World Art Day
Dehradun June 2025 Vol. XVIII Issue No. 210
Readers are requested to send reports of philatelic activities in their
area for publication. Short write ups by the readers about, societies,
publications and philatelic requirements can be sent for inclusion in this
bulletin to the editor: j.jyoti9@gmail.com
Note- This bulletin is
only for circulation among a limited group of philatelists without any
commercial purpose. The bulletin will be sent to the readers only on request.
Those who wish to receive it regularly please reply giving the name of your
city / country with the subject SUBSCRIBE RAINBOW
World Autism Day
Date of Issue: 2 April 2025
Autism is a lifelong congenital
condition. It can range from very severe to mild, where children are able to
attend regular schools with the help of assistants and can achieve a high degree
of independence in their lives. The United Nations General Assembly declared
April 2 as World Autism Awareness Day to draw attention to the growing problem
of this complex disorder.
Editorial……
Digital vs Physical Philatelic Literature: A Growing Concern
Dear Reader,
This is all for this month. More in the next issue.
Happy Collecting!
Contents
·Editorial
· From the Desk of Naresh Agrawal
· Recent Indian Issues
· In the News
· Specialized Section
· Beginners’ Section
. Stories Behind Stamps
· Thematics
. New Issues from Other Countries
· Philatelic Clubs and Society
· Blogs and Websites on Philately
· Current Philatelic Magazines and Newsletters
Exhibiting in
Literature Class
Recently while discussing ‘participation’ in one of the International FIP exhibitions in Literature Class by the exhibitors with Mrs Jeevan Jyoti, I came across the fact that there has been a sudden rise in exhibiting fee and expenditure in Literature Class entry.
Well, my concern is on two aspects where exhibiting in such
exhibitions is concerned. The fee and expenditures & secondly the mode of
exhibiting. I see fees are increasing in other exhibitions also but there is no
uniformity or standardization. FIP should look into this matter keeping in mind
that not every exhibitor can afford high charges/fees for participation.
Some of the participants fail to do so because of this only. FIP or the
organizers need to look into this aspect carefully and sportingly.
Secondly about the entry in Literature Class, we know
digitalization is highly appreciated even in philately. Lot of virtual/digital
exhibitions are being held throughout the world at all levels even under the
patronage of FIP, if I am not wrong. Keeping aside some of the drawbacks with
respect to physical exhibitions; digital exhibitions have proven to be the best
way of exhibiting in today’s scenario. Because there is no need to physically
carry the exhibits with a threat of getting damaged/stolen and also no burden
of getting clearances or any expenditures etc. No burden, no expenditure, no
handling etc. And also, organizers need not to spend huge amounts in organizing
and months long planning and hard labour in coordinating different aspects
/parameters. But I never mean that physical exhibiting should be pushed back.
We must not forget physical exhibits are the only ones which are digitally
exhibited.
Further, digital exhibits give more time, opportunity to the
viewers as well as judges to look at the exhibit in a proper manner. Even
zooming in and out can be done. We all know literature class calls for physical
as well as digital literature which comprises Books. Bulletins, journals,
Articles, periodicals etc. both physical and digital. The literature published
/ produced physically is exhibited physically but the literature published
digitally is also asked to be displayed physically. Exhibitors are asked to get
the digital stuff printed and send it for display. Please note that it incurs
huge cost in printing and also the real essence of digital stuff is lost if
printed. This in fact, affects the judgment also. But why all this? Things are
beyond my level and scope of thinking. I understand that digital literature
should be allowed to be displayed digitally. My concern is also that even the
physical matter is composed, designed and prepared digitally before printing.
Why not even that be called for exhibiting digitally. This will certainly give
better display, accessibility to the viewers and the jury.
There is much more in my mind but I reiterate that if not in other
classes at least in literature class digitalization should be allowed. If
organizers and exhibitors have no issue, literature class may entertain digital
exhibits along with physical ones for better accessibility and viewership. We
must try for better viewership in literature class because in physical
exhibiting, viewers hardly get space, time and better opportunity to view the
exhibit.
I understand I am able to put before the readers and the concerned
organizations and federations my serious concern as far as
exhibiting in Literature Class is concerned.
-Naresh Agrawal , Bilaspur (C.G.) email nareshkumar1992@yahoo.co.in Mob/Whatsapp : 09425530514
Recent Indian Issues
1 May 2025 : Birth Centenary of
Legends – MS + 5 x Rs 5
16 May 2025 : 125 Years of Kodaikanal Solar Observatory –Rs 5
20 May 2025 : %0 Years of Statehood of Sikkim – Rs 5
31 May 2025 : 300th Birth Anniversary of Ahilya Bai Holkar - Rs
5
 |
New Special Covers
2 June 2025 : Ram Van Gaman : Ayodhya
5 June 2025 : Vaduvur Bird Sanctuary ,
Thiruvarur (T.N.)
5 June 2025 : Introduction of
e-Bicycle for Mail delivery: Tiruchirapalli
New Special Cancellations
5 June 2025 : World Environment Day
3 June 2025
: World Bicycle Day : Raipur (C.G.)
On World Bicycle Day, A travel card, A
picture post card and a new Pictorial cancellation released on 3 June 2025 by Philatelic Bureau Raipur, Chhattisgarh
Postal Circle.
21 May 2025
: International Tea Day : Raipur (C.G.)
21 May 2025
: Stop Terrorism : Raipur (C.G.)
7 May
2025 : World Atheletic Day : Bengaluru
New Permanent Pictorial Cancellations
3 June 2025
: Kongposh : Pampare -1921121 Kashmir
5 June 2025 : Undavalli Caves – 522501
New Picture Postcards by India Post
On World
Environment Day, the Department of Posts released a special set of picture
postcards called Birds’ World, celebrating nature’s winged wonders.
In The News
Recent Stamp Exhibitions
THAILAND 2025 Asian International Stamp Exhibition.
From 8 -12 August 2025
It will be organized under the
Patronage of the Federation of Inter-Asian Philately (FIAP)
National Commissioner
VIRENDRA SHARMA
Email virsharma@yahoo.com WhatsApp +91-9928570097
Apprentice National Commissioner
AUSVIPEX -2025
Deadlines
Entries close: 28 September 2025
Title
Pages to Judges: Mon 5 October 2025
Scans
by: 20 Oct 2025 (but can be sent anytime up until then)
Exhibition
available on line for Judges: from Friday 13 November 2025.
