightly fragrant. A strong
growing, disease-resistant climber with outstanding dark-green glossy foliage
and Repeat Bloom
EVEN HER TYPEWRITER ON WHICH SHE WROTE MANY OF HER NOVELS IS ON
VIEW IN TORRE ABBEY IN TORQUAY
The
Mysterious Affair at STYLES her first mystery plot
Reverse
side of the Booklet pane, GB 1991
She is the
only crime writer to have created two equally famous and much loved characters
- Hercule Poirot and Miss Marple
Beginners’ Section
The World Wildlife Fund
This semi postal stamp has raised over $7.5 million for wildlife conservation.
On April 29, 1961, the
World Wildlife Fund (WWF) was founded. Prior to the WWF, the Conservation
Foundation was founded in 1948 as an affiliate of the New York Zoological
Society. Their goal was to protect the world’s natural resources.
The WWF’s creation is
credited to Victor Stolan, who suggested to Sir Julian Huxley that they
establish a fund to help protect endangered animals. Huxley introduced Stolan
to Max Nicholson, who had 30 years of experience helping people like him get
their ideas off the ground through the Political and Economic Planning think
tank.
WWF Stamps honoring the Hawksbill Turtle
Together, Huxley,
Nicholson, Peter Scott, Guy Mountfort and a few other scientists, naturalists,
and business and political leaders joined together to form the World Wildlife
Fund on April 29, 1961. On that date, they issued their Morges Manifesto, a declaration
of their concern for the “thoughtless and needless destruction” of nature and
the animals that inhabited them. They opened their first office later that year
on September 11, in Morges, Switzerland.
At a time, there were
few wildlife organizations around the world, and even fewer with sufficient
funding. The goal of the WWF was to serve as a funding institution for other
conservation groups such as the International Union for the Conservation of Nature
and Natural Resources and The Conservation Foundation.
As stated in the Morges Manifesto, “They need above all money, to carry out mercy missions and to meet conservation emergencies by buying land where wildlife treasures are threatened, and in many other ways. Money, for example, to pay guardians of wildlife refuges… Money for education and propaganda among those who would care and help if only they understood. Money to send out experts to danger spots and to train more local wardens and helpers in Africa and elsewhere. Money to maintain a sort of ‘war room’ at the international headquarters of conservation, showing where the danger spots are and making it possible to ensure that their needs are met before it is too late.”
The WWF’s first president was His Royal Highness Prince Bernhard of the Netherlands, who had also helped found the organization. Their original stated mission was for the “conservation of world fauna, flora, forests, landscape, water, soils and other natural resources by the management of land, research and investigation, and publicity coordination of efforts, cooperation with other interested parties and all other appropriate means.”
Chi Chi, a panda that had been transferred from Beijing Zoo to London Zoo in 1958, inspired the WWF’s famed giant panda logo. They chose Chi Chi as their symbol because she was the only panda in the Western world at the time and was an endangered species, which represented an important part of their work.
In
1986, the WWF changed its name to the World Wide Fund for Nature to more
accurately represent their activities. Despite the name change, the
organization has kept the same WWF initials. Currently, the WWF has more than
five million supporters around the world in more than 100 countries, working on
3,000 conservation and environmental projects. Co-founder Sir Peter Scott once
said of the WWF: “We shan’t save all we should like to, but we shall save a
great deal more than if we had never tried.”
Source : Mystic Stamp Co.
Stories Behind Stamps
Japan - 500m 1871 Dragons Invert Rarity
The Japan 1871 500-mon blue green type I Dragons stamp with
the vignette showing the Japanese characters of value inverted now ranks third
on the list of highest prices paid for a single philatelic item.
The Japan 1871 500-mon blue green Type I Dragon stamp with the value characters inverted, a major philatelic rarity, was sold on June 3, 2023, by David Feldman SA in Geneva, Switzerland. The stamp, known as the "Center Inverted" and considered one of the most valuable in Asia, achieved a sale price of €5.4 million or $5.8 million. The eye-popping price includes the 23 percent buyer’s premium. This price made it the highest world price ever paid for a single stamp after the British Guiana One-Cent Black on Magenta, reports David Feldman SA.
According to Feldman, this is the first time the error of 500m 1871 Dragons Invert Rarity has been auctioned since it was made public in 1973.
“The stamp is acknowledged as Asia’s most valuable stamp and the auction result should see it placed among the recognized most valuable stamps in the world, joining the British Guiana One-Cent Magenta, the Sweden Treskilling Yellow, and the Mauritius ‘Post Office’ One and Two Pence,” Feldman said.
The stamp is the 1871 500-mon blue green type I Dragon stamp with the vignette showing the Japanese characters of value inverted (Scott 4h). Type I Dragon stamps have solid dots in the inner border surrounding the two dragons and the characters.
Scott 4h is valued at $175,000 in the Scott Classic Specialized Catalogue of Stamps and Covers 1840-1940. The value is in italics to indicate an item that can be difficult to value accurately because it appears in the marketplace infrequently.
