2026 - The year of Nadia Comaneci
 |
Date of Issue : 29 May 2026 |
Dehradun July 2026 Vol. XIX
Issue No. 223
Readers are requested to send reports of philatelic activities in their
area for publication. Short write ups by the readers about, societies,
publications and philatelic requirements can be sent for inclusion in this
bulletin to the editor: j.jyoti9@gmail.com Note- This bulletin is
only for circulation among a limited group of philatelists without any
commercial purpose. The bulletin will be sent to the readers only on request.
Those who wish to receive it regularly please reply giving the name of your
city / country with the subject SUBSCRIBE RAINBOW  2026-The Year of Nadia Comaneci “Hard work has made everything easy! That is my secret!” -Nadia Comaneci On July 10, 2025, the President of Romania signed the decree
promulgating the Law establishing 2026 as the “Year of Nadia Comăneci,” marking
the 50th anniversary of the legendary performances achieved by the Romanian
gymnast at the 21st edition of the Summer Olympic Games, held in Montreal
between July 17 and August 1, 1976. |
Editorial….
Literature
Class: Digital or Printed Exhibits???? Confusion persists …
Dear Reader,
I am pleased to present the July 2026 issue of Rainbow Stamp News.The Philatelic Congress of India has prposed a National Exhibition to be held soon in two stages — virtual and physical.It will be finalised soon and the details about the exhibition will be announced. This is a new and welcome initiative. Let’s see how it unfolds.
Recently, the Specialized World Stamp
Exhibition, Macau 2026, concluded successfully. Hearty congratulations to all
participants from across the globe. This exhibition also marked the 100th
anniversary of the FIP. Several countries issued special stamps to commemorate
the occasion — a moment of great pride for the philatelic community worldwide.
Philately remains the only hobby practiced
globally in a uniform manner, guided by the Fédération Internationale de
Philatélie. FIP sets the rules, regulations, and norms for exhibitions,
ensuring consistency across countries. While these are amended from time to
time, they are followed internationally.
Yet, confusion persists in the Literature Class.
Some exhibitions accept digital exhibits in this class along with hard copies,
and this is clearly stated in their prospectus.
However, a recent incident at Macau 2026 was very disappointing. An Indian exhibitor had three Literature Class entries which were rejected at the last moment during judging. The organizers cited non-submission of two hard copies of each exhibit. When submitting his entries, the exhibitor enquired where to send or upload his digital entries. The Commissioner advised him to email the entries, as no upload link had been provided by the organizers. He duly emailed his e-book entries to the Commissioner. The result sheet later marked them as "Absent" in the award column.It must be noted that the Commissioner had earlier informed the exhibitor that all three entries were accepted, and he was charged the requisite entry fee for all three exhibits.
This raises a critical question — whose fault
was it? The exhibitor submitted digital entries as instructed, using the entry
form that was scrutinized and accepted. If the form and entries were accepted
after due checking, why were they rejected at the final stage? The exhibitor
should be reimbursed the full entry fee for all three exhibits, as the error
was not on his part. PCI must look into this matter and ensure that the
exhibitor receives a full refund. In future, Commissioners must clarify such requirements
before entry forms are submitted, to avoid any confusion.
With printing costs rising, digital philatelic
literature has grown significantly in recent years and holds its own
importance. FIP must clearly define the norms, type, and sub-class for Digital
Literature in the IREX to remove all ambiguity. Until the IREX is formally
amended, FIP should issue an interim guideline to all organizers and
Commissioners to prevent such unfair rejections.
This
is all for this month…. Happy Collecting !
Contents
Two important and
prestigious philatelic journals/periodicals were delivered to me recently
and these reminded me of the great services given by these two
organizations in promotion and development of philately in India over the past
five decades. The one is Vadophil Quarterly News Bulletin of Baroda
Philatelic Society (BPS), Vadodara (Feb. March Edition No. 185) and the other
is Signet (Golden Jubilee Special edition) Vol. 46 April 2026 of
Philatelic Congress of India (PCI).
Before I write further, I
would convey my heartiest and warm greetings and wishes to both for completion
of their over fifty years of services to philatelic fraternity full of
dedication, uninterrupted support, serious concern and continuous efforts for
growth and development of philately, efforts to keep the philately in the
hearts of Indian philatelists, and efforts to reach every accessible stamp
lover. I would like to congratulate the committees of the BPS and PCI for such
big milestones and also to the editorial boards of Vadophil and Signet for
bringing out such beautiful and educational bulletins filled with well
researched, fresh and unpublished high-quality articles which would certainly be
assets for the generation of philatelists to come and help them to enhance and
improve their collections and exhibits. Nothing better than these can be
presented to philatelists in the process of their Golden Jubilee celebrations
and commemoration.
As I know, Baroda Philatelic Society has been instrumental in promotion of philately in Gujrat and western region of India as over the five decades it produced good number of noted philatelists who not only helped nurturing philately in this region but brought laurels to India by getting higher awards in International exhibitions over the years. It produced several philatelic researchers of high repute. During these years it conducted several small and large philatelic exhibitions and events. The noticeable one for me is STAMPAMANIA 2009 which was I believe the first ever National Level One Frame Philatelic Exhibition held in India and was a great success too. I was one of the parts of this show as an exhibitor and I remember along with Mr. Pratisad Neurgaonkar , we were invited for a talk aired directly by Radio Mirchi (98.3 FM) who were the official broadcast partner of his exhibition. My association with Mr. Prashant Pandya , the then and even now the president of society has always been cherished by me and I have found the whole team of BPS has a strong bond of brotherhood and extreme love for philately. While turning the pages of this beautifully designed special bulletin, I was taken chronologically to the journey of 51 years of BPS showing a glimpse of various exhibitions, commemorations, workshops conducted, issuance of special covers, achievements, events, details of bulletins etc.. Having this bulletin in hand I felt to be part of their celebrations of 50years of commendable service given to the Indian philatelic community.
As far as Philatelic
Congress of India (PCI) is concerned, it has over the last 50 years played an
important and pivotal role in promoting, developing, and reshaping
philately in India. It won’t be wrong if we pay our best regards to all the stalwarts,
office bearers of PCI who over the years have worked hard, mentored and
produced world renowned philatelists and researchers, guided
philatelic associations and societies and helped philately to prosper in India
through their unparallel dedication, spirit to deliver and extreme
love for philately. PCI in fact has helped to preserve the rich postal history
of India through its sustained efforts at all levels. It is only because of PCI
that an alight , enthusiastic and vibrant community of collectors
developed.
This Golden Jubilee Special
edition contains well researched unpublished articles which I fact, are
eye opening and help to give new thinking and to develop new fields in
philately. These well illustrated high quality articles on one hand are
a treat to read on the other hand a passage to open a new search for
material and information. Undoubtedly the edition is special in many ways
and truly reflects the journey of five decades of service to philately.
The publication of Signet
has consistently contributed to the growth of philatelic knowledge and I myself
strongly endorse this statement. My association with SIGNET is from INPEX 1993.
It not only revived my then declining interest in philately rather helped me to
know more about exhibiting at a higher level. In fact, I bought 27nos. of past
bulletins of SIGNET from a PCI there which were on sale. And from there
my association with PCI and SIGNET began. It was those copies of bulletins of
SINGNET which helped me to get deep knowledge of different aspects of philately
contact several renowned philatelists of that time who guided and
helped me to grow. I thank Mr. Binani who even shared a copy of his award-winning
exhibit on FLAGS which proved to be a turning point in my philatelic
life. In fact, that collection of those 27nos. bulletins are still
well preserved by me as the most valuable philatelic asset because I owe to
them and so to PCI to give me wonderful years of enjoyable philately.
I am confident that this
Special Bulletin will be a significant milestone in the journey of PCI and will
further inculcate interest in youth as well as aged stamp lovers to pursue this
educational and informative hobby amongst so many newly emerging digital
distractions.
PCI has truly acted not
only as a parent body of philatelists in India but acted as a parent who always
protected, guided, looked for betterment, promotion, development and
nurtured every range, age and stature of philatelists. It has been
instrumental in reshaping and restricting philately in India from time to time
and has always placed Indian philatelists on the International platform.
I must congratulate the present team of PCI committee of dedicated
philatelists who work hard for development of philately in India and to
establish India’s name at International Level with Sri Rajesh Bagri as
Secretary General of PCI who in spite of all his extremely busy personal and
professional schedules, gives maximum time for promotion and development of
philately. SIGNET is just a reflection of what PCI has done and is doing.
Finally, my heartiest
congratulations to BPS and PCI committees and hope their bulletins will keep on
guiding and help enriching knowledge in future too.
Naresh Agrawal, Bilaspur (C.G.) email nareshkumar1992@yahoo.co.in Mob / WhatsApp: 09425530514
Recent Indian Issues
11 May 2026: Somnath Temple: 1000
Years of India’s Unwavering Faith and Devotion – Rs 5
15 May 2026: Acharya Dinesh Chandra Joshi – Rs 5
30 May 2026: 200 Years of Hindi Journalism – Rs 5
9 June 2026: Pradhan Mantri Surakshit Matritva Abhiyaan
– Rs 5
New Permanent / Special Cancellations
21 June 2026 : International Yog Day : Dehradun & Nagpur
22 June 2026 : Inscription Stone of Bengaluru : Kodigehalli B.O.
24 June 2026 : Sao Jao Festival of Goa : Panaji
30 June 2026 : International Asteroid Day. , Panaji, Nagpur
New Special Covers
21 June 2026: International Day of Yoga – Chennai, Kolkata, Bhubneshwar
30
June 2026 : Lagaan Silver Jubilee - Mumbai
MACAU 2026
The FIP Patronage Specialised world Stamp Exhibition will be held at Cotai Expo Hall A, The Venetian Macao, Taipa Macau SAR from 26 June 2026 to 1stJuly 2026. Visit: https://www.macao2026.org.mo/
Indian Winners at Macau 2026
1.Piyush Khaitan. 2.Iliyas Patel.3. Dr Narendra Saboo 4.