Exhibition
available on line for public viewing: from Friday 27 November 2025.
Results
available: Friday 4 December 2025.
Feedback
to Exhibitors: Week commencing Mon 7 December 2025.
On
Line until 28 Feb 2026
Frames
Available: 500
Exhibition
Website https://ausvipex2025.com
Organisation
The Australian Virtual Philatelic
Exhibition 2025 (AUSVIPEX 2025) is an online National Philatelic Exhibition
organised by the Australian Philatelic Federation (APF). These regulations are
based on the APF Regulations for Australian Philatelic Exhibitions.
For all enquiries email: Ausvipex2025@gmail.com
Conditions of
Participation
Participation in the Exhibition is
open to all exhibitors worldwide. They
do not need to be a member of an affiliated organisation. The exhibitor must be
the bona-fide owner of the exhibit.
Exhibits must be of 2-8 frames based
on 16 sheets (approximately 28-29 cm x 23 cm each) per frame. Page size is not
critical but entries must be in the format of frames each comprising 16 single
sheets or the equivalent in double pages or square pages, or a combination of
single, double or square pages corresponding to a ‘frame’ in a physical
exhibition.
Exhibits may come from any of the FIP
or APF competitive classes, except for the One-Frame Class. Only electronic (or
digital) Literature Class entries will be accepted. Exhibits will be classified
and judged in their respective FIP class or Australian National Class. Judging
is based on the regulations of their respective classes and these Guidelines.
Each entry must be entered in the correct class. Non-competitive entries will be by invitation
of the Committee only.
Entries can be either scans of
exhibits prepared and mounted on paper or exhibits prepared using scans of
philatelic items with the pages prepared on a computer. If the latter, the nature of preparation must
be declared. The items scanned must be owned by the exhibitor and the scans
must not be embellished in any way.
All entries will be displayed on the
Exhibition website and available for public viewing.
Entry fees
The frame fee of $20 per frame (multi-frame
exhibits) or $25 (Electronic Literature entries) must accompany the entry form.
EuroPhilex Birmingham 2025
European Philatelic Exhibition
7-11 May 2025
EUROPHILEX 2025
Indian Winners
1.
Markand Dave 2.Dinesh Kanabar 3. Nisarg Sutaria 4. Jeevan Jyoti 5.
Mohanachandran Nair
6.
Sridevi N. 7.Capt. Vijay Wadhwa 8.Kumesh Kumar Jain 9. Gauresh Mehra 10.Sushil
Mehra
Markand
Dave FRPSL
The
Rocket Mails of India - Gold with Fel. of Jury.
Markand
Dave
The 1929
Air Mail Stamps of India - Gold
Dinesh
Kanabar FRPSL
-Treasure
of British India Archive - - Large Vermeil
Chandrajit
Ghose - The
Rocket Mails in India - Large Vermeil
Nisarg
Sutaria – Vermeil
Dinesh
Kanabar – Vermeil
Jeevan
Jyoti – Large Silver
Mohanachandran
Nair - Large Silver
Capt
Vijay Wadhwa – 6 Silver ( 6 entries)
Sridevi
N. – Silver + Large Silver ( 2 entries)
Kumesh
Kumar Jain – Silver
Sushil
Mehra – 2 Silver Bronze ( 2 entries)
Gauresh
Mehra – Silver Broze
View : Result
PHILAKOREA 2025 Specialised World Stamp Championship Exhibition
From 17
- 21 September, 2025
At COEX
Le West Convention Center in Seoul, Rep. of Korea.
National Commissioner for India
KAPIL
GOGRIEmail
: kapilg25@hotmail.com WhatsApp +91.98211.11140
Apprentice National Commissioner for India
Meena
Mutha :Email meenu55@gmail.com
Dubai 2026
DUBAI
2026 , Specialized FIP & FIAP patronage World Stamp Exhibition ,
4-8
February 2026
Class 1: Traditional Philately
Class 2:
Postal History
Class 3:
Postal Stationery
Class 4:
Thematic Philately
Class 5:
Picture Postcards 3
Class 6:
Experimental class
A: One
Frame Exhibit. (1 frame from above class only)
B:
Non-standard Frames Exhibit.( 2-4 frames from above class only)
Class 7:
Youth Philately
Group A
10-15 years old as on Jan.1, 2026(1-3 frame)
Group B
16-18 years old as on Jan.1, 2026(2-4 frame)
Group C
19-21 years old as on Jan.1, 2026(3-5 Frame)
Class 8:
Philatelic Literature
A)
Philatelic books and research papers published after January 01, 2021
B)
Philatelic magazines and periodicals , whole annual volume issued after January
2024
C)
Catalogues published after January 01, 2024
Application Forms shall be submitted to Commissioners
not later than 20 July 2025 along with copy of the introductory page. When the
title of the exhibit differs from the past (irrespective of minor or major
changes), the previous title of the exhibit must be stated in the Exhibit
Application Form. FIP Exhibitor’s Identity Number must be stated which can also
be obtained from PCI.
The participation fee for Competitive Classes (except
6, 7 and 8) will be US$ 100 per frame , Experimental class (Class 6) A: One
frame Exhibit is US$ 110 per exhibit B: Non-standard frame exhibit is US$ 100
per frame , Youth Philately (Class 7) is US$ 20 per exhibit
and Philatelic Literature (Class 8) is US$ 90 per exhibit. All
additional expenses will be informed once applications are received and
calculated accordingly.
For more
details & Form download click,
MACAO 2026
The FIP Patronage
Specialised world Stamp Exhibition will be held at Cotai Expo Hall A, The
Venetian Macao, Taipa Macau SAR from 26 June 2026 to 1stJuly 2026.
Last date of submitting entries : 18 November 2025
FIP
Patronage General World
Dates:
19 - 24 Nov 2026
AMSIPEX -26
The Airmail Society of India Foundation (AMSI) will conduct its 2nd Virtual International Aero & Astrophilatelic exhibition FROM 14 to 21 February 2026.
News from Philatelists and Philatelic Societies
Air Mail Society India Foundation
Financial Grant 2024-25
We aim to mobilize
additional resources and increase the grant amount in FY 2025-26 to further
support philatelic research and scholarship projects.