The 500m type I Dragon was printed in sheets of 40 arranged in five rows of eight stamps. The invert error, which is unique and only known used, is from position 33 in the original error sheet (if the sheet was turned upside down before the vignette was printed), which corresponds to position 8 in a normal pane.
This famous error previously resided in the Meiji Property of Japan, which Feldman calls “one of the most significant and comprehensive properties of Japanese stamps and covers ever formed.”In a June 3 press release, Feldman said that an “Asian gentleman” submitted the winning bid via telephone.
According to Feldman's explanation of the
stamp's history, Linsley "was never sure of its status, and it fell on
Mark E. Weber, his adopted son, to send it in 1973 to Dr. Varro E. Tyler,
Expert Committee Chairman of the International Society for Japanese Philately
(I.S.J.P.) for expertization."
"Believing it to be authentic but requiring a more credible certification,
Tyler sent the stamp to the Expert Committee of the All Japan Philatelic
Federation," according to Feldman.
"Fearing that registered mail would attract
theft, he unexpectedly despatched the enormous rarity via regular mail. It
landed safely in the hands of Dr. Tani Takashi, who couldn't believe his eyes
when he discovered the core was inverted. He quickly rushed to present it to
Dr. Ichida Soichi, the most known expert at the time, who, after rigorous
investigation, proclaimed its absolute authenticity, which has never been
challenged since."
Reference : https://www.linns.com/news/auctions/japan-1871-dragons-invert-rarity-sells-for-almost-$5.8-million-in-june-3-feldman-auction
-Nisarg Sutaria : email : nisargsutaria78@gmail.com
Thematics
Birth of a Coin
(From the Series- “Pennywise- World Coins on stamps”)
FROM OBJECTS OF DESIRE TO COINS
The evolution of money from
objects like shells, beads, and feathers to metal coins is a fascinating
journey that reflects the growing complexity of human societies and their
economic needs. This transition marked a significant leap in how value was
represented, stored, and exchanged, laying the groundwork for modern monetary
systems. The use of objects as money gave way to the development of coins when
metal representations of these objects replaced the real items themselves, a
process that began in ancient Asia and gradually spread across the world.
Early Forms of Money:
Objects as Currency
Objects as Primitive
Currency
Before the invention of
coins, various objects served as money in different cultures. These objects
were often items that were scarce, durable, and widely accepted within a
community. Their value was typically based on their utility, rarity, or the
labor required to produce them. Some examples include:
· Shell Discs:
Cowry shells were used as currency in Africa, Asia, and the Pacific Islands for
centuries. Their widespread availability in some regions and scarcity in others
made them a valuable trade item.
· Wampum:
Native American tribes in the Northeastern United States used wampum, which
were strings of beads made from shells, as a form of currency and a means of
recording agreements and treaties.
· Glass Beads:
In parts of Africa and the Americas, glass beads, often introduced by European
traders, became a form of currency. Their value was linked to their color,
size, and the difficulty of obtaining them.
Stone Cartwheels: The Yapese people of
Micronesia used large stone discs, known as Rai stones, as a form of currency.
These stones, some of which were several meters in diameter, were valued based
on their size, craftsmanship, and history of ownership.
Mangyol Stone Money Bank in Yap, Micronesia.
Photo courtesy : Yap State Historic Preservation Office
The Fe, also known as
"Rai stones," are a form of stone money that originated from the
island of Yap in the Federated States of Micronesia, not the Marshall Islands.
However, these stones are indeed a fascinating example of primitive currency.
Description and
Characteristics
Material: Rai stones are typically made from limestone, which
is not naturally found on Yap. The limestone was historically quarried from the
neighboring island of Palau, which added to the value and significance of the
stones.
Size: The size of Rai stones varies greatly. They can
range from small, manageable discs to enormous stones up to 12 feet in diameter
and weighing several tons. The size often correlated with the stone's value,
but other factors were also important.
Shape: Rai stones are circular with a large hole in the
center. The hole allowed the stone to be transported using poles, as it could
be carried by several people or, in the case of larger stones, rolled.
Cultural and Economic
Significance
Value Determination: The value of a Rai stone was not only based on its
size but also on its history, including the effort required to transport it,
and the risk involved in its journey to Yap. Stones that had a known, storied
past were often more valuable than larger, newer stones.
Non-Physical Exchange: The Rai stones were not typically moved when
ownership was transferred. Instead, the change in ownership was recorded
verbally among the community. For example, a stone might remain in the same
location for generations, while ownership could change multiple times, often as
a result of marriage, inheritance, or political alliances.
Social Role: Rai stones played a significant role in Yapese
society. They were used in major social transactions, such as marriages,
alliances, and even in compensation for mistakes or injuries. The stones
symbolized wealth, status, and social connection.