Dinesh Sharma
5. Daniel Monterio 6. Raunak Dutta 7. Anup Kr Goyal
Bandung 2026 Asian
International Stamp Exhibition
From
27-31 August 2026
It will be organized under
the Patronage of the Federation of Inter-Asian Philately (FIAP)
Visit :https://bandung2026fiap.com/#
National Commissioner for
India : VIRENDRA SHARMA
Email virsharma@yahoo.com WhatsApp
+91-9928570097
Apprentice National
Commissioner for India :Mukesh Kumar Malhotra
Email: mukeshlibra@yahoo.co.in Phone: 919023084608, 918360758242
PHILATAIPEI 2026
PHILATAIPEI
2026 World Stamp Championship Exhibition. (FIP)
The exhibition is scheduled to be held from November
20 to 25, 2026, at Taipei World Trade Center Exhibition Hall 1, Areas B and C.
It will be organized under the Patronage of the Fédération Internationale de
Philatélie (FIP)
National
Commissioner for India,
Pratisad
Neurgaonkar, 884, Bhandarkar Road, 14
Patil Terraces, Pune 411004
Email pratisadn@gmail.com.com / WhatsApp
+91-9766310553
the Apprentice National
Commissioner for India : Sunil Joshi Phone: 9822026422
AUSVIPEX
2026
Entries Open: 30 March
2026
Entries Close: 30
September 2026
Title Pages to Judges:
Wednesday 07 October 2026
Scans of Exhibits
required by: 14 October 2026
Exhibits available
online for Judges: From Sunday 01 November 2026
Judging concluded:
Sunday 22 November 2026
Results available:
Monday 30 November 2026
Feedback to
Exhibitors: Week commencing Mon 7 December 2026.
On Line until 28
February 2027
Frames Available: 500
Exhibition Website : https://apfvirtual.com
Organisation
The Australian Virtual Philatelic Exhibition 2026 is an online National
Philatelic Exhibition organised by the Australian Philatelic Federation (APF).
These regulations are based on the APF Regulations for Australian Philatelic
Exhibitions.
For all enquiries email: apfvirtual@gmail.com
News from Philatelists and Philatelic Societies
Heartiest Congratulations tp Philatelic Congress
of India on release of Golden Jubilee Special Issue of SIGNET
PCI
Heartiest Congratulations to Baroda Philatelic
Society of Baroda on release of 51st
Anniversary Special Edition issue of VADOPHIL
Baroda Philatelic Society
 |
Baroda Philatelic Society marked its 51st anniversary with a special coffee-table edition of Vadophil, released during a Zoom meeting on 11 June 2026.
Shri Ganesh Sawaleshwarkar, Chief Postmaster General of the Gujarat Postal Circle, and Shri Dinesh Kumar Sharma, Postmaster General of the Vadodara Region graced the occasion.
The publication was formally unveiled by Shri Ganesh Sawaleshwarkar, Chief Postmaster General of the Gujarat Postal Circle, and Shri Dinesh Kumar Sharma, Postmaster General of the Vadodara Region. The online ceremony was attended by 45 participants, including society members and distinguished philatelists from across India.
Pradip Jain- Patna
To
The Director
India Post
Kind Attn : Smt. Priyanka Mishra
Subject: Non availability of Special Cancellations on Postcard/ Postal stationery on the date of Issue
Dear
Madam,
I wish to bring to your kind attention an issue concerning the non-availability of special cancellations to collectors at Philatelic Bureau on the date of issue.
On 30 June 2026, a special cancellation commemorating the Silver Jubilee of Lagaan was released with the approval of the Chief Postmaster General, Maharashtra Circle. In accordance to the Philatelic Handbook, every approved special cancellation should be made available for philatelists on the day of its release to put on Postcards/Postal Stationery, but it was refused to provide by the Bureau.
This causes disappointment to stamp lovers/ philatelists visiting Bureau specifically to obtain these commemorative cancellations on the day of release.
I shall therefore request you kindly look into and
ensure that approved special cancellations are made available at the respective
Philatelic Bureau on the date of issue as per the procedures and practices.
Solicit your response at the earliest.
Thanking
you,
Pradip Jain, RDP, FRPSL
FROM ORDINARY TO RADIANT
THE RISE OF ANILINE IN INDIAN STAMPS
The Aniline
Era: How Chemical Dyes Transformed Indian Stamps (1900–1930)
It is the ink itself that makes traditional Indian philately so fascinating—especially the vibrant world of aniline colours.
Many
collectors recognise colour shades, yet only a few can truly distinguish
between oil-based inks and synthetic (chemical) aniline inks, a distinction
that forms an essential part of advanced philatelic study. This article aims to
guide collectors in understanding these ink types and appreciating the
technical depth they bring to our hobby.
ABSTRACT.
Aniline inks
occupy a unique place in the history of Indian stamp printing. Their brilliant
colours, deep paper penetration, and chemical sensitivity made them an early
and effective anti-forgery measure—first appearing in British India and later
consciously revived in independent India. This article traces the evolution,
purpose, and significance of aniline inks in Indian philately.
INTRODUCTION
The Colour Shift That Changed Indian Philately
Around the
turn of the 20th century, British India witnessed a major technological shift
in stamp production. After decades of using normal oil-based letterpress inks,
De La Rue—the principal printer of Indian stamps—introduced aniline
chemical-dye inks. This change produced brighter colours, deeper absorption
into paper, and most importantly, better protection against the rising wave of
stamp forgeries.
Ink forms
the heart of the printing industry, and its importance extends directly to
philately. A single stamp design may appear in multiple shades depending on the
pigment composition and the printing process used—recess, letterpress,
offset/lithography, or photogravure. Each process demands inks of specific
viscosity and pigment strength.
SUCH AS:
*
Letterpress demands heavy, highly pigmented inks.
* Offset
uses comparatively lighter pigments.
*
Photogravure requires even finer, lighter inks.
Among these
many varieties, one exceptional category stands out for its brightness,
behaviour, and security value: Aniline inks.
WHAT ARE ANILINE INKS?
Aniline ink
is a dye-based, highly saturated, and chemically sensitive ink. Its most
typical shades—carmine, lake, rose, violet, and bright red—appear intensely
vivid and often glossy. The dye penetrates deeply into the paper fibres, giving
the reverse a noticeable tint.
Because the
colour is fugitive, reacts strongly to water, and is hard to imitate, aniline
ink became a natural safeguard against forgery.
HISTORICAL DEVELOPMENT
Reference Chart of British Indian Aniline Stamps.
In British
India (1900–1925), the printing presses deliberately controlled the ink density
and used harder, less absorbent paper, so the aniline colour stayed mostly on
the front.
(Arranged by
ruler and issue type)
Note:
“Aniline” here refers to strong dye-based ink that shows brilliant colour on
the front; back strike-through varies from none to faint.
I• KING
EDWARD VII PERIOD (1902–1911)
A• 1902–1905 Definitives (Lithographed /
Typographed)
DENOMINATION •
COLOUR • ANILINE BEHAVIOUR
* ½a Green Bright
green front; back usually clean
* 1a Carmine-red Slight aniline; rarely visible on back
* 2a Purple Heavy,
rich tone; back normally clean
* 3a Brown Mild
aniline effect
CHARACTERISTICS:
* De La Rue
paper was heavily sized, blocking dye penetration.
* Colours
appear rich on the front but almost never strike through.
II • KING GEORGE V
PERIOD (1911–1936)
(The most
important era for aniline varieties)
A. 1911–1921
George V “Indian Postage” Definitives
DENOMINATION
•KNOWN ANILINE COLOURS• NOTES
* ½a Bright green Faint back flush possible
* 1a Rose-red / Aniline red One of the strongest aniline G.V. issues
* 2a Violet / Deep violet Rich tone, back usually clean
* 4a Bright blue V * Very vivid front appearance
8a Lake High
dye content
B. 1926–1932 GV NEW COLOUR CHANGES
(One of the
best-known aniline series of British India)
DENOMINATION • COLOUR • NOTES
* 1a ANILINE BROWN STRONG, WARM TONE
* 2a Violet Dye-based;
back mostly clean
* 3a Deep blue (aniline) Especially brilliant
* 4a Bright green Faint translucence possible
CHARACTERISTICS:
*
High-intensity dyes used.
* Paper
still too hard and well-sized to allow back penetration.
III. WAR AND OFFICIAL STAMPS
A number of
“O” overprinted Officials (O.H.M.S / SERVICE) used aniline dyes as well.