About his Book
This book delves into the fascinating world of non-postal stamps and stamp papers from the princely states and provinces of Northeastern India, including Manipur, Tripura, Sikkim, and Assam. It explores their historical and administrative significance, detailing their role in governance, legal transactions, and the evolution of fiscal instruments. With a focus on rare varieties, official records, and archival research, this work aims to serve as a valuable resource for philatelists, historians, and collectors, shedding light on a lesser-explored aspect of Indian philately.
- Piyush Khaitan
Chairman & Trustee,
The PCI Philatelic Trust.
The PCI Philatelic Trust - Grant Scheme
Invitation for Applications under the
PCI Philatelic Trust Grant Scheme 2025-26
The PCI Philatelic Trust invites applications for financial assistance for the year 2025–26. A total amount of ₹80,000 has been earmarked for distribution, with no single project getting more than half of this sum. The Trust aims to support 2 to 3 projects aligned with the objectives of the Trust as detailed below.
Application Deadline: 31st October 2025
How to Apply: Interested individuals or organizations may apply by
submitting a formal application as per the prescribed Grant Request Letter
Format (see pdf attached) via email to: pratisadn@gmail.com
About us
The PCI Philatelic Trust, a
not-for-profit organization, was registered on 12th March 1992 with eminent
philatelists Mr. D. N. Jatia and Mr. P. M. Medhora as its founding trustees.
Since then, respected figures in Indian philately including Mr. D. M. Mehta,
Mr. P. Gupta, Mr. Ajeet Singhee, and Mrs. D. M. Pittie have served as trustees.
Mr. Piyush Khaitan –
Chairman, Mr. Pratisad Neurgaonkar –
Secretary & Treasurer Mr. Madhukar Deogawanka –
Trustee 
Mr. Santosh M.S. – Trustee
Objectives of the Trust
The primary aim of the PCI
Philatelic Trust is to promote the study, research, and dissemination of
philatelic knowledge. Specific objectives include:
Supporting study and
research in various branches of philately including traditional, thematic,
aerophilately, astrophilately, fiscal philately, and more.
Organizing and supporting
philatelic exhibitions, seminars, lectures, courses, and workshops. Publishing philatelic
literature including books, journals, brochures, and audiovisual material. Assisting in the
establishment of philatelic libraries, museums, and reference collections. Offering scholarships,
prizes, and awards to encourage philatelic research and excellence.
Highlight
of the Grant Scheme 2024–25
A grant of ₹40,000 was
awarded to Mr. Aranya Dutta Choudhury for his upcoming book titled:"The
Non- Postal Stamps & Stamp Papers of North-Eastern India."
This book presents a
non-postal fiscal stamps and stamp papers used in princely states and
provinces. It highlights their historical and administrative roles in
governance and legal affairs, supported by rare varieties and archival records.
Visit : www.pciphilatelictrust.weebly.com
AMSI Zoom Meeting
29 June 2025
Obituary
Noted philatelist Shrikant Parikh is no more...
Book Review
Pincode
(Postal Index Number) Six digits, One Nation
By
Sushil Mehra
email : gaureshmehra@gmail.com WhatsApp :
9972091818
The book “Pincode ( Postal Index Number) Six digits, One Nation” gives detail description of the PIN Code structure digit wise with Map. The promotion of PIN Code on various postal articles in form of cancellations, meter marks, on margins of stamp sheets, printing on covers and postal registration /speed post receipts. The book also gives the details of the special covers and private covers issued on PIN code. The postcards have a special feature for the use of PIN code which is a part of promotion of the use of PIN code which makes postal delivery easy and fast. It is described with the images. The book gives the list of Philatelic Bureaus of India with PIN its codes. The author has also given special chapters on ZIP Code versus PIN Code and last Pin Codes of India.
Sushil Mehra is a keen philatelist and numismatist with special interest in various varied subjects related to stamp, coin and note collection. He has participated in several stamp exhibition. He is a member of Karnataka Numismatic Society as well as member of Karnataka Philatelic Society. He has a complete collection of Post Independence India Stamps. ET (Economic Times) as well Deccan Herald have published articles on his collection. Karnataka Postal Circle has released Post Cards on his collection as well as two books on Special Covers of Karnataka to which he Contributed. He is author/co-author of many books on philately and has won several award at National and International Philatelic Exhibitions.
- Jeevan Jyoti
Specialized Section
STAMPS WITH STRANGE CURRENCIES
AS DENOMINATION
© Late Dr. Satyendra Kumar Agrawal
Before the advent of money, barter was the
accepted means of payment where anything could serve as
"currency". But it may be surprising to know that few countries
denominated their stamps in terms of Kilograms of vegetables, crops, sea shell
or local flora and fauna.
Denomination in Grams or Kilograms of Rice
North Vietnam’s set of "Harvesting Rice" official
stamps issued in 1952/53 depicting a crude image of man planting rice with
crude perforation by way of a sewing machine, denominated in kilograms of rice.
"Harvesting Rice" official stamps,
Vietnam 1952/53
Also one value from President Ho Chi Minh’s set
of 5 stamps issued in 1946 was overprinted in 1955 with denomination as 0.05
Kg.
President Ho Chi Minh stamp overprinted 0.05Kg of Rice, Vietnam 1946
And finally
Dien Bien Phu commemorative of 1954-56 were denominated in grams or kilograms
of rice. The stamp shows a communist soldier standing atop the command post of
the French commander, General De Castry. Both perforate and imperforate
versions are available.
“Dien Bien Phu” commemorative of 1954-56
Denomination
in grams or kilograms of rice are unusual, of course, but rice was certainly a
valuable commodity in Vietnam in 1954, especially in North Vietnam, which had
much less agricultural land than South Vietnam and had been divided politically
by the Geneva Conference as a result of the communist victory at the Battle of
Dien Bien Phu. The North Vietnamese had had experienced famine nine years
before, in 1945. The disruption of the Vietnamese economy by the Japanese
occupation and inept French administration, as well as droughts and floods,
resulted in the death by starvation of hundreds of thousands to millions of
people (estimates range from 400,000 deaths to 2 million).
During the
war unhulled rice became the unofficial state currency, hence the mention on
the official stamps.
Denomination in Cowries
Some form
of shell money appears to have been found on almost every continent: America,
Asia, Africa and Australia.
The Chinese were the first people to
use cowries as currency. Although as supplies from the ocean ran out,
people manufactured their own versions which is perhaps the first instance of
fake currency.