Historical Context
Quarrying and Transport: The Rai stones were quarried on Palau and
transported to Yap via canoes and rafts, a journey fraught with danger due to
the distance and the open sea. The difficulty in acquiring and transporting the
stones contributed greatly to their value.
Colonial Impact: The Rai stone economy continued even after European
contact. German colonists attempted to tax the stones in the late 19th and
early 20th centuries, which led to some disruption in the traditional economy.
However, the stones remained a significant part of Yapese culture.
Legacy and Modern Use
Symbolic Currency: While the Rai stones are no longer used as everyday
currency, they remain a potent symbol of cultural identity on Yap. The stones
are still used in traditional ceremonies and as markers of historical events or
family heritage.
Tourism and Education: Today, the Rai stones are a point of interest for visitors to Yap, and they serve as a tool for educating people about Micronesian history and the unique economic systems that have existed in the Pacific Islands. The Fe or Rai stones represent a unique form of currency that goes beyond mere economic value, embodying social relationships, history, and cultural identity.
In some Pacific Island cultures, particularly in the Solomon Islands,
red feathers from certain birds were highly prized and used as a
form of currency.
Sperm Whale Tooth
Shark and Walrus Teeth
In Polynesia and the
Arctic, respectively, shark teeth and walrus tusks were used as money due to
their rarity and the skill required to obtain them. In Polynesia, shark
teeth were highly valued and sometimes used as a form of currency. The rarity
and danger involved in acquiring shark teeth made them symbols of power and
status. Shark teeth were often incorporated into tools, weapons, and ornaments,
but their use as a form of currency also reflected the skills and bravery
required to hunt sharks. This made shark teeth not only valuable but also a
representation of social prestige within the community.
In the Arctic, particularly
among the Inuit, walrus tusks served a similar role. The tusks, which are made
of ivory, were prized for their durability and utility in crafting tools, as
well as for their beauty. Harvesting walrus tusks required significant skill
and effort, adding to their value as a form of currency. The Exchange of walrus
tusks often took place in trade networks that spanned vast distances,
connecting different Arctic communities. Both shark teeth and walrus tusks
illustrate how the natural environment and the skills required to thrive in it
shaped the economic systems of these regions.
Limitations of Object Money
While these objects served
as functional currency, they had several limitations. The most significant was
their lack of standardization. Each object could vary in size, weight, and
quality, making it difficult to determine their exact value in trade. Additionally,
the physical characteristics of these items often made them cumbersome to
transport or store, particularly when dealing with larger transactions.
The Transition to Metal
Currency
Metal Representations of
Objects
As societies grew more
complex and trade networks expanded, the need for a more practical and
standardized form of money became evident. The transition from using real
objects as currency to using metal representations of these objects marked a
critical turning point. This change is believed to have started in ancient
Asia, particularly in China, where silver ingots and bronze utensils, which had
been used in trade for centuries, were gradually replaced by miniature bronze
versions of the same items.
Bronze was chosen for its
durability, malleability, and relative abundance. These miniature bronze
objects, which included representations of tools, weapons, and utensils, served
as symbolic currency. They retained the shape of the original objects but were
significantly smaller and easier to carry. This innovation allowed for the
preservation of the symbolic value of the original objects while making
transactions more practical.
The Islamic World:
Innovation in Coinage
Following the rise of Islam
in the 7th century CE, the Islamic Caliphates developed their own distinctive
coinage systems. The first Islamic coins, known as dinars (gold) and dirhams
(silver), were minted during the reign of the Umayyad Caliphate. These coins
were characterized by their simple, calligraphic designs, often featuring
Quranic inscriptions and the names of the ruling caliphs. Islamic coinage
played a crucial role in the spread of Islamic culture and commerce across a
vast area, from Spain in the west to India in the east. The stability and
consistency of Islamic coins made them a preferred medium of exchange long the
Silk Road and other major trade routes.
Coins were more than just a
medium of exchange; they were also powerful symbols of the authority and
identity of the issuing state. The images and inscriptions on coins conveyed
messages about the ruler’s legitimacy, religious beliefs, and achievements. For
example, Roman coins often featured the emperor’s portrait, reinforcing his
divine status and control over the empire. In many cultures, coins were used to
commemorate significant events, such as military victories, royal successions,
or religious festivals. These commemorative coins served as a form of
propaganda, spreading the ruler’s message far and wide.
Economic Stability and Standardization
The introduction of coins
brought greater economic stability and standardization to the societies that
adopted them. Coins provided a consistent measure of value, which facilitated
trade and commerce, both within and between regions. The use of coins also
enabled the development of more complex economic systems, including banking,
credit, and taxation. Coins made it possible to conduct transactions on a
larger scale, paving the way for the growth of markets, cities, and empires.
The ability to mint and control the supply of coins became a crucial aspect of
statecraft, with rulers using their coinage policies to influence the economy
and assert their power.