EXAMPLES:
STAMP TYPE
DENOMINATION NOTES
SERVICE
overprints (1913–1930) 1a / 2a / 4a Same aniline qualities as regular issues
WAR STAMP
(1914–15)
* ½a green Bright dye, no back bleed
Why ANILINE
IN BRITISH INDIA RARELY SHOWS ON THE WAYS BACK
Although
several British Indian stamps of the early 20th century were printed using
aniline dyes, the characteristic colour penetration to the back—familiar in the
modern Rajendra Prasad issue—almost never appears.
This is
because the stamps of British India were printed on highly sized, dense,
non-porous De La Rue paper, which prevented the dye from soaking in.
Thus, even
strongly aniline inks such as the bright rose-red 1 Anna (George V) remain
brilliant on the front but clean on the back.
These are
correctly classified as aniline, even without visible back colour.
DISTINGUISHING
FEATURES:
* Colour
strongly visible from the reverse
* Shade runs
easily in water
* Extremely
vivid tones, difficult for counterfeiters to reproduce
These stamps
introduced an involuntary yet effective layer of security long before modern
anti-forgery methods existed.
2. TRANSITION PERIOD: PRE-INDEPENDENCE (1930s–1947)
During the
King George VI era, the use of aniline ink declined. Yet several wartime
issues, printed using multiple batches of inks, reveal aniline-toned shade
variations, especially in lower denominations.
3. INDEPENDENT INDIA: PLANNED USE OF ANILINE INKS (AFTER
1947)
REVIVAL FOR
SECURITY PURPOSE
With the
rise of simple photographic and lithographic forgeries in the 1950s and early
1960s, India’s Posts & Telegraphs Department sought stronger deterrents.
Dye-based inks, difficult to copy with primitive offset printing, offered a
practical solution.
1962 – Dr. RAJENDRA PRASAD COMMEMORATIVE
The 1962
stamp honouring India’s first President is the first documented, intentional
use of aniline-type ink in the Republic of India.
Printed by the
Indian Security Press, Nasik using the photogravure process, (a type of
intaglio printing).
KEY
CHARACTERISTICS:
* Brilliant
lake/carmine shade
* Dye
penetration faintly visible on the reverse
* Resistant
to reproduction through cheap photographic or lithographic means
OFFICIALLY
CHOSEN TO REDUCE COUNTERFEITING
This issue
marks a turning point, where aniline inks re-emerged not by accident but by
design.
WHY BRITISH
INDIAN ANILINE STAMPS
(1900–1930)
usually DO NOT show colour on the back, while the Rajendra Prasad stamp does
1. “Aniline”
refers to the dye used—not a guarantee of back-bleed
Aniline inks
are synthetic dyes that are highly soluble and often show colour strike-through
to the back of the stamp.
But this
happens only when:
the paper is
thin or porous,the ink is applied heavily or the dye concentration is high
PHILATELIC SIGNIFICANCE OF ANILINE INKS
1. SECURITY VALUE
Difficult to
imitate due to dye chemistry, Water-sensitive, making tampering immediately
visible,Deep penetration exposes alterations
2. SHADES IDENTIFICATION
Helps
collectors differentiate rare varieties
Contributes
to philatelic research on printings and ink batches
3.
HISTORICAL IMPORTANCE
Illustrates
the evolution of early anti-forgery methods
Connects
Indian philately with global printing innovations
CONCLUSIONS
Aniline inks
were first encountered in the early 20th century during British rule, notably
in several King George V issues. Their brilliance and chemical behaviour made
them resistant to primitive forgeries. In modern India, the 1962 Rajendra
Prasad commemorative became the first deliberate post-Independence application
of aniline-type ink, reaffirming its relevance as a security measure.
Thus,
aniline inks represent not just a specialised area of printing technology but a
vital chapter in India’s postal and philatelic heritage.
WHY DID De
La Rue SHIFTED TO ANILINE INKS
(1900–1930)?
From 1855 to
1900, De La Rue printed Indian stamps using normal oil-based letterpress inks.
But as stamp forgeries increased around the turn of the century, they adopted
aniline chemical-dye inks. These inks penetrated the paper more deeply,
produced vivid colours that were hard to imitate, and resisted chemical washing
or reuse. The shift was therefore mainly a security measure against forgery.
Could
forgers not also use aniline inks?
“Aniline”
simply refers to the dye type, not automatic back-bleed. Strike-through occurs
only when:
a) the paper
is thin or porous
b) the ink
layer is heavy
c) the dye
concentration is high
De La Rue
prevented imitation by controlling these exact factors. They regulated the ink
density and used harder, less-absorbent paper for British Indian stamps
(1900–1930). This kept most colour on the front while still providing the
security advantages of aniline dyes. Forgers—without De La Rue’s specialised
paper, precise dye formulation, and printing control—could not match the
appearance.
HOW TO IDENTIFY ANILINE STAMPS
(Simple,
safe methods for philatelists)
Aniline inks
are dye-based and behave differently from ordinary pigment inks.
Use the
following tests without harming your stamps.
1. VISUAL
INSPECTION UNDER NORMAL LIGHT
LOOK FOR
THESE SIGNS:
a) Brighter
and more vivid colour: Aniline inks have a “glow” that looks deeper and more
intense than ordinary printing.
b) More saturated tone: Colours like red, lake,
violet, green, and blue will appear unusually rich.
c) Slight translucence: Hold the stamp against
strong light.
Aniline inks
may make the design appear almost glowing through the paper.
2.
BACK-LIGHT TEST (TRANSMITTED LIGHT TEST)
a) Hold the
stamp towards a lamp or flashlight:
Ordinary ink
→ front colour looks solid, paper stays opaque.
Aniline ink
→ the colour appears to shine through the paper, even if the back looks clean.
(This is how
British Indian aniline stamps are often identified.)
This is a
completely safe, non-contact method.
3. UV LIGHT
TEST (HIGHLY RELIABLE)
Use a
long-wave UV lamp (philatelic lamp).
Many aniline
colours show a distinct fluorescence:
Red → pink
glow :Green → yellowish glow : Violet → purplish glow :Blue → bluish or whitish
glow
Even when no
colour shows on the back, the UV glow will confirm aniline ink.
(Note: Not
all aniline inks fluoresce, but many do.)
4. BACK
COLOUR EXAMINATION
Turn the
stamp over: Strong back colour = aniline
Seen in soft
paper issues like the Rajendra Prasad (1965).
The dye penetrates fully and stains the back.
Clean back
DOES NOT MEAN not-aniline
British
India 1900–1930 used hard, sized paper.
These stamps
may be 100% aniline but still show no back colour.
This is why
the back alone is not a deciding factor.
5. WATER
REACTION TEST (NOT RECOMMENDED)
Aniline dyes
dissolve easily in water.
Even a tiny
touch can damage the stamp permanently.
DO NOT TEST
WITH WATER.
Just know
that this solubility is a property of aniline ink.
6.
COMPARISON WITH KNOWN REFERENCE STAMPS
a) Keep a
few certified aniline examples for comparison:
b) A strong
aniline Rajendra Prasad 1965
c) Any
British India GV aniline (1a rose-red, 3a deep blue etc.)
d) Comparing
tones side-by-side is one of the best traditional methods used by philatelists.
SUMMARY
An aniline stamp is identified by its
brilliant dye-based colour, translucence under back-light, and often its
fluorescence under UV.
Visible back
colour may or may not be present depending on the paper.
The safest
identification methods are visual inspection, back-light testing, and UV
examination—without using water.
NOTE:
De La Rue’s
Tenure and the Shift to Nashik
De La Rue
did not print Indian stamps up to 1930. Their involvement ended once the India
Security Press at Nashik began operations in 1925. Stamp production at Nashik
started using De La Rue’s transferred plates and techniques, and by 1 January
1926 most Indian stamp printing and overprinting had shifted to Nashik.
Thus, De La
Rue’s association lasted about 1855–1925, after which they no longer printed
Indian stamps, though their technology continued briefly in use at Nashik.
REFERENCES
1. Stanley
Gibbons Commonwealth & British Empire Catalogue
2. India
Study Circle for Philately – Research Notes on Aniline Shades
3. Robson
Lowe, The Encyclopedia of British Empire Postage Stamps
4. India
Post Archives – Technical reports on 1962 commemoratives
5. Jal Cooper, Stamps of India
-Dipok Dey: email: dipokdey38@gmail.com
Missing Stamps and Postmarks on Used British India
Picture Postcards from the Golden Era
- By
Sushil Mehra
1. The "Under Cover" Method (Envelopes)
In the early 1900s, it was incredibly common to send
postcards inside an envelope.
- Privacy: Postcards were the "text messages" of
the era, but they were public. If a message was personal or scandalous, it
went in an envelope.
- Bulk Sending:
People often went on vacation and wrote ten postcards, then stuffed them
all into one envelope to save on postage or ensure they arrived as a set.
- Protection:
High-quality "real photo" postcards or cards with silk, glitter,
or "mechanical" moving parts were fragile. Sending them naked
through the mail would ruin them.
2. Hand Delivery
Before social media, postcards were a primary way to
say "I'm thinking of you" to someone just down the street.
- Social Calling: It was common to drop a postcard off at a
friend’s house by hand while out for a walk.
- The "Calling Card" Substitute: Postcards often functioned as elaborate business
or calling cards. They could just be dropped on the tray when you visited
someone just like a casual business card.
3. Poor Glue ,
Souvenirs
Many
people collected postcards as a hobby (deltiology) and never intended to mail
them.