Wilson's
embryonic postal system for Uganda commenced operations on March 20, 1895. A
single letter box was set up in Kampala, at Wilson's office, offering
twice-daily letter service to Entebbe and Gayaza for postage of 10 cowries.
Other destinations had different rates.
1895-98,
The “Uganda Cowries”, also known as the “Uganda Missionaries”, were the first
adhesive postage stamps of Uganda.
“Uganda Cowries”, Uganda 1895-98
The values
of the stamps varied, but all were denominated in cowries (monetary seashells),
at 200 cowries per rupee or 12½ cowries = 1d. The design was simple, showing
just the initials of the jurisdiction and a number for the denomination. The
paper used was extremely thin.
Because there was no printing press
in Uganda, the stamps were made on a typewriter by the Rev. E. Millar of the
Church Missionary Society, in March 1895, at the request of C. Wilson, an
official of the Imperial British East Africa Company.
Commercial cover dt. 14 March 1895 bearing three Uganda
Missionaries stamps of denomination 10 and 5 cowries respectively
Denomination in number of Potatoes
Tristan da
Cunha is a small island situated in the southern Atlantic Ocean. An attempt to
attract attention to Tristan da Cunha by the issue of own postage stamps was
made in 1946 by the British meteorologist Allan B. Crawford, who spent a long
time on the island and realized there was a demand for stamps from philatelists
and passing ships from the so called “loneliest Island in the world”.
He decided to develop and produce a Local stamp for the islanders to place on the outside of their letters. Together with draftsman Sgt Jimmy Brown he came up with 9 designs and Allan had 20,000 penny sheets made, each stamp depicted a penguin printed in red in sheets of 35 stamps by Hortors Ltd of Johannesburg.
All 9 Potato Stamps designed by Sgt Jimmy Brown and facsimile copies of the now famous “Potato” Essay; the only one which was printed in 1946
“Potato” stamp depicted on a M/S, Tristan da Cunha, 2006
In 1946
Craford also submitted a page of the petition containing the designs of nine postage
stamps signed by the 12 members of the
island council, to the UK Postmaster General for consideration as a legitimate
postage stamp, but petition
was turned down for some reasons in September 1946.
This 2015 stamp sheetlet has been produced using Allan Crawford's black and white designs submitted as part of the petition together with Tristan's first official stamp, the overprinted St Helena definitive. The border also depicts some of Allan Crawford's early designs
FDC Potato Essays Postage Stamps, Tristan da Cunha 2015
The potato stamps were never approved, but
sometimes they were posted, hence a postage due penalty.
Commercial cover, Tristan da Cunha 1948, franked with a
potato stamp assessed as 1-1/2c postage due upon arrival in South Africa
In 1979 to
commemorate the death centenary of Sir Rowland Hill, The 4 potatoes red stamp
showing penguins and the currency being potatoes was also included in the
miniature sheet issued by Tristan da Cunha.
Red Potato stamp depicted in M/S of Death centenary of Sir
Rowland Hill, Tristan da Cunha, 1979
Denomination in number of Puffins
Released on
November 1st 1929, the “Puffin Stamps” of Lundy Island are the only stamps
having denomination printed in number of a local bird “Puffin”. 1 Puffin = 1 British Penny: 12 Puffins = 1 Shilling. The stamps are clever too as they show the
number of puffins per value, the half has its face and chest, 1 has the whole
bird and the 9 and 12 just look hilarious. These stamps were Lithographed by Bradbury Wilkinson & Co. Ltd. and Printed in sheets
of 120 stamps, made up by four panes of 30 stamps.
“Puffin” stamps, Lundy 1929
Commercial covers with Puffin Stamps on front and back
At first
all went well with this Lilliputian kingdom, but in 1931 the British government
got wind of what going on and court took a dim view of His Majesty King
Harman’s regal pretensions. King Harman suddenly found that he was an ex-king,
was fined 5 pounds, and was ordered to relinquish his royal prerogatives.
The
printing of Puffin stamps continues to this day and they are available at face
value from the Lundy Post Office. One used to have to stick Lundy stamps on the
back of the envelope; but Royal Mail now allows their use on the front of the
envelope, but placed on the left side, with the right side reserved for the
Royal Mail postage stamp or stamps.
Royal Mail now allows their use on the front of the envelope,
but placed on the left side, with the right side reserved for the Royal Mail
postage stamp
New designs of Lundy "local stamps" with denomination in number of Puffins
Beginners’ Section
First Public Hot Air Balloon Demonstration
On June 4, 1783, the
Montgolfier brothers staged the first successful public hot air balloon
demonstration, sparking interest and rapid advancements.
In 1782, Joseph
Montgolfier was sitting in front of a fire when he began to wonder about the
force that made the smoke and sparks rise into the night sky. He took a shirt,
tied off the collar and held it above the fire. To his surprise, this force
(later called Montgolfier gas) made the shirt rise.
That same year,
Pilâtre de Rozier attempted to mimic the Channel crossing with an experimental
balloon of his own design, which consisted of a hydrogen balloon and a hot air
balloon tied together. Unfortunately, the heat source was too close to the
hydrogen and the balloon exploded half an hour into its flight. De Rozier did
not survive the experiment.
Over 100 years later, during the 1920s, ballooning reached its pinnacle with the Graf Zeppelin. Named after its designer, Count Ferdinand von Zeppelin, the Graf (which means “Count” in German) was an aluminum-framed, lighter-than-air ship. It was 776 feet long and had a maximum diameter of 100 feet. The craft was filled with hydrogen gas, which filled 17 cells. Five Maybach motors gave it power. Flying at over 70 miles per hour, this engineering marvel was the only such airship to circle the Earth.
Balloons
continued to evolve, and records for altitude and distance were constantly
broken. Perhaps Austrian pilot Felix Baumgartner owns the most astonishing
record. In 2012, he broke the fifty-year-old records for highest manned balloon
flight and highest altitude jump. Baumgartner ascended to 127,851 feet
(approximately 24 miles) then jumped from his balloon. He was the first person
to break the sound barrier without any form of engine power. Felix Baumgartner
landed safely in New Mexico.
First Publication of Dracula
On May 26, 1897, Bram Stoker’s Dracula was
first published in London, England. It went on to become one of the most
famous pieces of English literature and has been adapted for film more than 30
times.