The Legacy of Coins in
Modern Currency - Transition to Modern Currency
The principles established
by the early development of coins—standardization, durability, portability and
symbolism continue to influence modern currency systems. While the use of metal
coins has declined in favor of paper money and digital currency, coins remain
an important part of many national currencies, particularly for smaller
denominations.
Coins in the Digital Age
In the digital age, the
concept of money has evolved far beyond physical coins. However, the legacy of
coins can still be seen in digital currencies like Bitcoin, which are often
referred to as "coins" in their own right. Crypto currencies, though
entirely digital, share some characteristics with traditional coins, such as
being divisible, portable, and standardized. The use of symbolic imagery, a key
feature of ancient coins, has also persisted in modern currency. National
symbols, historical figures, and other cultural icons continue to be featured
on coins and banknotes, reinforcing their role as both a medium of exchange and
a marker of national identity.
The progression from
objects to coins marked a pivotal moment in the history of money, transforming
the way value was represented and exchanged. The development of coins from
metal representations of objects was driven by the need for a more practical, standardized,
and durable form of currency. This innovation laid the foundation for the
complex monetary systems we use today, influencing the economic, cultural, and
political landscapes of societies around the world. The evolution of money
reflects humanity’s ongoing quest for efficiency, security, and trust in
economic transactions. The legacy of coins continues to shape modern currency,
even as we move towards a digital economy.
ANATOMY
OF A COIN
1. Obverse
(Front)
· Definition: The obverse is the
"front" or "heads" side of a coin, usually featuring a
prominent design, such as a portrait, emblem, or symbol.
· Common Elements:
Portrait: Often, the obverse side of a coin displays the image
of a prominent figure, such as a monarch, political leader, or national hero.
For example, modern U.S. coins feature portraits of historical figures like
Abraham Lincoln (penny) and George Washington (quarter).
Date: The year the coin was minted is typically found on
the obverse, although it can also appear on the reverse in some cases.
Inscription: This may include the name of the issuing country, a
national motto, or other relevant text. For instance, U.S. coins often feature
the phrase "In God We Trust."
2. Reverse (Back)
· Definition:
The reverse is the "back" or "tails" side of a coin,
typically featuring a design that complements or contrasts with the obverse.
· Common Elements:
o Design or Symbol:
The reverse might display a national symbol, coat of arms, emblem, or other
significant imagery. For example, the reverse of the U.S. quarter features
different designs representing the 50 states.
Denomination: The coin's value is often inscribed on the reverse,
indicating its monetary worth (e.g., "1 Dollar," "50
Cents").
Mint Mark: A small letter or symbol indicating the mint where
the coin was produced. For
example, U.S. coins may
have mint marks like "P" for Philadelphia or "D" for
Denver.
3. Edge (Rim)
· Definition:
The edge is the outer boundary of the coin, which can have various treatments
and inscriptions.
· Types of Edges:
Plain Edge: A smooth edge with no markings, found on some coins.
Reeded Edge: An edge with a series of small grooves or ridges,
commonly found on coins like dimes and quarters. This design was originally
used to prevent coin clipping (the shaving off of small amounts of precious
metal).
Lettered Edge: An edge with inscriptions or symbols stamped into
it. For example, the U.S.
Presidential $1 Coins have
inscriptions like "E Pluribus Unum" and the minting year on the edge.
Decorative Edge: Some coins feature patterns or designs on the edge
for aesthetic purposes or as a security feature.
4. Field
· Definition:
The field is the flat, background area of a coin's surface that surrounds the
central design elements, such as portraits, symbols, and inscriptions.
Importance: The field is typically polished or treated to
enhance the contrast between the design elements and the background. It plays a
crucial role in the coin's overall appearance and clarity.
5. Legend
· Definition:
The legend is the principal inscription or series of words on a coin, usually
found along the outer perimeter on both the obverse and reverse sides.
Purpose: The legend often includes the name of the issuing
authority, a national motto, or a phrase that holds cultural or historical
significance. For example, the legend on British coins often reads
"Elizabeth II D.G. Reg F.D." (Elizabeth II, by the Grace of God,
Queen, Defender of the Faith).
6. Device
· Definition:
The device is the main image or motif on a coin, such as a portrait, emblem, or
national symbol.
Examples: On the U.S. penny, the device on the obverse is the
portrait of Abraham Lincoln, while on the reverse, it might be the Lincoln
Memorial (in older designs) or the Union Shield (in newer designs).
7. Relief
· Definition:
Relief refers to the raised design elements on a coin that stand out from the
background field.
· Types:
High Relief: Coins with more pronounced and raised design
elements. These are often more
detailed but can wear down
faster in circulation.
Low Relief: Coins with less pronounced raised elements. These
are generally more durable and resistant to wear.
8. Exergue
· Definition:
The exergue is a specific area on the reverse side of a coin, usually below the
main design, often set apart by a line. This area often contains the date, mint
mark, or other inscriptions.
Purpose: It provides a clear and separate space for important
information without cluttering the main design.