- The Souvenir: A tourist might buy a card, write the date and a
"wish you were here" note to themselves or a travel companion,
and simply tuck it into a scrapbook.
- The "Stamp Licker" Failed: Occasionally, the glue on early 20th-century
stamps was poor. If a stamp fell off in transit, the post office sometimes
delivered it anyway with a "Postage Due" marking—or, if they
were busy, they just let it slide.
4. Free Mail for Soldiers
- During specific
campaigns or when stationed in certain "field" areas, soldiers
were granted free postage.
5. Hand-to-Hand Delivery via "Peons"
- In the Raj, many
households employed "peons" or messengers. A used postcard with
a message like "See you for tiffin at 2" was likely carried by a
private servant across town, bypassing the British Indian postal system
entirely.
International
Recognition, Scholarly Achievement and the Road Ahead
As 2026 approaches its midpoint, Indian philately finds itself in an enviable position. The first five months of the year have already produced a series of notable achievements in competitive exhibiting, philatelic literature and specialised research. These successes are not isolated incidents but rather indicators of the growing maturity and international standing of Indian philately.
Participation at major international exhibitions has
reached unprecedented levels, Indian philatelic literature continues to receive
international recognition, and organisations devoted to the study of Indian
postal history and philately remain active in publishing original research.
Taken together, these developments suggest that Indian philately is entering a
period of renewed growth and influence.
Indian Participation at Major International Exhibitions
Two major international exhibitions have been held during the first half of 2026—Dubai 2026, FIP Patronage Specialised World (4-8 Feb. 2026) and Boston 2026, FIP General World (23-30 May 2026). Both attracted strong Indian participation. At Dubai 2026, India recorded the highest number of entries totaling 25, after the host nation and at Boston 2026, a total of 49 entries from India, the highest number after host country USA. Such participation reflects not only the enthusiasm of Indian exhibitors but also the increasing willingness of collectors and researchers to present their work before international juries.
Dubai 2026 – Quality Accompanies Quantity
The strong Indian presence at Dubai 2026 was
matched by noteworthy competitive success. In the Traditional Philately class,
Ramchandram M. achieved a Gold Medal for his exhibit Kingdom of Cochin.
Another notable success came through Prachi Sharma, whose exhibit British India King George VI Postal Stationery received a Special Prize. Such recognition is particularly encouraging as it demonstrates the emergence of newer exhibitors capable of competing successfully at the international level.
The One-Frame class,
where Piyush Khaitan achieved 93 points and a Special Prize for his exhibit
Indian Mail via Airship & Catapult Flight (1912–1938). The exhibit explores
an important yet highly specialised chapter in the development of global airmail
communications and demonstrates the depth of research currently being
undertaken in the field of Indian aerophilately.
Boston 2026 –
Sustained International Success
If Dubai demonstrated the strength of Indian participation, Boston 2026 World Expo confirmed that Indian exhibitors are increasingly capable of competing at the highest international levels. Indian exhibitors secured Gold Medal performances across multiple classes and subject areas.
The repeated success
of exhibits relating to Indian airmails is particularly noteworthy. India
possesses one of the richest and most important aerophilatelic histories in the
world, and recent international results suggest that this area continues to offer
significant opportunities for both research and competitive exhibiting.
International
Recognition for Indian Philatelic Research Literature
The
achievements of Indian philately during 2026 extend well beyond the exhibition
frame. Two major international literary recognitions have been awarded to works
dealing with Indian philatelic subjects.
These awards are important not simply because they recognise individual authors, but because they confirm that research relating to Indian philately is attracting international scholarly attention.
For many years, Indian philately has been
rich in collecting opportunities but comparatively underrepresented in
published research. The increasing appearance of specialised monographs,
handbooks and studies suggests that this situation is changing.
Continuing Contributions from Philatelic
Organisations: The vitality of any philatelic community depends upon the
strength of its institutions.
The
India Study Circle for India and Indian States has already produced two
substantial journal issues during 2026:
Volume 60, No. 1, IP#238, Jan-Mar 2026
Volume 60, No. 2, IP#239, Apr-Jun 2026
For six decades, the India Study Circle has played a crucial role in encouraging original research into Indian postal history, the Indian States, postal stationery, cancellations and other specialised fields.
Areas Requiring Attention
While recent
successes deserve celebration, they should also encourage reflection.
Internationally successful philatelic nations typically share several
characteristics:
India has made considerable progress in many of these
areas but further development remains necessary. I am hopeful that these
aspects will receive the required attention in future.
Planning for 2027–2028
The following FIP and FIAP exhibitions have already
been announced.
Perhaps the most important priority is the development of a comprehensive mentorship programme. Such a programme should extend beyond elite exhibitors and be available to all the stakeholder.
The objective should be to create a sustainable
pipeline of future exhibitors capable of representing India successfully at
international exhibitions.
A strong mentorship culture benefits not only individual exhibitors but the entire philatelic community. It encourages the sharing of knowledge, promotes higher exhibiting standards and helps ensure that valuable experience is passed on to the next generation. By investing in mentorship today, India can build a broader and more competitive exhibitor base capable of achieving sustained success at national, regional and international exhibitions in the years ahead.
Raising Standards in Philatelic Literature
An important development during 2026 has been the decision of the Philatelic Congress of India to introduce mandatory screening of literature exhibits before they are forwarded to international exhibition organisers.
The initiative aims to ensure that literature entries meet accepted standards of originality, authenticity and philatelic relevance. The screening process will evaluate:
For digital publications, exhibitors will also be required to provide publication histories and details of revisions made in subsequent editions.
While some may view these requirements as additional administrative procedures, they would ultimately contribute to strengthening the quality and credibility of Indian literature exhibits at the international level.
Conclusion
The first five months of 2026 have already
demonstrated that Indian philately is enjoying a period of remarkable vitality.
Strong participation at major international exhibitions, Gold Medal
performances in multiple competitive classes, international recognition for
philatelic literature, continued publication of specialised research and
renewed emphasis on quality standards all point towards a healthy and growing
philatelic community. Yet success should not lead to complacency. The challenge
now is to transform these individual achievements into a sustained national
programme of exhibiting, research, publication and mentorship. If that can be
achieved, then 2026 may be remembered not merely as a successful year, but as a
turning point in the continuing development of Indian philately.
Jai Philately, Jai Hind.
-Piyush Khaitan, email: 
pk@khaitan.in
Specialized Section
Some Remarkable Cancellations and Postmarks
Camp
and Field Post Offices (Type 18a)
CAMP
OF EXERCISE – HEAD QUARTER
This is a rectangle of nine
bars, with no letter inset. It is in duplex form, the left half of the duplex
reads “CAMP.OF. EXCERCISE/HEAD QUARTERS” and the date “JAN: 7”. Renouf
classifies this under All-India Series of cancellations and denotes this as
Type 18a, perhaps because of nine parallel horizontal bars in the right duplex.
This cancellation was used by the Temporary Post Office opened on the occasion
of The Prince of Wales visit to India in
1876.
1876 Cover from Delhi
to Urugalla (Ceylon) franked by 4 As. adhesive (SG69), bearing the word
“Cancelled” in ms. is obliterated by a rare duplex cancellation (Renouf Type
18a). The left dupelx is a circle (Diameter 26mm) containing the wording “CAMP
EXERCISE: HEAD QUARTERS” along the circumference and the date in the date “JAN:
7” in the centre. The right half of the duplex is a square (22x22mm) with 9
parallel horizontal bars.
The reverse of the cover shows the following marks:
- Round stamp with inscriptions “CAMP OF EXERCISE:
DEHLI FIELD P.O./JAN.7 inverted. (Mark the spelling of DELHI, “DEHLI”
instead of
“DELHI”)
- Octagonal Railway Stamp “T/ B – F/ I
/SHOLAPUR/JAN: 11 (Renouf
T.132)
- “CALIMERE POINT / JAN: “ Octagonal Arrival
Mark of Ceylonese Post Office in RED
- “URUGALLA/ JA 16/76/ PATD” Arrival Mark of
Destination in RED
Some Remarks by the compiler:
Renouf classifies this
particular cancellation as his Type N0. 18a, based on his other cancellations
used in India under All-India Series of 1873-84, where it is a duplex form with
a circle on the left containing name of the town and the date and the right
half with the capital letter assigned to the headquarters of that particular
circle and the distinguishing number & letter for post offices. This right
hand duplex contains parallel horizontal bars. This cancellation has not been
taken into consideration by Jal Cooper or by Col. D.R.Martin.
Brig. D.S.Virk in his book
“Indian Postal History 1873-1923”, on page 135, depicts the following
cancellation, with the left duplex formed by a circle containing the letters “GOVERNOR
GENERAL’S/CAMP. P.O./DEC 29” and the right duplex with 9 horizontal by parallel
bars. This was also in use during 1873.
Beginners’ Section
US issued stamps in Philippines
On June 30, 1899, the American military government issued its first
stamps in the Philippines. Spanish colonization of the Philippines began in
1565 and continued for more than three centuries. In the late 1800s, the people
of the Philippines revolted against the atrocities of their Spanish rulers. At
the same time, unrest was growing in the Spanish colony of Cuba.