Stoker became interested in theatre
while still in school and got a job as a theater critic for the Dublin Evening
Mail while working in the Civil Service. His drama reviews led to a friendship
with actor Sir Henry Irving, who invited him to serve as the acting manager and
later business manager of the Lyceum Theatre. With Irving, Stoker travelled the
world, including two visits to the White House and a meeting with one of his
literary heroes, Walt Whitman.
Stoker produced short horror stories for
magazines over the years and published his first novel, The Snake’s Pass, in
1890. He likely started his extensive research for his most famous novel that
year. Stoker put together more than 100 pages of notes, exploring Transylvanian
folklore and history. It’s been suggested the title character Dracula was based
on historical figures such as Wallachian prince Vlad the Impaler or countess
Elizabeth Báthory, but neither figure is mentioned in his notes. He chose the
name “Dracula” from a book, because he thought it meant “devil” in Romanian.
Stoker didn’t invent the idea of
vampires. Stories about undead figures drinking blood had been popular in folk
takes dating back to ancient times. But Stoker’s novel would bring vampires
into the forefront of mainstream literature. Dracula was first published in
London on May 26, 1897. It received positive reviews for its effective use of
horror, though some critics said was too frightening. The story follows the
title character, Dracula, as he travels from Transylvania to Yorkshire,
England. It’s presented as an epistolary novel, presented as a series of
documents – letters, diary entries, and newspaper articles – written by its
main characters.
Dracula was serialized in US newspapers and then published in the US in 1899. Though it was a moderate success during his lifetime, Stoker didn’t make a fortune from the book’s sales. As it turned out, he hadn’t fully followed US copyright law, which required him to purchase the copyright and register two copies. He only registered one, making the novel part of the public domain.
Stoker wrote the first theatrical
adaptation of Dracula, which was performed only once in 1897. It was first made
into a film in 1921, but it was Béla Lugosi’s portrayal in 1931 that cemented
Dracula in popular culture. In all, Dracula has been adapted for film more than
30 times. Taking into account film, televisions, video games, comic books,
animation, and stage performances, Dracula has seen over 1,000 adaptations over
the years. The novel is considered one of the most famous pieces of English
literature and a classic in the Gothic and horror genres.
Stories Behind Stamps
China - 8f Views of Peking Unissued Stamp, 1956
Price: USD 148,164
1956 Unissued orange
views of Peking with sunlight rays in the background are among the most desirable
Chinese philatelic treasures. Above the Gate of Heavenly Peace, the object
displays sunlight beams. Since most of the items were ripped haphazardly from
their covers, experts say that errors and fixes of this problem are not
uncommon. At the Interasia auction in September 2011, a superb copy of this
well-known stamp sold for an astounding $118,531. In January 2014, another
excellent example of this priceless object (seen below) was up for auction in
Interasia. It was brand new, with vivid color on bright white paper and crisp,
well-centered engraving. At $148,164, the lot was hammered down.
Reference : https://findyourstampsvalue.com/rarest-stamps/most-valuable-chinese-stamps
-Nisarg Sutaria : email : nisargsutaria78@gmail.com
Thematics
Birth of a Coin
(From the Series- “Pennywise- World Coins on stamps”
HEADS OR
TAILS
The
phrase "Heads or Tails?" is more than just a simple question used to
determine outcomes in games of chance. It reflects a deep-rooted history in the
world of coinage, where the two sides of a coin—commonly referred to as the
obverse (heads) and the reverse (tails)—each carry their own significance and
history. Understanding how these two sides of a coin evolved not only gives us
insight into the craftsmanship and symbolism of ancient money but also reveals
the practical considerations that shaped the art and science of coin minting
over millennia.
The Evolution of Heads and Tails
The Early Uni-Face Coins
In
the earliest days of coinage, around the 7th century BCE, the concept of a
two-sided coin had yet to be fully realized. These first coins, often made of
electrum, a natural alloy of gold and silver, were uni-face, meaning they were
only marked on one side. The reverse, or "tails" side, was left
blank, and these coins are often referred to as "uni-face coins."
This simplicity made sense in a period when the primary concern was to create a
standardized medium of exchange rather than a work of art.
The
marked side of these early coins usually bore a simple emblem, such as a symbol
of the city-state or ruler that issued the coin, which served as a guarantee of
the coin’s weight and value. Since the reverse side was unmarked, it was often
rough and bore the marks of the minting process, such as the impression left by
the anvil or die used to shape the coin.
Group
of 7 “AR” Uniface and Biface denominations. Unsigned British Museum electrotype
An interesting group of uniface obverses, as well as a biface example of Greek
coins in the British Museum.
The Development of the Reverse (Tails)
As
the practice of coinage spread and evolved, so too did the techniques used in
minting coins. It became common to engrave a mark on the hammerhead or on a
piece of iron that was used to strike the coin. This innovation led to the
development of what we now recognize as the reverse, or "tails," side
of the coin. Initially, these marks were simple, geometric patterns cut into
the surface, known as incuse designs, meaning they were stamped into the metal
rather than raised from it.
These
incuse patterns served a practical purpose: they absorbed the force of the
hammer blow during the minting process, reducing the risk of the coin cracking
or deforming. Over time, the designs on the reverse became more complex and
symbolic, reflecting the culture, beliefs, and power structures of the issuing
authority.
The
reverse side of the coin became an important canvas for additional motifs,
which could range from depictions of gods and goddesses to representations of
important events or emblems of power. However, because the reverse took the
brunt of the hammer blows, these designs often wore down more quickly than
those on the obverse, or "heads," side.
Ancient Greek Coins on Set of Ten Greece Postage Stamps Issued 1959
1948.
Israel. DOAR IVRI First Coins 50A coin from the period of the second rebellion.
One year since the rebellion of Israel
In ancient times, the obverse was typically adorned with the likeness of a king, emperor, or other ruling figure, often depicted in a regal and authoritative manner. This practice served both as a form of propaganda, reinforcing the ruler's power and presence throughout their domain, and as a guarantee of the coin's value. The durability and clarity of the obverse design were crucial, as these coins circulated widely and needed to be easily recognized and trusted by those who used them.
The Craftsmanship of the Obverse Die
Crafting
the obverse die required a high level of skill and precision. The die was often
engraved by master artisans, who would carve intricate designs into a piece of
hardened metal. The obverse die that has survived from Roman and medieval times
typically featured a large spike on the back, which was driven into a block of
wood or another solid material to secure it in place during the minting
process. This setup allowed for greater control and accuracy when striking the
coin, ensuring that the obverse image was clearly and consistently rendered.