9. Bust
· Definition:
The bust refers to a portrait on a coin, usually showing the head, neck, and
upper shoulders of an individual.
Common Use: Busts are commonly used on the obverse side of coins
to depict rulers, historical figures, or allegorical representations of
nations.
10. Cartouche
· Definition: A
cartouche is an oval or decorative frame on a coin that encloses inscriptions
or symbols.
Purpose: It highlights important text or imagery, such as a
denomination or mint mark, giving it prominence on the coin.
11. Planchet
· Definition: A
planchet is the blank piece of metal that is stamped to create a coin. Before
the design is struck, the planchet is simply a metal disk.
Role in Minting: The quality and preparation of the planchet are
crucial for producing a clear and durable coin. Any defects in the planchet can
lead to errors or flaws in the finished coin.
12. Mint Mark
· Definition: A
mint mark is a small letter or symbol on a coin that identifies the mint where
the coin was produced.
12. Mint Mark
· Definition: A
mint mark is a small letter or symbol on a coin that identifies the mint where
the coin was produced.
Examples: Common U.S. mint marks include "P" for
Philadelphia, "D" for Denver, "S" for San Francisco, and
"W" for West Point. Mint marks can be found on either the obverse or
reverse, depending on the coin.
13. Die
· Definition: A
die is the engraved stamp used to strike the design onto the planchet during
the minting process. There are typically two dies: one for the obverse and one
for the reverse.
Importance: The quality and condition of the dies directly
affect the sharpness and detail of the coin's design. Worn or damaged dies can
lead to coins with less defined features.
14. Rim
· Definition:
The rim is the raised edge around the circumference of a coin, which
helps
protect the coin’s design
from wear and damage.
Function: The rim also adds structural integrity to the coin,
making it more durable for handling and circulation.
15. Flan
· Definition:
The flan is another term for the planchet, particularly used when referring to
the blank metal disk before it is struck to become a coin.
Historical Context: The term "flan" is often used in
numismatics, especially when discussing ancient or medieval coins.
16. Type
· Definition:
The type refers to the general design or style of a coin that remains
consistent across a series of coins.
Example: The "Walking Liberty" design used on U.S.
half dollars from 1916 to 1947 is an example of a coin type.
The anatomy of a coin is a
complex and fascinating subject, encompassing various elements that together
create a functional and artistic piece of currency. From the obverse and
reverse designs to the details like the legend, relief, and mint mark, each aspect
of a coin is carefully crafted to serve both practical and symbolic purposes.
Understanding the anatomy of a coin enhances appreciation for its design and
history, making numismatics a rich and rewarding field of study.
GROWING MONEY
The evolution of money from
tangible forms like coins to intangible digital assets like credit cards and
crypto currencies reflects humanity's continuous search for more efficient,
secure, and convenient means of exchange. This progression has been shaped by
technological advancements, economic needs, and cultural changes, each step
representing a significant leap in how we understand and use money. The journey
from physical to digital currency is a fascinating story of innovation, trust,
and the reshaping of economic landscapes.
Early Forms of Currency:
The Beginnings with Coins
The Birth of Coins
Coins represent one of the
earliest forms of standardized currency, emerging around the 7th century BCE in
the ancient kingdom of Lydia (modern-day Turkey). Before coins, trade was
conducted through barter systems, where goods and services were exchanged
directly. However, barter had limitations, especially when there was no mutual
need or equal value between trading parties. The introduction of coins, made
from precious metals like gold, silver, and bronze, provided a solution by
offering a universally recognized medium of exchange.
The Role of Coins in
Ancient Economies
Coins quickly spread across
civilizations, including the Greek, Roman, and Persian empires, becoming the
backbone of ancient economies. Their standardized weight and metal content
ensured consistent value, making trade across vast regions more efficient. The
intrinsic value of the metals used in coins also provided a sense of security
and trust in their worth. Coins often featured images of deities, rulers, or
symbols of power, reinforcing their role as tools of both economic exchange and
political propaganda.
The Cultural Significance
of Coins
Coins were not just
economic instruments; they were cultural artifacts. The imagery and inscriptions
on coins reflected the values, beliefs, and achievements of the issuing
society. For example, Roman coins often depicted the emperor's image,
symbolizing the central authority and the empire's reach. Coins also served as
a means of spreading cultural and political messages across different regions,
especially as empires expanded and conquered new territories.
The Transition to Paper Money
The Advent of Paper Money
in China
While coins dominated for
centuries, the need for more practical and lighter forms of currency led to the
development of paper money. The earliest known use of paper money dates back to
the Tang Dynasty in China (7th century CE), with widespread use occurring
during the Song Dynasty (11th century CE). Paper money, or "jiaozi,"
was initially issued by merchants as promissory notes, which later evolved into
government-backed currency.
Advantages of
Paper Money
Paper money offered several
advantages over coins. It was easier to produce, lighter to carry, and could
represent larger sums of money. This facilitated trade over long distances,
especially as global trade networks expanded. Additionally, governments could
control the money supply more effectively by printing paper money, allowing for
better economic management.