US #PH212 was the first US stamp overprinted for use in the Philippines
In 1898, the United States and Spain went to war. The chief issue was
Cuban independence and the sinking of the American battleship Maine in Havana
harbor. American forces easily won the ten-week war, which ended with the
Treaty of Paris and US control over Puerto Rico, Guam, and the Philippines.
US #PH227 –
1903 Philippines Overprint on US #301
US #PH220 – 1901 Philippines Overprint on US #280b
The 1899-1900
Philippines stamps were overprinted in black on the 1894 and 1895 Bureau
Issues. The 50¢ Jefferson (#212) is unwatermarked, while the remaining
denominations feature a double line “USPS” watermark.
The 1901 Philippines stamps were overprints on stamps from the 1895 Bureau Issues and the Series of 1898-99. The 1903-04 Philippines stamps were overprinted on the ornate Series of 1902-03 US stamps. In 1902, the postmaster general had commissioned an entirely new series of general issues. Until this time, the current regular issues had been in use since 1890 with relatively few changes.
In 1906, the American
civil government in the Philippines began issuing the “PHILIPPINE ISLANDS –
UNITED STATES OF AMERICA” stamp series. The series featured engravings of
famous Filipinos, Americans, and Spaniards on watermarked paper.
US #PH241 is the first stamp from the Series of 1906.
The Philippines first
issued postage stamps in 1854. Interestingly, 81 years passed before stamps
commemorating historical events were issued, in 1935. A set of 14 pictorial
stamps were released, with five designs honoring significant events in the
history of the Philippines.
In 1935, the
Philippines was established as a commonwealth, part of ongoing plans to
transition to full independence after 10 years. On November 15, 1935,
Philippine stamps were overprinted with the word “COMMONWEALTH.”
During World War II, the Philippines capital city of Manila fell to Japanese Imperial Forces on January 2, 1942. The occupying forces quickly set up a provisional government with limited services. Postal service was suspended temporarily.
Philippines
#PHC1 – The first Airmails were issued in 1926
Philippines #PHN9 – 1942 Japanese Occupation Stamp
On March 4th, the
postal service was formally reopened, with the name changed from the Bureau of
Posts to the Bureau of Communications. Two stamps were issued. The remaining
stamp inventory of the commonwealth was overprinted with black bars covering
the words “United States of America” and “Commonwealth of the.” Postal service
was initially limited to Manila and a few neighboring metropolitan areas.
Provincial offices were reopened as the Japanese stabilized rural towns. All
mail was censored by the Japanese.
Philippines #PHO39 –
Victory Stamp issued after Defeating Japanese Troops
Immediately after
taking control of the Philippines, American forces reopened the Post Office of
Tacloban. To provide stamps temporarily, the word “VICTORY” was overprinted on
pre-war 1935-41 Commonwealth stamps with a rubber stamp. Once the Japanese surrendered,
Filipinos began the long road to rebuilding their nation and achieving
independence. In spite of the difficulties, elections were held in April 1946,
and the United States ceded its sovereignty over the Philippines. Close
relations continued, however, as the Philippines economy was dependent on the
US and America maintained military bases in the country.
Source: Mystic Stamp
Co.
Postmaster Provisional Stamps
On July 1, 1845, US
Congress established uniform postal rates, giving rise to the creation of Postmaster Provisional stamps.
In 1840, Great Britain issued the world’s first adhesive postage stamp, the Penny Black, and established uniform postage rates. Up until that time, there were many different postage rates in different jurisdictions, which made it difficult to determine the correct fees before mailing a letter, leaving the recipient responsible with paying for the letter’s delivery.
US #9X1a – signed by ACM (Alonzo Castle Monson)
The US watched closely
to see how well these uniform rates worked in Great Britain. After witnessing
the success, Congress passed an act on March 3, 1845, establishing uniform
postal rates. While there was some discussion of creating stamps, that authorization
was left out of the act. It would be exactly two years before they passed
another act authorizing the postmaster-general to issue stamps for use all over
the country.
The 1845 act laid out
specific rates: “For every single letter in manuscript or paper of any kind by
upon which information shall be asked or communicated in writing or by marks
designs, conveyed in the mail, for any distance under 300 miles, five cents;
and for any distance over 300 miles, ten cents; and for a double letter there
shall be charged double these rates; and for a treble letter, treble these
rates; and for a quadruple letter, quadruple these rates; and every other
letter or parcel not exceeding half an ounce in weight shall be deemed a single
letter, and every additional weight of half an ounce, shall be charged with an
additional single postage. All drop letters place in any post office, not for
transmission through the mail but for delivery only, shall be charged with
postage at the rate of two cents each.”
US #9X3 – Only 5,500 issued
Other postmasters soon
followed suit, providing their own distinct stamps for pre-payment of mail. In
all, 11 different post offices around the country produced their own
postmasters’ provisionals. The postmasters recognized these stamps as proof the
postage had been paid, and often signed their initials on them to legitimize
their use.New York’s postmaster Robert H. Morris saw these uniform rates as a
valid reason to make his own stamps for the pre-payment of mail. With no
objections, he assumed the printing cost and arranged to have the stamps
printed by the firm of Rawdon, Wright, and Hatch. The quality of their work was
so impressive the federal government awarded its 1847 contract for US #1 and #2
to the firm without asking for bids from competing printers
US #11X5 – St. Louis
Bears Postmaster Provisional picturing the Missouri Coat of Arms
Morris’s stamps were
first issued in July 1845. Only about 5,500 were produced, making them quite
rare today. He also sent some of his stamps to postmasters in Boston,
Philadelphia, Albany, and Washington, asking that the stamps be seen as unpaid
until they reached him in New York. The stamps were to be sold for letters
traveling to or passing through New York.
US #10X1 was produced for use in Rhode Island in 1846
Source: Mystic Stamp Co.
Stories Behind Stamps
Germany - 2-mark Germania stamp with quatrefoil watermark, 1920
Price: USD 65,500
2-mark Germania stamp with quatrefoil watermark is a rare version of this unique item, which is now fairly costly. Philatelists believe that just a few stamps (about three) were printed (perhaps by accident) on paper with a watermark of repeated quatrefoils, which resemble little diamond-shaped clouds. This type of paper was intended for the production of revenue stamps, but for unclear reasons, it was utilized to issue postage. The unused duplicate of the rare stamp, found by a German collector in 2014, was sold at the Aix-Phila auction in November 2015. The starting price for this outstanding collection was €20,000 (about $21,800), but the lot sold for €60,000 ($65,500), which included a 20% buyer's commission.
Reference : https://findyourstampsvalue.com/rarest-stamps/most-valuable-german-stamp
Nisarg Sutaria : email : nisargsutaria78@gmail.com
New Issues from other countries
Belgium
15 June 2026: Goal
Goal!
Special effect - A round sheetlet with round stamps with round stamp
featuring a football, surrounded by colorful stripes in yellow and red, and
featuring five football players in various poses. The stamp's colors evoke the
Belgian flag.
Hungary
18 June
2026: Dachshund
Dachshund
Magyar Posta
continues its series on dog breeds with the release of a special “Dachshund”
miniature sheet. The stamps in the miniature sheet show smooth, long- haired,
and wire-haired dachshunds, based on their coat types.
The dachshund has been
known in its country of origin, Germany, since the Middle Ages and is generally
referred to as the Dackel and by hunters there as the Teckel. Dogs which were
mainly suited for hunting below ground were gradually bred from hunting hounds.
Eventually, these short-legged dogs evolved into the dachshund, which is known
as one of the most versatile breeds of hunting dog. It also performs
excellently above ground, for example in driving, flushing, and trailing.
For hundreds of years,
dachshunds have been bred in 3 different sizes (standard, miniature, and
kaninchen (rabbit)) and with 3 different types of coat (smooth, wire-haired,
and long- haired), meaning that there are 9 different varieties. Low to the
ground, short of leg, long yet compact in body with robust muscular
development, they have a bold, confident head carriage and an alert expression:
the dachshund’s build makes it suited for agile and fast work both above and
below ground. Typically friendly in nature, it is neither shy nor aggressive,
with a balanced temperament. A passionate, tenacious, and fast hunting dog with
an excellent sense of smell, today, it is often kept as a family pet.
The coat of the smooth
dachshund is short, dense, shiny, close-lying, and coarse. The long- haired
dachshund has no bald patches anywhere. Its coat is sleek, glistening,
close-lying, with an undercoat, and longer on the neck and underside of the
body. The hair extends beyond the lower edge of the ears. The long hair on the
back of the hind legs forms abundant feathering. The longest hair is found on
the underside of the tail, where it forms a veritable flag. With the exception
of the jaw, eyebrows, and ears, the whole body of the wire-haired dachshund is
covered with a tight, short, thick, wiry outer coat interspersed by a finer,
shorter undercoat. It has facial “furnishings”, i.e. a distinct beard and
characteristic bushy eyebrows. The hair on the ears is shorter than on the body
and is almost smooth. The tail is evenly and densely covered with hair.
France
15 June 2026
: Crafts - Calligrapher
Crafts - Calligrapher
On June 15, 2026, La Poste (the French postal
service) will issue a stamp in its Métiers d’Art (Crafts) series, launched in
2016, featuring the calligrapher's craft, following that of the watchmaker.
Calligraphy, a source of inspiration... from the
Greek words calli, meaning "beautiful," and graphein, meaning
"to draw." Since the dawn of time, humankind has felt the need for
"the art of beautiful writing," intimately linked to its deities.