The importance of the obverse die is underscored by the fact that it was designed to last through many uses, despite the wear and tear of repeated hammer blows. The longevity of these dies was crucial for maintaining the quality and consistency of the coins produced. The obverse designs from Roman and medieval times, with their detailed portraits and symbolic motifs, are a testament to the skill and artistry of the engravers who created them.
The Practicalities of Minting: Reverse and Obverse Dies
The Reverse Die and Its Role
While the obverse die held the primary image, the reverse die had a crucial role in the minting process. The reverse die was typically engraved with a flattened back to absorb the impact of the hammer blow. This design helped to distribute the force evenly across the coin, preventing damage and ensuring that the coin retained its intended shape.
The
reverse die was often less intricate than the obverse die, reflecting its
secondary role in the coin's design. However, as minting techniques advanced,
the reverse side of the coin began to feature more elaborate designs, including
symbolic representations, inscriptions, and even scenes from mythology or
history.
These
designs added to the coin's aesthetic appeal and conveyed additional messages
or values associated with the issuing authority. The process of striking a coin
involved placing a blank piece of metal, known as a planchet, between the
obverse and reverse dies. The obverse die was typically fixed in place, while
the reverse die was struck with a hammer, imprinting the designs from both dies
onto the coin. The precision of this process was vital for producing coins that
were uniform in appearance and value.
1948. Israel . First Coins Minister Print Sheet - All 9 Stamps, Numbered Limited Issue
The
"tails" side of the coin, while initially less adorned, evolved to
carry its own symbolic significance. The reverse side often featured symbols of
the state, such as national emblems, animals, or representations of important
events. These symbols served to complement the image on the obverse, creating a
fuller narrative about the coin's origins and purpose.
In
some cultures, the reverse side of the coin became a place to celebrate
collective achievements, commemorate important historical events, or highlight
cultural and religious symbols. The use of both sides of the coin allowed for a
richer expression of identity and values, making each coin not just a medium of
exchange, but also a piece of art and a vehicle for communication.
The
Enduring Legacy of Heads and Tails
Heads
or Tails: A Tool for Decision-Making
The
practice of flipping a coin to make decisions—asking "Heads or Tails?"—is
a tradition that has endured for centuries. This simple act reflects the
duality of the coin and its long history as an object of trust and fairness.
The outcome of a coin toss is seen as impartial, with each side of the coin
representing an equal chance, embodying the idea of fairness and chance that is
inherent in the concept of money itself.
The
Modern Coin: Continuity and Change
In
modern times, the distinction between heads and tails remains a key feature of
coin design. While the materials and technologies used in minting coins have
advanced, the basic concept of two distinct sides, each with its own design and
symbolism, has persisted. Modern coins continue to reflect the values, culture,
and identity of the issuing nation, just as they did in ancient times.
2002. Monaco. Coins, Introduction of the Euro,Embossed
Obverse & Reverse sides. Se-tenant Pair
The legacy of heads and tails on coins is a reminder of the enduring importance of these small, circular pieces of metal in human history. From their origins as simple metal discs with a single mark to the intricate, dual-sided coins of today, coins have played a vital role in the development of economies, cultures, and societies. The continued use of coins, even in an increasingly digital world, speaks to their lasting significance as symbols of trust, authority, and identity.
The
story of "Heads or Tails" is not just about the two sides of a coin
but about the evolution of money, craftsmanship, and symbolism in human
history. From the early uni-face coins with a single mark to the intricate
designs of the obverse and reverse in ancient and medieval times, coins have
always been more than just a medium of exchange. They are artifacts that tell
the story of the societies that produced them, reflecting their values,
beliefs, and technological advancements.
The
distinction between heads and tails, with the obverse carrying the primary
image and the reverse often serving as a canvas for additional symbolism, has
shaped the way we understand and use money. Whether it's the image of a ruler,
a national symbol, or a scene from history, the designs on both sides of a coin
continue to convey messages of power, identity, and trust. The legacy of these
designs, and the duality of heads and tails, endures in the coins we use today
and in the simple yet profound act of flipping a coin to make a decision.
-Capt. Vijay Wadhwa: email:
vicks552000@gmail.com
New Issues from other countries
Bosnia and Herzegovina - Mostar
22 May 2025 : Myths and Flora
Myths and Flora
The Weeping Willow
(Salix babylonica) is a deciduous tree species from the willow family. It arrived
in Europe via the Silk Road from northern China. It grows as a tree up to 15
meters high, with very long, thin hanging branches.
The symbolism and
myths associated with the Weeping Willow vary across cultures. In ancient
Greece, it was believed to be connected to the afterlife due to the rapid
regeneration of its branches. The drooping branches and the way raindrops flow
down its leaves, as if crying, symbolize pain and sorrow. In ancient mythology,
the goddess of the underworld and protector of magic, Hecate, used a willow
wand. In China, the willow is seen as a symbol of rebirth, vitality, and
immortality.
According to a Chinese
legend, a cat sadly cried by the riverbank because her kittens had drowned in
the river after chasing butterflies. Willows grew along the riverbank, and out
of sympathy, they lowered their long branches into the water, which the kittens
clung to, allowing them to climb to safety. Since then, the willow branches
have remained bent towards the water, forming a beautiful canopy, the most
beautiful among willows. Where the kittens had held onto the branches with
their little paws, small furry buds grew, which the people named "cica –
mace" (kittens).
Hungary
3 June 2025: 2025 Cartoon
And Fairy Tale Characters VII - The Adventures of Mirr-Murr The Tomcat -
Miniature Sheet
Cartoon And Fairy Tale Characters VII - The Adventures of Mirr-Murr The Tomcat
The puppet film series The Adventures of
Mirr-Murr the Tomcat was completed in 1975. The puppet series, a sequel to The
Adventures of Little Donkey, presented a new main character. In Hungary, the
puppet film has been shown on MTV1, MTV2, Duna TV and M3. The screenplay was
written by István Csukás, and the puppet series was directed and designed by
Ottó Foky. The music was composed by Zsolt Pethő. Judit
The three stamps of the special souvenir
sheet feature the three central characters of the story in this order: Little
Donkey, Mirr-Murr the Tomcat and Oriza. The design of the souvenir sheet’s
frame shows Mirr-Murr taking a photo of the characters in the episodes.