Spread to the West
The concept of paper money
eventually spread to the Middle East and Europe, with the first European
banknotes issued in the 17th century by the Bank of Sweden. Paper money soon
became the standard, replacing coins in many transactions due to its
convenience and efficiency. However, it also introduced new challenges, such as
the risk of counterfeiting and inflation, which required governments to develop
more sophisticated systems of regulation and control.
Emergence of Banking Systems
As economies grew more
complex, the need for more sophisticated financial systems became apparent. The
rise of modern banking in the 17th and 18th centuries marked a significant
shift in how money was managed and used. Banks began offering services such as
loans, deposits, and the issuance of paper money, which was backed by reserves
of gold and silver.
The Introduction of Credit
The concept of credit,
where money could be borrowed with the promise of future repayment,
revolutionized commerce. Credit allowed individuals and businesses to make
purchases or investments even when they did not have the immediate funds. This
system laid the foundation for the development of credit cards, which would
become a dominant form of payment in the 20th century.
The Evolution of Cheques
and Promissory Notes
Before credit cards, checks
and promissory notes were common ways to make payments without using physical
cash. These instruments represented a promise to pay the bearer a certain
amount of money, often backed by a bank account. While they provided convenience,
they were also prone to fraud and required a more sophisticated financial
infrastructure to process and verify transactions.
The Rise of Credit Cards
The Invention of Credit Cards
The modern credit card was first introduced in the
mid-20th century, with the launch of the Diners Club card in 1950. Initially,
it was a simple charge card that allowed members to pay for meals at
participating restaurants without carrying cash. The concept quickly caught on,
and other companies, including American Express and Bank of America, began
issuing their own credit cards.
Credit Cards as a Payment Revolution
Credit cards transformed the way people paid for goods
and services. They offered convenience, allowing consumers to make purchases
now and pay later. The ability to borrow money instantly and the widespread
acceptance of credit cards across merchants made them an integral part of
everyday life. The credit card industry also introduced rewards programs, such
as cash back and travel points, further incentivizing their use.
The Role of Technology in Credit Card Growth
Advancements in technology, particularly in
telecommunications and computing, enabled the rapid expansion of credit card
networks. The introduction of magnetic stripe technology in the 1970s, followed
by chip-and-PIN systems in the 1990s, improved the security and efficiency of
credit card transactions. Online shopping and e-commerce further propelled the
use of credit cards, making them the preferred payment method for digital
transactions.
The Emergence of Digital Payments and Crypto
currencies
The Shift to Digital Payments
As the internet and mobile technologies developed, new
forms of digital payments emerged. Services like PayPal, launched in 1998, and
allowed users to send and receive money electronically, further reducing the
need for physical cash or checks. Mobile payment platforms like Apple Pay,
Google Wallet, and others followed, enabling consumers to pay for goods and
services with their smart phones.
Introduction of Crypto currencies
The launch of Bitcoin in 2009 marked the beginning of
a new era in digital currencies. Unlike traditional money, Bitcoin and other
crypto currencies operate on decentralized networks, using blockchain technology
to secure transactions and manage the supply of currency. Crypto currencies
offer advantages such as low transaction fees, fast international transfers,
and increased privacy.
Crypto currencies as an Alternative to
Traditional Currency
While still in the early stages of adoption, crypto
currencies have the potential to challenge traditional banking and financial
systems. They provide an alternative to fiat currencies, especially in regions
with unstable economies or limited access to banking services. Crypto
currencies also appeal to those who prioritize privacy and decentralization, as
they are not controlled by any central authority.
The Role of Blockchain
Technology
Blockchain, the underlying
technology behind crypto currencies, has broader applications beyond digital
money. It offers a transparent and secure way to record transactions,
contracts, and other data, making it a valuable tool for industries ranging
from finance to supply chain management. The development of smart contracts,
decentralized finance (DeFi), and non-fungible tokens (NFTs) are examples of
how blockchain technology is reshaping the financial landscape.
The Future of
Money: Integration and Innovation
The Convergence of Digital
and Traditional Currencies
As digital currencies and
payment systems continue to evolve, we are likely to see greater integration
between traditional financial systems and new technologies. Central banks are
exploring the creation of Central Bank Digital Currencies (CBDCs), which would
combine the stability of fiat currency with the advantages of digital payments.
These CBDCs could coexist with crypto currencies and traditional money,
offering consumers a wider range of payment options.
Challenges and
Opportunities
The transition from coins
and paper money to digital currencies presents both challenges and
opportunities. Security concerns, regulatory issues, and the digital divide are
significant obstacles that need to be addressed. However, the potential
benefits, such as greater financial inclusion, reduced transaction costs, and
increased economic efficiency, make the continued evolution of money an
exciting prospect.