Imprints, instinctive expressions of faith, even before writing, have
accompanied humanity for approximately 6,000 years.
From Lascaux to hieroglyphs, from cuneiform
writing to the Phoenician alphabet, and including the Roman capital with its
perfect proportions an unsurpassed alphabet from which all other alphabets and
countless discoveries would derive the evolution is remarkable. In the time of
the Egyptians, the scribe was a notable, a scholar whose god was Thoth. The
calligrapher has also been central to monasteries for centuries, where he is
known as "the Prince."
Knowledge, but also spirituality, is inscribed
by the calligrapher's hand. The gesture must be perfect and definitive on the
parchment.
Writing and calligraphy are inseparable, and yet
one requires meaning, through alphabetic reading and legibility, while
calligraphy is not only utilitarian, but also formal and artistic. We must
learn to write before learning to calligraph.
15 June 2026 : Ron Agam
Ron Agam
On June 15, 2026, La Poste (the French postal service) issued a stamp in
its art series, featuring an original work by Ron Agam, known for his
holographic and lenticular 3D art.
An iridescent transparent film is applied in vertical stripes to the
stamp to create a diffraction of the image, closely mimicking the lenticular
effect of the original artwork.
“I love France with all my heart” is an intimate declaration, born of
gratitude and a deep attachment. France made me the artist and art lover I am.
Through its light, culture, and enduring creative spirit, it nurtured my vision
and shaped my sensibility, leaving an imprint that has never faded. Paris holds
a central place in this story. A city of learning, museums, libraries, and
studios, it accompanied my education and development, not only as an artist but
also as a thinker. In its streets, its works, and its ideas, I found an inner
calling, a way to deepen one's gaze, to question, to understand. For me, Paris
embodies that France which is also the homeland of great thinkers, where art
and thought advance together.
This relationship is visually manifested in the stamp itself. The heart
is not a simple symbol, but a living form composed of successive layers in the
colors of the French flag. These repeated contours create an effect of depth
that draws the eye inward, like a continuous emotional movement. Each layer
evokes time, memory, and the intensity of a love built slowly, through shared
experiences.
The depth of the heart echoes the title. It suggests that true love does
not reside on the surface, but in that inner space where emotion, identity, and
creation converge. This stamp thus becomes both a tribute to France and the
visual expression of a deep, lasting, and sincere bond.
Gibraltar
30 June 2026
: Dogs
Dogs
Weimaraner - The Weimaraner is a sleek and elegant hunting dog known for its
distinctive silver-grey coat and striking amber or blue-grey eyes. Originally
bred in Germany for hunting large game, it combines speed, stamina, and
intelligence. Energetic and highly affectionate, the Weimaraner forms strong
bonds with its owners and thrives in active households where it can exercise
both body and mind.
Siberian Husky - The Siberian Husky is a striking, wolf-like breed developed by the
Chukchi people of Siberia for pulling sleds over long distances. Known for its
thick double coat, erect ears, and often piercing blue eyes, it is both hardy
and resilient. Friendly and outgoing, Huskies are social dogs with a strong
pack instinct, though their independent nature and boundless energy require an
experienced and active owner.
Dalmatian - The Dalmatian is instantly recognisable for its unique black or
liver-spotted coat set against a white background. Historically used as a
carriage dog, it became closely associated with fire brigades, running
alongside horse-drawn fire engines. Energetic, intelligent, and highly
distinctive, Dalmatians thrive on exercise and attention, making them lively
and loyal companions.
Yorkshire Terrier - The Yorkshire Terrier, or “Yorkie,” is a small yet confident breed with
a long, silky coat and a bold personality. Originally bred in England to catch
rats in textile mills, it has since become a fashionable companion dog. Despite
its size, the Yorkshire Terrier is spirited, alert, and affectionate, often
displaying a larger-than-life character in a compact form.
German Shepherd - The German Shepherd is a highly intelligent and versatile working dog,
widely respected for its strength, loyalty, and trainability. Originally
developed for herding sheep, it is now commonly used in police, military, and
search-and-rescue roles. Confident and protective, the German Shepherd is also
a devoted family companion, forming deep bonds with those it trusts.
Border Collie - The Border Collie is widely regarded as one of the most intelligent dog
breeds, originally bred for herding livestock along the borders of England and
Scotland. Agile, energetic, and intensely focused, it excels in tasks that
require precision and quick thinking. With its strong work ethic and
responsiveness, the Border Collie thrives in active environments where it can
be mentally and physically challenged.
Maltese Frisé - The Maltese Frisé, with its soft, curly white coat, is a small
companion dog prized for its cheerful and affectionate temperament. Gentle yet
lively, it thrives on human companionship and adapts easily to family life.
With roots as a lapdog, this breed has a natural charm and elegance, often
winning hearts with its playful energy and love of attention.
Dachshund - Known for its long body and short legs, the Dachshund was originally
bred in Germany to hunt badgers and other burrowing animals. Despite its small
stature, this breed is bold, courageous, and sometimes even stubborn. Playful
and affectionate with their families, Dachshunds are also known for their keen
noses and curious nature, making them lively and entertaining companions.
Golden Retriever - The Golden Retriever is one of the most popular dog breeds worldwide,
admired for its friendly, gentle temperament and striking golden coat.
Originally developed as a gundog for retrieving game, it has since become a
beloved family pet and therapy dog due to its patience and loyalty.
Intelligent, eager to please, and highly trainable, the Golden Retriever is as
versatile as it is affectionate.
English Bulldog - The English Bulldog is instantly recognisable for its muscular build,
wrinkled face, and distinctive pushed-in nose. Despite its tough appearance, it
is a calm, affectionate breed with a gentle disposition. Originally bred for
bull-baiting, today’s Bulldog is a loyal, relaxed companion, often content to
lounge by its owner’s side while still being surprisingly courageous when
needed.
English Cocker Spaniel
- The English Cocker Spaniel is a cheerful and
affectionate breed, known for its long, silky ears and expressive eyes.
Originally bred as a gun dog to flush and retrieve game birds, it combines
agility with a gentle temperament. Friendly and sociable, the English Cocker
Spaniel is equally at home in the field or as a loving companion, bringing
warmth and enthusiasm to family life.
Beagle - The Beagle is a small hound with a keen nose and a merry disposition,
originally bred for tracking hare and rabbit. Friendly, curious, and outgoing,
Beagles are well known for their distinctive howl and love of exploring scents.
With their gentle nature and sociable temperament, they make wonderful family
pets, equally happy in the field or curled up at home.
Montenegro
26 June 2026: Tourism Njegusi
Tourism Njegusi
Njeguši is a village
of historical and touristic significance located at the heart of a region of
karst limestone that extends through Montenegro. The name “Njeguši” first
appeared in historical records in 1420. Owing to its strategic location, the
village served as an important trade link between Kotor and the Montenegrin
hinterland.
The village is also
known as the birthplace of the Petrović-Njegoš dynasty. In the hamlet of
Erakovići stands the house where Petar II Petrović Njegoš was born, which was
built in 1779. In 1973, the house was converted into a memorial museum
preserving ethnographic artifacts, traditional costumes, historic weaponry and
portraits of the Petrović-Njegoš dynasty, offering an insight into the
traditional way of life and Montenegro’s rich cultural and historical heritage.
Njeguši preserves a
rich tradition, authentic architecture and distinctive gastronomy, especially
the renowned Njeguši prosciutto and cheese. Visitors are drawn to its unspoilt
nature, panoramic views of Mt. Lovćen and the Bay of Kotor, as well as the hospitality
of the local population.
The village is also
known as the birthplace of the Petrović-Njegoš dynasty. In the hamlet of
Erakovići stands the house where Petar II Petrović Njegoš was born, which was
built in 1779. In 1973, the house was converted into a memorial museum
preserving ethnographic artifacts, traditional costumes, historic weaponry and
portraits of the Petrović-Njegoš dynasty, offering an insight into the
traditional way of life and Montenegro’s rich cultural and historical heritage.
Njeguši preserves a
rich tradition, authentic architecture and distinctive gastronomy, especially
the renowned Njeguši prosciutto and cheese. Visitors are drawn to its unspoilt
nature, panoramic views of Mt. Lovćen and the Bay of Kotor, as well as the hospitality
of the local population.
Netherlands
24 June 2026: Gold
Stamp – Garfield Price: GBP
£44.25
This 24-karat gold
stamp features a standing portrait of Garfield.
Garfield is a character from the comic strip series of the same name. He
is a lazy, fat, orange cat who lives with his ‘owner’ Jon Arbuckle and the
always cheerful, but very stupid dog Odie. Garfield is constantly on the
lookout for food, with a strong preference for lasagna and a strong aversion to
healthy food. Jon regularly forces him to go on a diet. He is too lazy to hunt
mice. At night, he enjoys giving noisy performances on the fence that are not
appreciated by the neighbors, sleeps a lot, is sarcastic and headstrong,
destroys the neighbor's garden, and bullies the dog and Jon. Another running
gag in the strip is his strong dislike of Mondays.
The creator, writer,
and illustrator of Garfield is the American Jim Davis (1945). He named the
comic cat after his grandfather, who in turn was named after the 20th president
of the United States. Davis spent his childhood on a small cattle ranch in Indiana
where about 25 cats also lived.