Mirr-Murr the Tomcat and Little Donkey appear on the special first day cover.
The main element in the imprint of the special postmark on the first day cover
is a portrait of the title character. An interesting feature of the souvenir
sheet is that further information about the topic can be accessed after
scanning the QR code on it.
Isle of Man
29 May 2025 : Manx Tourism Posters
Manx Tourism Posters
Among the featured
posters in this stamp collection is the 1928 Sailings and Holiday Tours poster,
an example of early travel advertising. It captures the romance of sea travel,
showcasing the Isle of Man’s ferry connections, which were once among the busiest
in the British Isles. Thousands of visitors would board steamers eager for
their island getaway.
Another highlight is
the whimsical 'Happy Holidays' poster featuring the beloved Manx cat, a breed
native to the Island. This cheerful image encapsulates the carefree joy that
the Isle of Man promised its visitors, reinforcing its identity as a fun-filled
retreat. Equally nostalgic is the poster promoting the Isle of Man Railway, a
transport network that provided tourists with scenic journeys across the
Island’s rugged and beautiful terrain – as it does still.
Perhaps the most
historically significant among the featured posters commemorates the 1957
Golden Jubilee of the Isle of Man TT, the world-famous motorcycle race. The TT
has been a major draw for visitors since its inception in 1907, and this
celebratory poster captures the thrill and prestige of an event that continues
to attract racing fans from across the globe. The inclusion of this design in
the stamp collection highlights the Isle of Man’s enduring reputation as a hub
for motorsport tourism.
The rise of the Isle
of Man’s tourism industry dates back to the late 19th century, when
improvements in transport made the Island more accessible to British
holidaymakers. The arrival of passenger steamers allowed thousands to flock to
the Island each summer. By the early 20th century, Douglas had become a
bustling resort town, boasting grand hotels, theatre, and promenade. Beyond the
capital, attractions such as the Laxey Wheel, Groudle Glen, and Port Erin
beach, among many others, became must-visit locations.
These stamps serve as
a tribute to the Isle of Man’s tourism legacy, celebrating both the artistry of
vintage travel posters and the Island’s place in British holiday history. As
these designs grace envelopes around the world, they continue to inspire curiosity
and admiration for the Isle of Man, just as they did in their original form
decades ago.
Monaco
2 June 2025:
25 Years of The Pelagos Agreement
25 Years Of The Pelagos
Agreement
The Pelagos Sanctuary
is the only international sea area dedicated to the protection of marine
mammals and their habitats in the Mediterranean Sea. It was established by a
Multilateral Agreement between France, Italy and Monaco signed on November
25th, 1999, in order to promote harmonised actions and management measures for
the protection of cetaceans and their habitats against all causes of
human-induced disturbance and mortality. The Pelagos Sanctuary was listed as a
Specially Protected Area of Mediterranean Importance (SPAMI), under the
Barcelona Convention developed under the United Nations Environment Programme.
As part of the commemoration of the 25th anniversary of the Agreement, various
events and communication actions have been implemented since 25 November 2024
and will continue until the 10th Meeting of the Parties to be held in Monaco at
the end of 2025.
New Zealand
19 June 2025
: Dark Sky
Mint sheetlet of six gummed stamps
- $2.90 Southern Cross/Māhutonga - The Southern Cross constellation, a national symbol of Aotearoa New Zealand, is visible year-round in the southern hemisphere sky. It has long been used for navigation, helping to locate the South Celestial Pole when used alongside other stars. Across the world, cultures have shared stories about the stars; in Aotearoa, some iwi (tribes) viewed the Southern Cross as the anchor of a great sky canoe.
- $2.90 Taurus/Te Kōkota - The naming and interpretation of stars vary across cultures. In Aotearoa, the Hyades open star cluster—part of the constellation Taurus—and the adjacent bright orange star Taumata-kuku (Aldebaran) are known collectively as Te Kōkota.
- $2.90 Orion’s belt & sword/ Tautoru & Te Kakau - Orion was named by the ancient Greeks, who saw the seven bright stars as a giant. A line of three stars forms his belt, from which his sword hangs. In Aotearoa, Orion’s Belt is known as Tautoru and, when including Te Kakau—another row of stars extending at an angle -is often referred to as a pot with a handle
- $2.90 Aries/Pipiri - Pipiri marks the first month of the maramataka, a traditional Māori lunisolar calendar, and is associated with the stars Hamal and Sharatan in the constellation Aries. Aries is an ancient star group that has historically been depicted as a sheep or ram by many early cultures. Its modern name is derived from the Greek and Roman myth of the Golden Fleece.
- $4.00 Winter Triangle - This asterism—a recognizable pattern of stars—includes Betelgeuse, Procyon, and Sirius (Takurua), one of the brightest stars in the sky. Known as the Winter Triangle in the northern hemisphere, this group of stars is visible during summer in the southern hemisphere. Thanks to its bright stars, it's an excellent starting point for those new to stargazing.
- $4.70 Matariki - Matariki
is the Māori name for the star cluster also known as Pleiades, Subaru or
the seven sisters. The Māori New Year is celebrated annually across
Aotearoa New Zealand when, in mid-winter, the Matariki star cluster rises.
2 June 2025 : Children’s Day
Officially, Children’s
Day was first mentioned in Geneva during the World Conference on the Protection
and Welfare of Children on August 1st, 1925, when 54 representatives from
different countries adopted the Declaration on the Protection of Children.
After this conference, many governments declared “Children’s Day” an official
holiday.
In Romania,
“International Children’s Day” is celebrated on June 1st, a day that has been
declared a public holiday (non-working day) since 2017, and Law No. 264/2024
establishes 2025 as the “National Year of the Child”.
Children’s
Day is an opportunity to celebrate the world of childhood, the miracle of birth
and purity, and the right of all children to enjoy comprehensive protection. It
is a day of gifts for children: sweets, toys, colourful balloons, clothes, and
other things that children desire.
Surprise parties,
festive activities dedicated to children, sports competitions, and field trips
are some of the components of the programs dedicated to June 1st. This day is
also an occasion of great joy for everyone: parents, teachers, and children alike.
Adults will remind their childhood, given that there is always a child in
everyone’s heart. It is a day full of magic, strong, individual, and truly
special emotions.