Conclusion
The progression from coins
to credit cards and crypto currencies reflects the dynamic nature of money and
its role in society. Each stage in this evolution has been driven by the need
for more efficient, secure, and convenient ways to facilitate trade and manage
wealth. As technology continues to advance, the future of money will likely
involve further innovations that build on the foundation of trust, security,
and accessibility. Whether through the continued rise of crypto currencies, the
development of digital central bank currencies, or new forms of payment, the
story of money is far from over, and its next chapters will likely be as
transformative as those that came before.
-Capt. Vijay Wadhwa: email: vicks552000@gmail.com
New Issues from other countries
Croatia
22
April 2025 : Campaign Against Climate Change 2025 - Global Drought
Campaign Against Climate Change 2025 - Global
Drought
Motif: A drop of water on the palm as a symbol of global drought caused by
climate change This issue was realized as part of the course “Design – Visual
Communications 3” in the second year of the undergraduate study program of
design at the School of Design, Faculty of Architecture, University of Zagreb.
According to
meteorological measurements, the Earth is undergoing significant climate
changes. They are largely caused by human activities, primarily due to
increasing greenhouse gas emissions, and are occurring much faster than
anticipated. The effects of these changes are devastating, and one of the
significant consequences is global drought.
Gibraltar
8 May 2025: National
Archaeological Discoveries
Iraq
5 May 2025 Iraqi Natural Landmarks
Isle of Man
24 April 2025 : Island
harbours
The vibrant six-stamp collection, featuring artwork by Manx-born artist
Janine Skelly. Each stamp captures the charm of the Island’s historic harbours,
where fishing boats and leisure craft rest beneath Janine’s signature swirling
skies.
From the medieval port of Castletown to the bustling gateway of Douglas,
each location tells a story of maritime heritage, community, and breathtaking
scenery. Inspired by her love for the Island, Janine’s bold use of colour and
movement brings these picturesque harbours to life. A must-have for collectors
and admirers of Manx culture, this unique issue celebrates the harbours that
have shaped the Isle of Man’s past and continue to inspire today.
Stamp 1: Castletown: Balley Chashtal 90p
Stamp 2: Douglas: Doolish £1.00
Stamp 3: Laxey: Laksaa (Salmon River) £1.90
Stamp 4: Peel: Purt Ny Hinshey (Port of the Island) £2.15
Stamp 5: Port St Mary: Purt-Le-Moirrey £2.75
Stamp 6: Ramsey: Rhumsaa (Wild Garlic River) £3.00
Latvia
7 March 2025: Synchronization
of the Baltic Energy System with Europe
Synchronization of the
Baltic Energy System with Europe
The Baltic states—Estonia, Latvia, and Lithuania—are working to
disconnect their electricity grids from the old Soviet-era system (BRELL),
which links them to Russia and Belarus. They plan to synchronize with the
European grid (ENTSO-E) by 2025. This will improve energy security, reduce
dependence on Russia, and allow better integration of renewable energy. The
project involves building new infrastructure, upgrading power lines, and
installing synchronous condensers to stabilize the grid.
Spain
50 Years ICEX Scholarships
Since 1975, ICEX Scholarships have accompanied Spain in its
international transformation, becoming a key pillar of Spanish foreign trade.
In 2025, the Program celebrates 50 years of fostering the prosperity of
Spanish companies through talent. It is one of ICEX's longest-running, most
recognized, and appreciated programs and, above all, has the greatest impact on
the internationalization of the Spanish economy.
Switzerland
8 May 2025 National Arheological Discoveries
8 May 2025 : Women’s European Football Championship
8 May 2025 : 100 Years Goldau Nature Reserve and Wildlife Park
New Zealand
7 May 2025 : Richard
O'Brien's Rocky Horror Show
UNO
6 April 2025 : International Day of Sport For Development And Peace
International Day of
Sport For Development And Peace
On 6 April 2025, UNPA issued six new stamps and three souvenir
sheets to commemorate the International Day of Sport for Development and Peace.
Recognized by the General Assembly and
celebrated annually on 6 April, the International Day of Sport for Development
and Peace recognizes the positive role sport and physical activity play in
communities and in people’s lives across the globe.
The United Nations has
long recognized the power and universality of sport, using it to unite
individuals and groups through supporting sport for development efforts,
participating in events globally, and developing its own sports-related
campaigns and initiatives.
The theme for 2025 is
“Leveling the Playing Field: Sport for Social Inclusion”.