The comic strip first
appeared via a comic syndicate in a number of American local newspapers in 1978
and was already being printed in 850 newspapers worldwide by 1981. Davis then
founded the company Paws Inc., in which he placed the rights. In 2004, the
strip appeared in no fewer than 2,600 newspapers, and in that peak year,
merchandise generated a billion dollars worldwide. In the Netherlands, the
strip appeared in De Telegraaf from November 1980 to January 2021. Comic books,
films, television specials, and video games have been produced starring
Garfield, and an endless series of consumer goods and clothing items bearing
his likeness have been created. Davis sold Paws Inc. to Nickelodeon (part of
Paramount Global) in 2019. He still produces the strip himself, with the help
of 20 assistants.
New Zealand
1 July 2026 : Matariki
Matariki is the Māori
name for the entire star cluster known internationally as the Pleiades. Within
Māori knowledge systems, Matariki is understood not simply as a group of stars,
but as a whānau, with Matariki herself recognised as the mother, and the surrounding
whetū (stars) as her children.
Each whetū carries its
own role, responsibility, and relationship to the natural world and to human
life. Together, they provide a framework for reflection, remembrance, seasonal
practice, and planning for the year ahead - linking the wellbeing of people
directly to the health of the environment. Designed by David Hakaraia (Ngāpuhi,
Ngāti Paoa), the Matariki 2026 stamp issue depicts his visual interpretations
of all nine of the stars in the Matariki star cluster.
Romania
29 May 2026: 2026 - The Year of
Nadia Comaneci
The Year of Nadia Comaneci
“Hard work has made everything easy! That is my secret!” - Nadia
Comaneci
On July 10, 2025, the President of Romania signed the decree
promulgating the Law establishing 2026 as the “Year of Nadia Comăneci,” marking
the 50th anniversary of the legendary performances achieved by the Romanian
gymnast at the 21st edition of the Summer Olympic Games, held in Montreal
between July 17 and August 1, 1976.
To honor the great champion of world gymnastics and celebrate the 50th
anniversary of the first perfect 10 in gymnastics, Romfilatelia and Romanian
Post dedicate to Nadia Comăneci the postage stamp issue 2026 – THE YEAR OF
NADIA COMĂNECI.
The issue, comprising two postage stamps (with face values of Lei 9 lei
and Lei 16), a perforated souvenir sheet (featuring the stamp with a face value
of Lei 27), an imperforated souvenir sheet (featuring the stamp with a face
value of Lei 32), a First Day Cover, and a philatelic folder containing special
products in limited run printing, will be launched on Friday, May 29 this year,
both in Bucharest and during the 2026 Boston 2026 World Stamp Show, where
Romania is represented by Romfilatelia and Romanian Post.
Nadia Comăneci’s achievements revolutionized world gymnastics, and thus
she entered history, being the best Romanian athlete of all time who was
inducted into the International Gymnastics Hall of Fame in 1993.
On July 18, 1976, a 14-year-old gymnast from Romania surprised the
sports world with a performance that was hard to match: an “absolute” 10 at the
Summer Olympics in Montreal. The electronic display was not programmed to show
a 10, because there were only three spaces for displaying scores, so the screen
showed a score of 1.00. Nadia Comăneci achieved the perfect score at this
edition of the Olympic Games, winning three gold medals in the all-around, beam
and parallel bars, a silver medal in the team event and a bronze medal in the
floor exercise.
“No one knows when exactly history will be made. There are no
specialized textbooks in the field that will tell you how to deal with the
moment. Since I had competed last in the parallel bars, I immediately started
warming up for the beam. While I was warming up for the beam, the score was
displayed on the electronic board. A 1.00. I continued warming up without
caring about what had happened, focused on the next exercise. Béla came up to
me and I asked him: Professor, is it really a ten? His smile widened from ear
to ear and he said yes,” Nadia recalls nostalgically.
The press at the time headlined:
A Star is Born! (Newsweek, August 2, 1976)
She’s perfect! (Time, August 2, 1976)
She stole the show! (Sports Illustrated, August 2, 1976)
Since then, the gymnast from Oneşti has gone down in history as the
first athlete with a perfect exercise. If the beam, also called the “bridge of
sighs”, is an apparatus that most gymnasts “run away from”, for Nadia, in
Montreal, it meant only another step towards the Olympic title and a new
perfect score. Two of the elements still bear her names today: “Comăneci
Descent” and “Comăneci Jump”.
Nadia Comăneci was born on November 12, 1961 in Oneşti, Bacău County.
Nadia made her national debut in 1970, as a member of her city team. That same
year, she began training with Béla Károlyi and his wife, Márta Károlyi. At the
age of 13, Nadia Comăneci’s first major achievement was winning three gold
medals and one silver medal at the 1975 European Championships in Skien,
Norway.
Until 1981, when she retired from competitive activity, Nadia Comăneci
won 5 gold medals, 3 silver medals and one bronze medal at the 1976 Olympic
Games and the 1980 Olympic Games, and another 11 gold medals, 4 silver medals
and one bronze medal at world and European competitions.
On the two stamps and the souvenir sheets of the issue, which
suggestively illustrate moments from the balance beam and floor exercises
during the Olympic competition of July 18, 1976, the contest number 073 on the
gymnast’s equipment, the score “1” on the scoreboard, and the anniversary
number “50” are rendered in UV-visible ink.
On the “First Day” cover are depicted the Memorial Nadia Comăneci,
Montreal Monument, located near the gymnastics hall in Onești, where Nadia
Comăneci trained as an athlete, the logo of the Romanian Olympic and Sports
Committee (COSR), and the anniversary logo. We also mention that the
Municipality of Onești was awarded the title of “European City of Sport 2026.”
Respect, admiration, gratitude for the star of women’s world gymnastics!
Romfilatelia thanks Nadia Comăneci (for the images from her personal
archive), the Romanian Olympic and Sports Committee, Nadia Comăneci Foundation,
and the Municipal Sports Club Onești for their collaboration in the development
of this postage stamp issue.
26
June 2026: Be Smart Say No to
Drugs
Joining the efforts and campaigns of the General
Inspectorate of the Romanian Police, which is fighting both domestically and
internationally, to prevent and combat a serious scourge – drug use and drug
trafficking, Romfilatelia and the Romanian Post introduce into circulation on
Friday, June 26th, 2026, the thematic postage stamp issue, ‘BE SMART AND SAY NO
TO DRUGS!’.
The issue, consisting of a postage stamp and a
First Day Cover, is dedicated to the International Day Against Drug Abuse and
Illicit Trafficking.
Every year on the 26th of June, the United
Nations Office on Drugs and Crime (UNODC) marks the International Day Against
Drug Abuse and Illicit Trafficking, as part of its efforts to raise public
awareness of the destructive impact of drugs and society’s responsibility to
safeguard the health of young people.
The postage stamp of the philatelic issue, with
the face value of Lei 9, features, in a sober graphic style, featuring original
drawings by renowned artist Dan Perjovschi that serve as a warning about the
destructive effects of drugs on human lives. These drawings are associated with
the slogan of the General Inspectorate of the Romanian Police campaign slogan
‘Drug trafficking destroys lives!’. The message highlights the devastating
effects of drug trafficking on individuals, families, and communities, serving
as a powerful wake-up call and a means of promoting prevention among the
general public.
The word ‘DRUG’ (in Romanian: ‘DROG’),
incorporated into the postage stamp, is depicted graphically in a fragmented
and unstable manner, suggesting the chaos and destructive effects of substance
use. The letter ‘O’ is replaced by a circular symbol featuring a shape
resembling a syringe or a broken object, symbolising the danger and degradation
associated with drug use.
The minimalist graphics compel the viewer to
decipher the message, enhancing its visual impact and memorability.
The artist himself explains the concept behind
his drawings:
‘Over the past 35 years, Dan Perjovschi has been
drawing on the walls of the world’s major museums and contemporary art
biennials, such as MoMA, Tate, Centre Pompidou, the Venice Biennale, the Sydney
Biennale, the São Paulo Biennial, and Documenta.
His drawings are political, social, and socially
engaged. He does not embellish bones or living rooms, nor does he allow his
work to be collected.
His concise, direct, black-and-white style stems
from the Revolution. When you write ‘Down with the dictatorship!’ on walls, you
do not have time for colours and decorative flourishes. It also stems from the
free press of the 1990s, which, for the first time, was printed without
censorship, on poor-quality paper and with lead type
Perjovschi draws the times in which he lives,
with sharpness and humour. His drawing is text, and the text is drawing. What
he creates are neither caricatures, nor graffiti, nor art brut. He calls them
visual editorials. An entire book condensed into a single drawing or a single
word.
DRUG (in Romanian: ‘DROG’). The ‘O’ becomes the
head of a fallen, addicted person. A person on a downward path....’
Dan Perjovschi lives and works in Bucharest and
Sibiu. Since 1990, he has been publishing in Revista 22, the first independent
weekly magazine founded in Romania after the fall of the dictatorship.
He was awarded the George Maciunas Prize in
2004, the ECF Princess Margriet Award, Amsterdam, in 2012 (together with Lia
Perjovschi), and the Rosa Schapire Art Prize of the Kunsthalle Hamburg in 2016.