On June 1st, every
child’s dream is for adults to give up their malice and actions that cause pain
and suffering, and to give a little of their wealth to all children, because we
must not forget that children are the future of humanity.
The postage stamp with
the face value of Lei 8 allegorically illustrates children’s desire to “escape”
to a free world, full of sunshine, under a clear sky, symbolising peace and
tranquillity. A traditional toy that has come to life and clings to a little
girl’s dress is also featured, symbolizing the permanent presence of toys in
the world of childhood.
Spain
29 may 2025 : 2025 Tourism - Spain is your
Destination
Editor’s Mail Box
Dear Ma'am,
I am Abhishek Kumar from Asansol, a passionate philatelist. Today, I had the pleasure of reading the May 2025 edition of Rainbow Stamp News, and I was particularly impressed by your editorial titled “Special Cancellations: A Missed Opportunity.”
I truly agree with your insights—special cancellations indeed play a
vital role in showcasing and preserving our rich culture and heritage through
philately. Your perspective was both enlightening and thought-provoking.
Thank you for your continuous efforts in promoting philately and for
inspiring readers like me through your unique and meaningful contributions to
the field.
Asansol
(WB)
Philatelic Clubs and Societies
Air Mail Society India Foundation - https://www.airmailsocietyindia.org/
Karnataka
Philatelic Society - https://www.karphil.in/index.html
Prayag Philatelic Society
- https://prayagphilatelicsociety.org/
Ananthapuri Philatelic Association, Thiruvanthapuram
Baroda Philatelic Society - http://www.vadophil.org/
Chandigarh Philatelic Club
Deccan Philatelic Society – Pune, Maharashtra
Eastern India Philatelists’ Association - https://eipa.in/home
The Hyderabad
Philatelic and Hobbies Society
India Study Circle -
http://www.indiastudycircle.org/
Indian Thematic Society, Ludhiana -http://indianthematicstamps.webs.com/
Ludhiana Philatelic Club
Numismatic
& Philatelic Association of Vellore Fort
http://numismaticphilavellore.site40.net/index.htm
Philatelic Congress of India - http://www.philateliccongressofindia.com/
Philatelic Society of Rajasthan, Jaipur
Philatelic Society of India , Mumbai : http://www.psi1897.com/
Orissa Philatelic Association, Mail id-: orissaphilatelic@gmail.com
Rainbow Stamp Club -http://rainbowstampclub.blogspot.com/
Rajkot Philatelic Society – Rajkot, Gujarat
Gujarat Philatelic Association - Ahmedabad
South India Philatelists Association - http://www.sipa.net.in/
The Army Philatelic Society, Pune
Stamps of India – http://www.stampsofindia.com
Durgapur
Philatelic & Numismatic Society – https://www.facebook.com/share/1B3TasUbyR/
Blogs & Websites
Jusqu’a Markings and other Route Indicators
RAINBOW
STAMP CLUB
This is a blog of e-Stamp Club www.rainbowstampclub.blogspot.com The idea of this blog is to extend the philatelic fraternity to all corners of the world. Readers may write about themselves with their collecting interests and share new ideas with other philatelists. New Posts on recent issues, news on stamp activities, and Contributions by members are published every day on this blog. Readers may also express their views on any philatelic matter which will be published under Club News at Rainbow Stamp Cub Blog. Philatelic Clubs and Societies may also send brief write ups. Readers may send reports on new issues, special covers, cancellations & philatelic activities in their area for inclusion in this Blog. - Editor
Current Philatelic Magazines – Newsletters
-VADOPHIL, Editor - Prashant Pandya &TimirShah and published by Baroda Philatelic Society, Vadodara. Website -http://www.vadophil.org/
-Ananthpuri Stamp Bulletin - Monthly e -stamp bulletin of Anathapuri
Philatelic Association, Thiruvananthapuram.
Eduitor – Mohanachandran Nair
-Journal of the Army Philatelic Society
-India Post – Quarterly Journal of the India Study Circle publishes original
articles submitted by members of ISC.
-Deccan Philatelist edited by Dr Anjali Dutta email : dranjalidutta0303@gmail.com from Deccan Philatelic
Society, Pune.
-The Hyderabad Philatelist from Hyderabad Philatelic and Hobbies Society Editor
– Shri Prakash Agrawal
-SIPA Bulletin issued by South India Philatelists’ Association
-The Fila Capsule issued by
Eastern India Philatelists' Association, Bhubaneswar, Odisha. Editor - Dr
Bibhudutta Mishra
Acknowledgment
- Ananthapuri Stamp Bulletin June 2025 issue edited by Mohanachandran Nair: email : apa.tvpm@gmail.com
- Judaica Thematic
Society, UK . Society Newsletter June
2025 edited by Gary Goodman email : judaicathematicsociety@talktalk.net
Courtesy - News and Image Resource to this issue : SIPA, Philately Promoters, EIPA ,
Indian Philately, Prayag Philatelic Society Group, Philatelic Exhibitions,
Deccan Philatelic Society Whatsapp WOPA Mystic Stamp Co.; Pan India Pictorial
Place Cancellations ;
Piyush Khaitan- Pune; Md. Zahidul Islam Echo –
Dhaka, Bangladesh; Praveen Shastry , Bangalore; Capt. Vijay Wadhwa- Raipur
Address for communication:
Jeevan Jyoti, 509, Design Arcade, Chandrabani, Wildlife
Institute Road, Dehradun-248001. India .
e-mail
– j.jyoti9@gmail.com
A Request to Readers & Contributors –
·
Please do not send the text in scan
form or PDF. Send your write ups in MS Word only.
- Last
date for receiving articles/ News /write ups – 25th of every month.
- For
articles: Kindly send images in jpg compressed form and text
in MS Word only Please do not use
any formatting and text wrapping in the article. Simply put
the images under text where required.
- If you like this issue please forward it to
your friends and help in promoting philately.
· Please do not send forwarded messages for promotional
section if you want to give any information for promotion, please write
personally with brief write up. As this newsletter is not used for any
commercial purpose in any manner.
Attention – Please do not
send text or image for publication in PDF.
Any material from this newsletter
may be reproduced only with the written permission from the editor.
Happy Collecting ……….
Rainbow Stamp News is edited and
published monthly by Jeevan Jyoti from Dehradun (Uttarakhand ) India for free circulation
among philatelists.