“Sport has a unique
and transformative power. It transcends borders and unites people, fosters
teamwork and resilience, and promotes a spirit of inclusion. Each of these
values is essential to the work of the United Nations, and for shaping a more
healthy, sustainable and peaceful world for all”
Philatelic Clubs and Societies
Karnataka
Philatelic Society - https://www.karphil.in/index.html
Prayag Philatelic Society
- https://prayagphilatelicsociety.org/
Ananthapuri Philatelic Association, Thiruvanthapuram
Baroda Philatelic Society - http://www.vadophil.org/
Chandigarh Philatelic Club
Deccan Philatelic Society – Pune, Maharashtra
Eastern India Philatelists’ Association - https://eipa.in/home
The Hyderabad
Philatelic and Hobbies Society
India Study Circle -
http://www.indiastudycircle.org/
Indian Thematic Society, Ludhiana -http://indianthematicstamps.webs.com/
Ludhiana Philatelic Club
Numismatic
& Philatelic Association of Vellore Fort
http://numismaticphilavellore.site40.net/index.htm
Philatelic Congress of India - http://www.philateliccongressofindia.com/
Philatelic Society of Rajasthan, Jaipur
Philatelic Society of India , Mumbai : http://www.psi1897.com/
Orissa Philatelic Association, Mail id-: orissaphilatelic@gmail.com
Rainbow Stamp Club -http://rainbowstampclub.blogspot.com/
Rajkot Philatelic Society – Rajkot, Gujarat
Gujarat Philatelic Association - Ahmedabad
South India Philatelists Association - http://www.sipa.net.in/
The Army Philatelic Society, Pune
Stamps of India – http://www.stampsofindia.com
Durgapur
Philatelic & Numismatic Society – https://www.facebook.com/share/1B3TasUbyR/
Blogs & Websites
RAINBOW
STAMP CLUB
This is a blog of e-Stamp Club www.rainbowstampclub.blogspot.com The idea of
this blog is to extend the philatelic fraternity to all corners of the world.
Readers may write about themselves with their collecting interests and share
new ideas with other philatelists. New
Posts on recent issues, news on stamp activities, and Contributions by members
are published every day on this blog. Readers may also express their views on
any philatelic matter which will be published under Club News at Rainbow Stamp
Cub Blog. Philatelic Clubs and Societies may also send brief write ups. Readers
may send reports on new issues, special covers, cancellations & philatelic
activities in their area for inclusion in this Blog. - Editor
Current Philatelic Magazines – Newsletters
-VADOPHIL, Editor - Prashant Pandya &TimirShah and
published by Baroda Philatelic Society, Vadodara. Website -http://www.vadophil.org/
-Ananthpuri Stamp Bulletin - Monthly e -stamp bulletin of Anathapuri
Philatelic Association, Thiruvananthapuram.
Eduitor – Mohanachandran Nair
-Journal of the Army Philatelic Society
-India Post – Quarterly Journal of the India Study Circle publishes original
articles submitted by members of ISC.
-Deccan Philatelist edited by Dr Anjali Dutta email : dranjalidutta0303@gmail.com from Deccan Philatelic
Society, Pune.
-The Hyderabad Philatelist from Hyderabad Philatelic and Hobbies Society Editor
– Shri Prakash Agrawal
-SIPA Bulletin issued by South India Philatelists’ Association
-The Fila Capsule issued by
Eastern India Philatelists' Association, Bhubaneswar, Odisha. Editor - Dr
Bibhudutta Mishra
Acknowledgment
- A Compendium of Articles on The Half Anna Lithograph Stamps by Dinesh Kanabar
- Ananthapuri Stamp
Bulletin May 2025 issue edited by Mohanachandran Nair: email : apa.tvpm@gmail.com
- Judaica Thematic
Society, UK . Society Newsletter May 2025
edited by Gary Goodman email : judaicathematicsociety@talktalk.net
Courtesy - News and Image Resource to this issue : SIPA, Philately Promoters, EIPA , Indian Philately, Prayag Philatelic Society Group, Philatelic Exhibitions, Deccan Philatelic Society Whatsapp WOPA Mystic Stamp Co.; Pan India Pictorial Place Cancellations ; Pradip Jain – Patna ; Piyush Khaitan -Mumbai; Md. Zahidul Islam Echo – Dhaka, Bangladesh; Praveen Shastry - Bangalore; Mohammed Dhia - Baghdad, Iraq
Jeevan Jyoti, 509, Design Arcade, Chandrabani, Wildlife Institute Road, Dehradun-248001. India . e-mail – j.jyoti9@gmail.com
A Request to Readers & Contributors –
·
Please do not send the text in scan
form or PDF. Send your write ups in MS Word only.
- Last
date for receiving articles/ News /write ups – 25th of every month.
- For
articles: Kindly send images in jpg compressed form and text
in MS Word only Please do not use
any formatting and text wrapping in the article. Simply put
the images under text where required.
- If you like this issue please forward it to
your friends and help in promoting philately.
· Please do not send forwarded messages for promotional
section if you want to give any information for promotion, please write
personally with brief write up. As this newsletter is not used for any
commercial purpose in any manner.
Attention – Please do not
send text or image for publication in PDF.
Any material from this newsletter
may be reproduced only with the written permission from the editor.
Happy Collecting ……….
Rainbow Stamp News is edited and
published monthly by Jeevan Jyoti from Dehradun (Uttarakhand ) India for free circulation
among philatelists.