Serbia
16 June 2026 : Protected Animal Species
The white stork
(Ciconia ciconia), the most famous migratory bird, nests in Europe and parts of
Asia and Africa, while spending the winter in sub-Saharan Africa and India. It
builds its nests near humans, on buildings and utility poles. It feeds on insects,
amphibians, reptiles, fish, and small mammals. Its average lifespan is 15
years. The female lays 3–6 eggs, and both parents take turns incubating them
for 34 days. The young set off on their journey to the wintering grounds –
spanning about 12,000 km in one direction – in mid-August, while the parents
follow in early September.
The journey is extremely dangerous: due to high mortality rates, only
one out of ten storks manages to return home after three years. Consequently,
they are now depleted or have completely disappeared in many parts of Europe.
They are threatened by the loss of wetlands, poaching in the Middle East, and
electrocution. However, the population in Serbia is strictly protected, showing
a slight growth and counting between 1,900 and 2,000 pairs. More than half of
them nest in Vojvodina, and Novi Sad boasts the largest stork colony in a
single location in Europe.
The long-eared owl (Asio otus) is a medium-sized owl, recognizable by
its long feather tufts that look like ears. Females are larger than males.
Males emit a quiet hooting sound, females make a whining call, and the young
produce a very piercing sound resembling a squeaking swing. This species does
not build nests, but steals them from other birds. From mid-March to late
April, the female lays 3–5 eggs. The young hatch after 28 days, leave the nest
after 25 days. When they are seven weeks old, they are fully capable of flying.
Long-eared owls are active at night, feeding on rodents and small
mammals, while hiding in tree crowns during the day. In winter, they gather
into roosts – ranging from a few to several hundred individuals – at
traditional locations, often in inhabited areas. As natural regulators of
rodent populations, long-eared owls are of immense importance to humans because
they reduce the need for chemical poisons that pollute food and the
environment. In Serbia, they are a strictly protected species, and in Vojvodina
alone, there are around 450 owl roosting sites where about 30,000 individuals
winter together. The town square in Kikinda is the largest winter habitat of
long-eared owls on planet Earth.
Stamp of the Month
Spain Post issued a stamp on 18 June 2026 to commemorate Centenary
of the International Federation of Philately (FIP)
Centenary of the International Federation of
Philately (FIP)
In 2026, the world of
collecting celebrates an exceptional milestone: the centenary of the
International Federation of Philately (FIP).
Founded in Paris on
June 18, 1926, by a visionary group of national federations, the FIP was born
with the firm purpose of structuring, promoting, and safeguarding the art of
philately globally. Today, one hundred years later, it stands as the leading organization
uniting millions of collectors from all five continents.
This special issue not
only pays tribute to an institution, but to the very essence of the postage
stamp. During this century, the FIP has transformed the act of collecting into
a rigorous scientific and cultural discipline, establishing standards for world
exhibitions and fostering historical research through philatelic literature.
Under its guidance,
the stamp has transcended its function as a means of payment to become an
ambassador of peace, culture, and the collective memory of nations.The design
of this stamp commemorates a history dedicated to building bridges, showcasing
the personal interaction that this hobby has fostered for one hundred years.
In an increasingly
digital world, the FIP has successfully adapted collecting to the changing
times, encouraging youth participation and ensuring that every piece of
perforated paper continues to tell a story. Celebrating 100 years of the FIP is
celebrating the preservation of humanity's graphic heritage.Through this stamp,
we invite collectors and the general public to recognize the work of an
organization that has made philately a universal language.
A century of passion,
study, and international friendship that today looks to the future with the
same enthusiasm with which the first letter was mailed back in 1926.
The design is a
drawing by Eire Terrero Cumbre, a member of the USK urban sketchers movement.
This drawing was created during a session held by the USK Bahía de Cádiz group
during the 2025 National Philatelic Exhibition in November.
The movement has
chapters in various cities around the world and has an eight-point manifesto,
which includes the following principles: we draw "in situ," indoors
or outdoors, directly capturing what we observe; by drawing, we document a
specific place and time; we help each other and draw as a group; we are
faithful to the scenes we witness; and we show the world one drawing at a time.
Philatelic
Clubs and Societies
Air Mail
Society India Foundation - https://www.airmailsocietyindia.org/
Karnataka
Philatelic Society - https://www.karphil.in/index.html
Prayag Philatelic Society
- http://www.prayagphilatelicsociety.org
Ananthapuri Philatelic Association, Thiruvanthapuram
Baroda Philatelic Society - http://www.vadophil.org/
Chandigarh Philatelic Club
Deccan Philatelic Society – Pune, Maharashtra
Eastern India Philatelists’ Association - https://eipa.in/home
The Hyderabad Philatelic and Hobbies Society
India Study Circle -
http://www.indiastudycircle.org/
Indian Thematic Society, Ludhiana
Ludhiana Philatelic Club
Numismatic
& Philatelic Association of Vellore Fort
Philatelic Congress of India - http://www.philateliccongressofindia.com/
Philatelic Society of Rajasthan, Jaipur
Philatelic Society of India , Mumbai : http://www.psi1897.com/
Orissa Philatelic Association, Mail id-: orissaphilatelic@gmail.com
Rainbow Stamp Club -http://rainbowstampclub.blogspot.com/
Rajkot Philatelic Society – Rajkot, Gujarat
Gujarat Philatelic Association - Ahmedabad
South India Philatelists Association - http://www.sipa.net.in/
The Army Philatelic Society, Pune
Stamps of India – http://www.stampsofindia.com
Durgapur
Philatelic & Numismatic Society – https://www.facebook.com/share/1B3TasUbyR/
Philatelic Society of Bhopal
Madurai
Philatelist & Numismatist Association (MAPNA)
- https://madurai-mapna.blogspot.com/
Blogs & Websites
Jusqu’a
Markings and other Route Indicators
RAINBOW
STAMP CLUB
This is a blog of e-Stamp Club www.rainbowstampclub.blogspot.com The idea of
this blog is to extend the philatelic fraternity to all corners of the world.
Readers may write about themselves with their collecting interests and share
new ideas with other philatelists. New
Posts on recent issues, news on stamp activities, and Contributions by members
are published every day on this blog. Readers may also express their views on
any philatelic matter which will be published under Club News at Rainbow Stamp
Cub Blog. Philatelic Clubs and Societies may also send brief write ups. Readers
may send reports on new issues, special covers, cancellations & philatelic
activities in their area for inclusion in this Blog. - Editor
Current Philatelic Magazines – Newsletters
-VADOPHIL, Editor - Prashant Pandya &Timir Shah and
published by Baroda Philatelic Society, Vadodara. Website -http://www.vadophil.org/
-Ananthapuri Stamp Bulletin - Monthly e -stamp bulletin of Anathapuri
Philatelic Association, Thiruvananthapuram. Editor – Mohanachandran Nair
-Journal of the Army Philatelic Society
-India Post – Quarterly Journal of the India Study Circle publishes original
articles submitted by members of ISC.
-Deccan Philatelist edited by Dr Anjali Dutta email : dranjalidutta0303@gmail.com from Deccan Philatelic
Society, Pune.
-The Hyderabad Philatelist from Hyderabad Philatelic and Hobbies Society Editor
– Shri Prakash Agrawal
-SIPA Bulletin issued by South India Philatelists’ Association
-The Fila Capsule issued by
Eastern India Philatelists' Association, Bhubaneswar, Odisha. Editor - Dr
Bibhudutta Mishra
- Philatelic Society of Delhi Newsletter edited by Tarun Jain
Gibbons Stamp Monthly edited by Dean Shepherd –
Stanley Gibbons
Acknowledgment
-Fila Capsule May 2026
issue : e- magazine of Eastern India Philatelists' Association, Bhubaneshwar
Odisha; Chief Editor: Dr Bibhudutta Mishra-email :bhanubibhu68@gmail.com
-Anathapuri
Stamp Bulletin July 2026 : Editor : Mohanachandran Nair : Anathapuri Philatelic
Association : email apa.tvpm@gmail.com
- Vadophil Special 51st Anniversary Issue Editor : Prashant Pandya : Baroda Philatelic Society
Courtesy - News and Image Resource to this issue : SIPA, Philately Promoters, EIPA , Indian Philately, Prayag Philatelic Society Group, Philatelic Exhibitions, WhatsApp WOPA ; Pan India Pictorial Place Cancellations ; Capt. Vijay Wadhawa- Raipur (C.G.), Mystic Stamp Co.; Timir Shah, Vadodara; Praveen Shastry, Bangalore
Address for communication:
Jeevan Jyoti, 509, Design Arcade, Chandrabani, Wildlife
Institute Road, Dehradun-248001. India .
e-mail
– j.jyoti9@gmail.com
A Request to Readers & Contributors –
·
Please do not send the text in scan
form or PDF. Send your write ups in MS Word only.
- Last
date for receiving articles/ News /write ups – 25th of every month.
- For
articles: Kindly send images in jpg compressed form and text in MS
Word only Please do
not use any formatting and text wrapping in the article. Simply put
the images under text where required.
- If you like this issue, please forward it
to your friends and help in promoting philately.
· Please do not send forwarded messages for promotional
section if you want to give any information for promotion, please write
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Attention – Please do not
send text or image for publication in PDF.
Any material from this newsletter
may be reproduced only with the written permission from the editor.
Happy Collecting ……….
Rainbow Stamp News is edited and
published monthly by Jeevan Jyoti from Dehradun (Uttarakhand) India for free
circulation among philatelists.
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